Ipods Quotes - Page 3

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I've made my best personal investments when I've been a user of the product. Like Apple. The epiphany for me came when I purchased my fifth iPod and I hadn't unwrapped my fourth. It was still in the plastic case.

Technological change is discontinuous. The monks in their scriptoria did not invent the printing press, horse breeders did not invent the motorcar, and the music industry did not invent the iPod or launch iTunes.

Madisyn [Shipman] was great. She's a really talented kid. We got along great. It was fun, in between scenes, I'd pull out my iPod and show her different old rock 'n' roll and punk stuff, and she was really into it.

All I've got on my iPod is every single Queen song and every single Judas Priest song. Queen were an incredible heavy metal band. I saw them on their first ever tour, at Birmingham Town Hall. They just blew me away.

The forces that run the world always try to keep things under control. The population might be having a wonderful time, buying iPods and going to nice restaurants, but I still feel they're all kind of under control.

In my hand luggage I always have my camera, iPod, make-up bag, tooth brush, cleansing products, clean underwear, socks and a change of clothes in case anything goes missing at the other end - and of course my passport.

A great product will survive all abuse. Google Glass is a great product. How do I know? Every person I put it on (I did it dozens of times at 500 Startups yesterday) smiles. No other product has done that since the iPod.

Maybe I'll put my iPod in two minutes before. But truly, I've listened to actors say that they loved to listen to music before a shot, and I really understand that now because it puts you in the mood and gives you energy.

As music migrates into our iPods, CD collections require less and less room, residing in our heads rather than resounding off the walls. The protracted labor of amassing a personal music library has lost its detective zeal.

I like listening to music on a Discman, where the CD spins, and the fact that it's weird to listen to something on a Discman when most people have an iPod, even though those have an internal hard drive that's spinning, too.

I think if there was an ISP tax of some sort, we can say to the consumer, 'All music is now available and able to be downloaded and put in your car and put in your iPod and put up your a-- if you want and it's $5 on your cable bill.'

First was the mouse. The second was the click wheel. And now, we're going to bring multi-touch to the market. And each of these revolutionary interfaces has made possible a revolutionary product - the Mac, the iPod and now the iPhone.

And with iPods and iPads, and Xboxes and PlayStations - none of which I know how to work - information becomes a distraction, a diversion, a form of entertainment, rather than a tool of empowerment, rather than the means of emancipation.

Some days I'm just flipping through the iPod trying to get pumped, some days I don't want to listen to anything and just focus. From game to game from day to day, whatever people do to motivate themselves, they do. I do all kinds of things.

I'm into everything. My iPod is very eclectic - if you kept it on shuffle, you'd be amazed. For example, I was forced to grow up on Dolly Parton. My mum was obsessed by her. She bought all this memorabilia for the front room. It's ridiculous.

What isn’t on my iPod playlist? I have very eclectic tastes. Jazz. Classic Rock. Hip Hop. Ska. Soul. Electronica.World Music. Funk. Blues. Chamber Music. Reggaeton. Gospel. And a whole lot of Prince. (I am a Minnesota gal through and through.)

Files on iTunes - and thus iPods - are incompatible with everything else. Applications on iPhones may only be sold and uploaded through the iPhone store - giving Apple control over everything people put on to the devices they thought they owned.

I think there's something thrilling about going into a movie house and seeing everything on such a huge screen. I think we're in a culture now that is confronted with various sizes of screens, the biggest movie houses and then the smallest iPods.

I've got my iPod and I've got it on shuffle. If I'm not ready for one, I'll click to the next one. My wife, Lori, and our children, Adam, Nate, Chris, and Luke, will all tell you that when I find one I like it can stay on repeat for weeks on end.

A lot of things went incredibly well for 'Scrubs': from a ridiculous number of downloads on the iPods, to whenever they issue a new season on DVD it kinda sells out, and we got nominated for an Emmy. To be picked up for six years is all gravy, man.

I row for about 40-45 minutes every morning and put in my iPod and it's a huge range. That's when I listen to either things that I just love and know very well and just want to pay attention, it's also where I listen to things that are new that I want to get to know.

I listen a lot to my own music when I'm in the process of making it. In the car, in the kitchen while making food, on my iPod when I go shopping, etc. I listen to it as much as possible, and if I get tired of listening to it, it's not good enough, and I leave it unreleased.

Under [Tim] Cook, Apple has a new product line with the Apple Watch, but it hasn't generated the kind of excitement that the iPod, iPhone or iPad did. Still, Cook can't be called a failure. Under his leadership, the company released a larger version of the iPhone to record sales.

I'm really curious how the private listening - iPods, people listening on their phones - how that might eventual effect music. There'll be a whole genre of music that really works on a kind of one to one headphone or earbud level but doesn't really work when you play it in a room.

The Internet is global and seemingly omniscient, while iPods and phones are all microscopic workings encased in plastic blobjects. Compare that to a steam engine, where you can watch the pistons move and feel the heat of its boilers. I think we miss that visceral appeal of the machine.

I personally believe that the iPod is a frankly corrosive device because it encourages you to surround yourself with your favorites. The whole idea of a playlist is to surround yourself with your favorite things, and the interesting thing is that when you do that, they cease to be your favorites.

