Quotes of All Topics . Occasions . Authors
I never got to meet Michael Jackson, and he's gone - so to be on stage with Prince was like if Michael... you know what I'm saying? And Prince, he's just such a warmhearted guy. He's so humble. He's such a spiritual man. I like his style.
The beauty of recording in L.A. is that most of the musicians that are on the record live here, so it was easy to get world class artists like Rick Braun to swing by and play a little trumpet, Everette Harp on sax, guitarist Paul Jackson.
My approach in 1999 was basically to play what I had, that was all I could do. At the time I was broke. I think I only had one guitar, a flametop green Jackson and I had these DC-10 Mesa Boogie heads. I think I had a cheap Shure wireless.
I feel like nowadays it's almost become a corny thing to say that you want to be a role model or do something good for the world, but the artists I've looked up to - like Michael Jackson, Whitney Houston, and Prince - were about something.
Everything was so fresh and unique to us - it was a whole new world of music. Michael Jackson was so fresh, you know? We could approach it with such fresh ears, which wouldn't be possible if we had been listening to it when we were younger.
Michael Jackson was the biggest star the world has ever seen - he put so much into everything; a lot of attention to detail. I want to do that. I want to pay that kind of attention to detail in everything - in music, visually - all of that.
Michael Jackson loved epic symbols. In his shows and his videos, he always destroyed or salvaged worlds; he was the hero of parables about street violence, sexual combat, war and natural disaster. It was always apocalypse or apotheosis now.
I was obsessed with 'The Velvet Rope' for a year straight, letting Janet Jackson's confessional lyrics lull me to sleep and comfort me when I felt lost. I felt that the album was the vehicle onto which Janet finally expressed her full self.
When I went back to my old high school, all these kids looking at me like I'm the real big homie, the same way I look at Jay Z, Nas, or Dr. Dre. You would've thought Michael Jackson walked through that joint off the excitement that they had.
Sharpton and Jackson are 'race brokers.' Their job is to define black identity and then keep blacks in line to vote to the highest Democratic bidder that serves their purposes. 'Black enough' is just another tool in the bamboozler's toolbox.
I was 17, and a friend said, 'Man, you've got to listen to this song,' and he played 'Man to Man.' From there on, I was hooked on country. Garth Brooks, Alan Jackson, Clint Black. Every show that came through America West Arena, I was there.
I feel like my biggest competition is myself. A lot of kids get caught up in the comparing game - comparing themselves with Michael Jackson, comparing themselves with Michael Jordan. You gotta be your best. You gotta overcome your own fears.
We named the film 'Action Jackson' because our hero, Ajay Devgn, is known as 'AJ,' and we thought it would be a good idea to use the initials and extend it into the title 'Action Jackson,' as Ajay is doing both action and dancing in the film.
I'm a postmodern commentator, and so, in a cheeky parallel to James Joyce or James Kelman, I get to places, verbally, that are a little unusual - when I talk about Jocky Wilson and end up sounding like a Jackson Pollock of the commentary box.
The people of western Missouri are, in some respects, very peculiar. We will take Jackson county where I was born for instance. In that section the people seemed to be born fighters, the instinct being inherited from a long line of ancestors.
The key to empowerment is no more complicated than what Jesse Jackson said, 'We are somebody.' But the 'We are somebody' I would like to be in the larger sense: not just the urban African-American but homo sapiens in general - We are somebody.
Henry M. Jackson, congressman and senator from 1941 until his death in 1983, achieved far greater renown than most legislators, ran for president in 1972 and 1976, and was for much of the 1970s and 1980s one of the most powerful men in America.
Did you happen to catch the film I did between 'Lord of the Rings' and 'Kong?' It was a nice little Jennifer Garner comedy, '13 Going on 30,' and I play her boss. In my big scene, I get to moonwalk - pretty well, I thought - to Michael Jackson.
I love creating partnerships; I love not having to bear the entire burden of the creative storytelling, and when I have unions like with George Lucas and Peter Jackson, it's really great; not only do I benefit, but the project is better for it.
You know, when Michael Jackson does the moonwalk, he's showing off! When Prince or Hendrix do a guitar solo, it's confidence! I would hate to be at a show and some nervous wreck is sweating up there and doesn't feel like he deserves to be there.
Music has always been in my family down to my dad through my uncle. I'm just the next generation, since it's always been around me when I was younger when I looked up to my mom and dad, to Michael Jackson, and B2K was my favorite band growing up.
Film sets are a strange place, but an exciting place. I do love my work; I really enjoy going to work. But if you just spend all your time on film sets or even on stage, you can become a Michael Jackson figure, living in your own little universe.
I remember, in school, writing Janet Jackson and Michael Jackson and asking them to come get me out of class. I would imagine them running down the hall and asking my teacher, 'Ms. Daniels, can we get Missy out of class? We're here to see Missy.'
I keep saying that, if Samuel L. Jackson and Bette Davis could have a baby, it would be Taraji P. Henson. To me, she's one of the greatest character actors of our generation, let alone leading ladies. She's just phenomenal in everything she does.
I started going on YouTube and studying everybody who was super popular, from Taylor Swift to Beyonce to Michael Jackson to Chris Brown, just everybody... That's what helped me find my voice and helped me find how I write songs, just doing covers.
