Quotes of All Topics . Occasions . Authors
I tend to avoid things like award shows and panels and interviews, not remotely because I feel I'm above them or wish to cultivate the image of the intriguing recluse. I'm just not very good at them.
When you do interviews, you have to talk about yourself - and I like to find out about other people. I am so familiar with everything that I do. Ive said it over and over again. I think it is boring.
They ask me what the biggest thing I have going on right now is, and I usually say, "I think this interview?" And then they don't get that it's a joke. So then I say, Yogi Bear 3D. That's my default.
I love having people around who are better interviewers than I am and who can make the time to do a really great job. All of the interviews that we've published are with people who really interest me.
Everyone needs to start doing interviews over email. Whether you're a journalist or a spokesperson speaking to the media, you're better off communicating questions, statements, or inquiries via email.
Reggae was always a passion of mine. I used to say in interviews that I would love to do a reggae album. But it consumed my life being a hip-hop artist and being Heavy D, which I'm happy and proud of.
Actually, I don't get to do it (watch 5 or so news shows) every day, but I manage to do it at least 5 times a week. And the rest of the time I'm doing interviews. I do an amazing amount of interviews.
All the stories in 'The UnAmericans' required interviews, travel, hours and hours in the archives. All of that stuff is so important in the beginning, but I reach a point where I have to shuck it away.
People think that I can just walk into a room and get a job, but of the 200 interviews and auditions I go through a year, I may get three yeses. I just have to use my sense of humour to get me through.
You know, you meet some people, and do a lot of interviews, and you come across a Buck O'Neill and you know you are going to know him for the rest of your life. The same thing happened with Curt Flood.
I would get adult acne when it was somebody really famous I had to interview, so sometimes I would have to look straight at the camera because I couldn't look sideways or profile, because it would show.
People think I don't like interviews but I don't mind speaking about proper and interesting stuff. When it's stupid stuff to build your image and you are told to mention this and mention that, I hate it.
Young people need the hands-on training that comes with a summer job. They need to know how to dress for success and nail job interviews. But most of all, they need mentorship, guidance, and inspiration.
A lot of times, I feel like people come up to me because they think I'm like my character in 'Easy A', or because they've seen me in interviews, but really what they're a fan of is a movie or a character.
If somebody wants to sit down with me for an hour and interview me and ask me any question about my record, my policies, my foreign policy experience, my domestic policy experience, I'm willing to do that.
If you're doing an interview, you need conversational tension. After you talk to them, you're not going to have a relationship with them, they're not going to like you, they're not going to be your friend.
The initial research will be very indiscriminate. I do a lot of reading, buy a stack of books and read and digest them, and then I start doing phone interviews and archival research and then the travelling.
The first interviews I gave were entirely unpleasant. You have people trying to trip you up with impolite questions that have nothing to do with the books. It's simply vulgar curiosity, and I won't have it.
As I've conducted my interviews with crowdsourcing entrepreneurs and experts, it's constantly hit me that your ability to do something big and bold is really a function of the size and quality of your crowd.
These interviews, sometimes they jog your memories, like what you were doing when you were 10 years old. They're always searching for your past; they can keep you living there. I want to go on to the future.
Once, in an interview with 'V' magazine, I said that I preferred Fitzgerald to Hemingway. I think that Hemingway is an amazing writer, but by being related to him, I had it in my head that I had to like him.
In an interview John [Linnell] said, 'At a certain point you just get tired of the way the other person breathes,' and I took that pretty hard because I, personally, am infatuated with the way John breathes.
People know who you are when you've never met them. For them, through interviews and seeing you perform, they feel like they know you and you've never seen them before. It's really different, but it's awesome.
That's the problem with news interviews, you work your tail off to get prominent figures in the news on the radio, but once they've been on, the event passes, the urgency, the issues you talked about evaporate.
A talk show is difficult because the formula is always the same: there's a host and there's guests. Really what you can change is only so much. So, I don't have any pre-interviews, which forces real conversation.
I actually did a lot of interviews with Benjamin Bratt, and I learned a lot about him in all of those 60 something interviews that we did, because it was a junket. He speaks very well, and I learned that from him.
People I meet today, especially journalists who interview me, are astonished to hear that Lenin told me, in effect, that Communism was not working and that the Revolution needed American capital and technical aid.
