Quotes of All Topics . Occasions . Authors
I watch other wrestlers. I watch movies with Jackie Chan and Jet Li and Tony Jaa. Then there's breakdancing and Capoeira - just anything I see that looks awesome that I think I could adapt in the ring. Just your typical Kung Fu, breakdancing, Capoeira moves.
As I look out there and see the culture of baseball, a lot of blacks and Latins, it's given me a lot of joy to know that Jackie started that. If Jackie hadn't come in '47, me and Ron Santo wouldn't have played in Double-A and all those years in the big leagues.
I talk a lot about Jackie MacMullan. Think about the trust and the equity Jackie has built with people in this game. When you watch her work, there is such a high level of respect given. It's hard to describe it, but you can see it when players engage with her.
One of my favorite Tarantino films is 'Jackie Brown,' and 'Jackie Brown' does it so well, where I'm watching the back half of that movie, and I don't know which side Jackie Brown is playing. I think it's really ingenious for Tarantino to keep us in the dark on that.
While prepping 'Smokey,' I saw a picture in a magazine of a Pontiac Trans Am that gave me a product placement idea. I could picture Burt Reynolds behind the wheel with Jackie Gleason on the chase. I called Pontiac and asked if they would like to have the car in the movie.
I wanted to tour the United States because I feel I owe it to the community that I grew up in. When I was growing up, the only people I saw on TV were Jackie Chan, Lucy Liu and Jet Li. Our representation as Asians wasn't big, but I wanted to be like Lucy Liu and then Maggie Q.
Jackie Chan is a very good comedy/martial arts star. He does one kind of martial arts that Jet Li doesn't know how to do and Jet Li does a martial art that Jackie Chan doesn't know how to do. You can both go to two Chinese restaurants, but both can have different kinds of food.
In my own life, I share my home with works by artists like Elizabeth Murray, Martin Puryear, Jackie Windsor and so many others, whose creativity is clear and fresh and compelling; the works break through the usual, and they inspire creativity; they inspire responses and understanding.
I don't really want to be compared to Bruce Lee or Jackie Chan, but I really feel honored and really proud that people actually see me as them or similar to them, and because they are my inspiration for what I have become today. I am really honored that people compare me to those people.
As a kid I would be put to bed when my parents had guests and because I was such a show-off I would go to my mum's room, put on her nightdress and Jackie Onassis shawl, run downstairs, go outside, ring the doorbell and pretend to be one of the guests. I'd say, 'Hello, I'm Mrs. So-and-So.'
There's an assumption that my audience is all these bearded twats from Dalston. But actually, quite a lot of older people go. For them, it's like pre-alternative comedy, when there was Dave Allen or Jackie Mason or someone. Also, weirdly, because I don't really swear, they're not scared off.
A photograph can make you feel so many different things. When you look at war photographs of Vietnam, or something similar, it makes you feel anguish and sadness and pain. Then in other moments, when you look at Jackie Kennedy walking down Fifth Avenue, that makes you feel glory and richness.
I'm a huge Jackie Chan fan, and my boyfriend is Taiwanese, and he doesn't like to read. He had this Jackie Chan book, and I was asking him questions about him, and he didn't know, and I said, 'What do you mean you don't know? You have the Jackie Chan autobiography right there on the bookshelf!'
With me, traveling for work is arriving at the airport, checking into the hotel, leaving the hotel the next morning at 4 or 5 to do something like 'The Jimmy and Jackie Captain Crazy Morning Zoo,' doing a bunch of those in a row, then going back to the hotel, and then finally going to the club.
Some people would view Jackie Robinson as a very safe African-American, a docile figure who had a tendency to try to get along with everyone, and when you look at his history, you learn that he has this fire that allows him to take this punishment but also figure out savvy ways of giving it back.
Until Eleanor Roosevelt, there was only one or two First Ladies in all of American history who made an impact, who people could even have recognized or identified. And it's really only been since Jackie Kennedy that there's been this idea that the family life of the president is such a central thing.
You look at how Barack Obama has had to conduct himself as President. It reminds me of Jackie Robinson, how he had to be very careful to reassure people that this was all right. And you still have people trying to tear him down. They make up all sorts of lies, with the goal of making him seem illegitimate.
It is totally different making films in the East than in the West. In the East, I make my own Jackie Chan films, and it's like my family. Sometimes I pick up the camera because I choreograph all the fighting scenes, even when I'm not fighting. I don't have my own chair. I just sit on the set with everybody.
Were it not for Jackie Robinson, Branch Rickey would be remembered, if at all, as a Bible-thumping midwestern Methodist windbag who neither played baseball on Sundays when he was a mediocre catcher for the St. Louis Browns and the New York Highlanders, nor attended games on the Sabbath as a baseball executive.
I didn't really know anything about Margot Fonteyn. I'd never really been a ballet child, so I had no idea what an incredibly huge icon she was, not just in terms of a creative icon - she was also a style icon. I had no idea she was up there with Audrey Hepburn and Jackie Onassis in terms of that kind of image.
During my senior year, I was supposed to spend a semester student teaching, but decided I couldn't be a teacher. My aunt Beth's friend was Jackie Gleason's daughter, Linda Miller. She encouraged me to talk to her. After doing that, she recommended Catholic University's M.F.A. acting program. So that's what I did.
My wonderful editor, Jackie Onassis, asked me to write a book that I wanted to write. I said, 'Look, it's not going to be scandalized. I'm not going to talk about anybody like a dog. I'm going to say the positiveness of my life, and talk about those who have contributed to the way I've been going, and that's that.'
What I found fascinating was just how quickly the best of the young Negro League players were drafted into the major leagues once Branch Rickey broke the color line by hiring Jackie Robinson. It was clear that all of the major league owners already knew the talents of the black ballplayers that they had refused to let into their league.
Stars wide of belt often cultivated a gentlemanly grandeur, a groomed refinement that filtered through their fingertips - the dainty fidgets of Hardy's plump digits, Orson Welles performing magic tricks with nimble dexterity, Jackie Gleason lofting a teacup to his lips as if he were Lady Bracknell - or through a fine set of twinkle-toes.
I guess everybody is doing a movie thing, so I'm doing the 'Scorpion King 4.' My role in the movie is as one of the king's guards, with a very original name: Roykus. Apparently, back in the day, everybody's name was 'us,' so 'Roy' plus 'us,' and put a little 'k' in there: Roykus. I'm one of the royal guards, and I do my own stunts like Jackie Chan.