Who, adult or child, is Michael Jackson truly close to? What and who is he trying to flee? What's the nature of the psychic damage he has so clearly sustained? I suspect his racial identity is more a byproduct of that damage than the primal cause.
I actually have only one Jackson! ESP makes all of my guitars now. But that Jackson was probably the last one I paid for, which is why I used it so much; I had to get my money's worth. That's why, for the longest time, it was in all of our photos.
Liberace was a miracle. You talk about who he was and what he did, and then you look at who he inspired, from Elton John to Cher to Michael Jackson to Bette Midler. There are so many people that came to see him. Elvis was there, watching his shows.
I saw 'Tintin' in Europe - it is 'Indiana Jones' on steroids. Unbelievable. What a fantastic movie. Steven Spielberg, you rock the house. And working with those young English guys like Edgar Wright, and also Peter Jackson; what a great combination.
Michael Jackson will always be my favorite pop musician; he was for years and years until his death, which was horrible to me. So I like pop culture. But to me, even if it's popular, there is a quality in the music you have to be able to appreciate.
When I was in the 9th or 10th grade, Cheryl was All-American, and she was getting all the pub. I thought to myself, 'Why isn't anyone paying any attention to me?' I used to wish that I wasn't Reggie Miller, that I was Reggie Smith or Reggie Jackson.
When I was growing up, the brands that were most powerful were people brands, like Michael Jackson or Madonna. They stood for something that, perhaps, wasn't wholly who they were, which then became an image that they sold. That's still a brand to me.
My introduction to Motown was through The Jackson Five and Michael Jackson. Michael's been my greatest creative inspiration, so that's how I really became familiar with Motown as a whole, and as I got older, I learned far more about the other groups.
What I like about Elvis is the same thing I like about James Brown, Michael Jackson, Prince. These guys, back in the day, there was no smoke and mirrors. It was just raw talent. They would step out onstage and command an audience. Talk about awesome.
I grew up with music in the house. I was told I could sing as soon as I started talking. Everybody in my family sang, always lots of records, blues and jazz and soul, R&B, you know, like Mahalia Jackson, Aretha Franklin, Coltrane, that kind of thing.
I knew I wanted to do music at eight years of age. I listened to a lot of Motown growing up, and it got to the point where I started mimicking people - Michael Jackson or whoever. People started to notice I could hold a tone. The bug was always there.
Dan Rather pulling on a sweater and thereby winning a whole new chunk of the populace: That's television. President Reagan's press conferences: That's television. Keith Jackson is television. So are Kermit the Frog, instant replay, and the Fiesta Bowl.
When I was a kid, all I knew about Michael Jackson was that he was crazy. He had a monkey named Bubbles and some kind of oxygen chamber, and he used to be black, but he made himself white, and he was nuts. That was Michael Jackson in full. Wacko Jacko.
I don't know exactly what genre to put it in, I just know that I grew up listening to a lot of soul music - Stevie Wonder, Michael Jackson, Prince, and Whitney Houston. I was inspired by all these great big voices, and I try to do music that's timeless.
We never had a billionaire brand in music; the closest thing we had was Michael Jackson. Michael Jackson sold 750 million records. I think we're gonna set the tone for other youngsters to make more money and see that a billion dollars can be accomplished.
The great thing that I appreciate - the fact that my godfather, William 'Sticky' Jackson, was a Tuskegee Airman because my father was first born in Ozark, Alabama. The sacrifices and the commitment of those men made it possible for myself and many others.
Every child in every country in every small town should know who I am. There are a handful of people who have achieved that, and two of them are my idols Michael Jackson and Bruce Lee. I'd like to get to that level someday and touch as many lives as I can.
There are so many fantastic stories and I want to bring Thor and Odin and the other gods into the modern world, just like I did with the Greeks and 'Percy Jackson.' I'll give the books an urban setting and have young people interacting with the Norse gods.
My friends, they all say that I'm turning Hollywood. Big-time. And I want to be that. I want to be a guy who's bigger than what they say. You look at Kobe. Michael Jordan. Somebody like Michael Jackson. Those guys are bigger than life. I strive to be that.
When I was very little, I was into Michael Jackson. At six or seven, it was Madonna, but she's not what she used to be. I've been into everything from Edith Piaf to Joe Strummer to the Velvet Underground to Suicide to A Tribe Called Quest to African music.
My earliest memory is seeing Michael Jackson in Melbourne with my sister when I was about ten. I still have this souvenir stick with a glove that would light up and make a peace sign in a bunch of different colors. I'm so happy my mom didn't throw that out.
When Peter Jackson made the 'Lord of the Rings' movies, I remember there was a concern that people who didn't read Tolkien wouldn't go see the first one. But the films were so good in their own right that the audience grew beyond the readership of the book.
The signing of the Sex Pistols was a turning point for Virgin. It put the company on the map and, over the years, attracted bands such as Genesis, the Rolling Stones, Lenny Kravitz, and Janet Jackson. It also attracted Culture Club, who were ground-breaking.
Shinsuke Nakamura is probably one of the best wrestlers I've ever been in the ring with. He's very unorthodox. Everything he does is with knockout power. He's a guy who is very flamboyant, so don't let his Michael Jackson antics fool you. This guy is deadly.
Shirley Jackson enjoyed notoriety and commercial success within her lifetime, and yet it still hardly seems like enough for a writer so singular. When I meet readers and other writers of my generation, I find that mentioning her is like uttering a holy name.