When I was thirteen I basically asked my mother if it was possible for this to end, that I'd had enough of it. And I truly had had enough. And that was right about the time that we got a call for a movie interview.
There are the people who really, really enjoy being celebrities, and then there are the people who came by it maybe by accident. I'm one of those people who fiercely guards their privacy, so I hate doing interviews.
I've become wary of interviews in which you're forced to go back over the reasons why you made certain decisions. You tend to rationalize what you've done, to intellectually review a process that is often intuitive.
My feet never touched the ground. Lots of good groups with crazy and unique images. It was wild. I spent all of my time doing gigs, TV appearances, interviews, or recording. I could write a book - and probably will.
Even in my really bad, drugged-out days, I didn't go away. I still toured, still did interviews. I never gave up the fight. That's why I'm who I am today, because I didn't leave. And I think I made the right choice.
It's really not that hard. If I do a Tonight Show, it's six or seven minutes. If I do a concert, it's 90 minutes. If I do an interview, that's 15 minutes. So by the end of the day I've done three hours worth of work.
Larry Grobel's interviews are informative and insightful without being pandering or intrusive. You get the sense at all times of both intelligence at work-the interviewee's and Grobel's-both inspired by the encounter.
If you interview people or friends who work with me, they would say I'm private or internal or don't emote a lot. Yet I do it every day for 10 million people. I just don't do it for the 30 people I'm in the room with.
John Kerry reportedly flew in his private hairdresser before his "Meet the Press" interview for a total cost of $1,000. That's $1,000 for a haircut, which sounds like a lot, but have you seen the size of Kerry's head.
Interviewers have to be work really hard to be good. They¹re more inclined to be bad. Generally, they can go either way, but interviewing on a whole isn¹t such a useful thing. I¹m not a big fan of (interviews), really.
Most of my interviews have been with millennials, and it's been a fascinating window into my kids' world. It's been so wonderful to see a generation that seems so savvy in so many ways - and so much cooler than we were.
In a new interview, the president discussed the upcoming election. He said that Hillary Clinton is going to do great as a presidential candidate. When asked how Biden would do, Obama said, 'Hillary's going to do great.'
I watched a Katie Taylor interview, really interesting and then Eddie Hearn barges in! "Oi, hello, apples and pears!" You should be promoting your fighters, not yourself. Technically I'm more of a promoter than you are.
I paid attention to the music industry and watching a lot of stuff on TV, behind-the-scenes stuff on old DVDs, and paying attention to interviews from artists and rappers and just really watching a lot of stuff as a kid.
The Weaver is a really godlike power. It's not even a blind idiot god, a sort of Lovecraft thing, it's just a purely capricious god. It's an intelligence you can't understand, so you can't trust it." -Amazon.com interview
When I work out, I wear two in-the-ear hearing aids for comfort, and then I wear the behind-the-ears for my day-to-day non-physical activities, when I need maximum hearing and to communicate with people and do interviews!
The music world taught me a lot.It taught me how much happiness it could take from you. J. Cole said it in that interview: People forget their happiness and what makes them happy. Like, what you really wanted to do it for.
I hate myself in interviews. All of a sudden, you stop and you're like, 'Chris, how dare you?' I don't live in Darfur. I have both legs. But you can't walk around all the time being like, 'I'm so grateful I'm not in Darfur.'
I really love Charlize Theron. I've never met her before, but she seems really down-to-earth in interviews, really intelligent and funny and cool - and she's just this glorious goddess who holds herself with such confidence.
If, Sir, I possessed the power of conveying unlimited sexual attraction through the potency of my voice, I would not be reduced to accepting a miserable pittance from the BBC for interviewing a faded female in a damp basement.
I read a magazine called 'Cinefantastique' that had just come out with a making of 'Star Wars' issue. They had some very long and detailed interviews with a whole bunch of people at ILM. I think I memorized that whole magazine.
When I was a teenager, 'Playboy' was the most interesting magazine in the world, and not just for the playmates. I liked the interviews and the stories, and all that, but nowadays most of the stuff in there doesn't interest me.
Our partnership with Disney included a two-hour Cinderella list takeover that features supermodel Coco Rocha's first-ever fashion collection, which incorporated behind-the-scenes footage and interviews to support her HSN debut.