Gone are the days when you'd have to tune in to a mad illegal radio station late at night to be able to hear the rapper of your choice. That's all changed now. That's all gone out of the window. And I feel like I represent that change. I represent the era of iPods and Shuffle and things like that.

The advent of the mobile phone was a disaster. We are forced to listen, open-mouthed, to other people's intimate conversations. Increasingly, we are all in our virtual bubbles when we are out in public, whether we are texting, listening to iPods, reading or just staring dangerously at other people.

The value of science is not simply what the next model of the iPod you will buy next week, but its real value comes about when it's time to distinguish reality from everything else. And to be scientifically literate is to be trained in what it is, to recognize your own frailty as a data-taking device.

We're so accessible, we're inaccessible. We can't find the off switch on our devices or on ourselves.... We want to wear an iPod as much to listen to our playlists as to block out the rest of the world and protect ourselves from all that noise. We are everywhere - except where we actually are physically.

I have a whole iPod full of exceptionally bad music, truly awful stuff including a disproportionate number of one hit wonders from the early '80s and lots of hair bands. I find it utterly impossible to love a song until I know every single word, so listening to live music or new bands is pretty much out.

Records were vitally important to the development of music and of all music cultures. With that being pushed by the wayside, I can't see an iPod uniting us. In fact it separates us, the streets are full of people bumping into lamp posts, listening to their own little universe, and there's no sharing in that.

I have a very eclectic iPod. So I've got my cardio people - so it's anything from Beyonce to some Jay-Z to Janelle Monae, her song 'Tightrope,' that's a good cardio song. And then I've got Sting. I've got Mary J. Blige. I've got The Beatles. I've got Michael Jackson. I try to pick the songs that I personally love.

I think the more music becomes something you could simply download and have on your iPod, I think to a lot of people that is plenty, but to some people, they still want these artifacts that are touchable, and you can smell them, and look at them, and hold them and just have other dimensions of experience with this music.

I love spin classes. I'm also very big on music, so I make a mix on my iPod that's 45 minutes to an hour long of music that pumps me up so I know how much time I've been at the gym without looking at the clock. Put your favorite songs towards the end of the mix, so this way you keep going until you hear your favorite song.

Partnerships are increasingly seen through the prism of promises and expectations, and as a kind of product for consumers: satisfaction on the spot, and if not fully satisfied, return the product to the shop or replace it with a new and improved one! You don't, after all, stick to your car, or computer, or iPod, when better ones appear.

I have my set rigged with the biggest sound system possible and have a mini jack for my iPod attached to my director's chair. I find playing music is a very direct way to communicate with actors and the crew, especially those crew members who are on the periphery of the set. I like dancing on set too, it's a good way to release tension.

I would like to die peacefully with Thomas Tallis on my iPod before the disease takes me over and I hope that will not be for quite some time to come, because if I knew that I could die at any time I wanted, then suddenly every day would be as precious as a million pounds, if I knew that I could die, I would live. My life, my death, my choice.

We had the hardware expertise, the industrial design expertise and the software expertise, including iTunes. One of the biggest insights we have was that we decided not to try to manage your music library on the iPod, but to manage it in iTunes. Other companies tried to do everything on the device itself and made it so complicated that it was useless.

The truth is the music is really an incredible personal part of the movie. When I was drawing the storyboards for Watchmen, I had just gone to my iPod and was grabbing music. It took me about two weeks to really put my playlist together. But once I had it, I kinda just put my headsets on and drew for five months. But that music's the music that's in the movie.

It’s interesting that most gadgets are called ‘iPhone’ and ‘iPod,’ with that ‘i’ prefix, which is ego. But most creativity is not ego-led – a lot of it comes from the unconscious. So if you’re always checking your email or updating your Instagram profile, you’re not just looking out the window, daydreaming. You’ve got to let the subconscious in – that’s my main message to the world.

I [...] vowed that rather than let Alzheimer's take me, I would take it. I would live my life as ever to the full and die, ­before the disease mounted its last ­attack, in my own home, in a chair on the lawn, with a brandy in my hand to wash down whatever modern ­version of the "Brompton cocktail" some ­helpful medic could supply. And with ­Thomas Tallis on my iPod, I would shake hands with Death.

It used to be when a good record was about to drop you heard it out of every car and every kid with a boom box was playing it 3-4 weeks before it came out. Now it's not like that you just see ipods left and right and there's no anticipation factor. I have yet to see something drop with the anticipation that Illmatic had or that Ready 2 Die and Cuban Linx had. Those records had real anticipation factors.

I was walking every morning, and I'd take my iPod and paper and pen. As I walked, I wrote a poem, and then I'd come home - and sometimes it's legible, sometimes not - I typed the poem up. So I have a new, yet to be published, collection of poems now. It's called Walker's Alphabet, and among other things, it is about walking. My most recent collection of poems in 2010, incidentally, was titled WALKING backwards.

The biggest surprise watching video on the tiny, 2.5-inch screen (320 by 240 pixels) is completely immersive. Three unexpected factors are at work. First, the picture itself is sharp and vivid, with crisp action that never smears the screen is noticeably brighter than on previous iPods. Second, because the audio is piped directly into your ear sockets, it has much higher fidelity and presence than most peoples TV sets. Finally, remember that a 2.5-inch screen a foot from your face fills as much of your vision as a much larger screen thats across the room.

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