Quotes of All Topics . Occasions . Authors
When I was leaving college, getting ready to graduate with a degree in finance, I had job interviews for months and months - and nothing really was moving like a real opportunity. Meanwhile, a lot of my wrestling teammates at Oklahoma had started getting into MMA training.
I had a lot of time to think, and that is not good for your mind. And when it actually happened, it was not so much a celebration but the relief. It was an exorcism anxiety. After each race there is a procedure in which you get taken off to the podium and the TV interviews.
If I do three interviews in a day, I can be exhausted, because the process of hearing everyone requires that I empty out myself. While I'm listening, my own judgments and prejudices certainly come up. But I know I won't get anything unless I get those things out of the way.
My women students openly admit that they dress for interviews like dates, hoping to look their best: makeup, high heels, a well-fitting suit that shows off their figure. And I always tell them to make sure to wear a shirt under the suit jacket. Form fitting, yes. Cleavage, no.
Look, I don't have a Facebook page because I have little interest in hearing myself talk about myself any further than I already do in interviews or putting any more about myself online than there already is. But if I wasn't in this position, I'm sure I would use it every day.
You know that thing where you repeat a word over and over until it just sounds like utter gibberish? That's what doing a day of press on a film is like. Ten interviews in a row, all asking pretty much the same questions until you find yourself giving pretty much the same answers.
It is said that I'm distant and cold. I'm just someone who's very shy. I'm not comfortable doing interviews because I have to talk about myself. To talk about yourself, you have to know yourself pretty well and I feel like there are still some shades in me that I don't know about.
I never read anything in print about me. It started with not reading reviews and with the greatest respect to my publicist here, I never read interviews. I was there when I gave them. I never read reviews. I was there when I did the jobs - so I'm totally immune. I live in a bubble.
Oftentimes, whenever I do interviews with guitar magazines and we discuss my influences, I mention people like Steve Morse, Alex Lifeson, Al Di Meola - but John Scofield's name never comes up. And that's funny because he's so amazing; he's the epitome of a really cool guitar player.
Radical transparency has an enormous impact on our personal lives. We can no longer share thoughts, quips, photos or personal opinions anywhere on the web without being mindful that they may turn up where we least expect it (notably job interviews, divorce proceedings or public media).
I've done a few interviews where I realized that 9/11 was the ultimate home invasion, not to be glib about it. You know, where the place that you think is safe and the people that you think are safe and far from evil are suddenly just slaughtered by it, and you have no control over it.
I don't know what's more embarrassing, these musicians and actors talking about politics in interviews or the media actually giving them credibility about it. It's absurd that a celebrity could speak out on the economy or politics with no more justification than a hit album or a movie.
In case anyone needs reminding, it was the relentless drive of the tourism industry and kowtowing State Department bureaucrats that led to the Bush-era Visa Express Program, which relaxed visa policies, eliminated in-person consulate interviews and opened the door to the 9/11 hijackers.
'Entertainment Tonight' would send me out to do interviews with musicians like Sting and Coldplay, and I was able to watch how they plan their shows. The late Jerry Garcia of Grateful Dead always had a game plan, but he also was flexible if he had to change something at the last minute.
Reading interviews with other people, I see them say, 'All I want is for our band to be massive', but it was never an ambition of ours to be in a band that's this big. That's so far from how my mind works that I find it puzzling. There's nothing wrong with being ambitious, but we're not.
I used to chop up C-Span soundbites or interviews with politicians like John Kerry or Bill Clinton into a radio-esque show hosted by Awkwafina and her producer, Mookie. I would pitch down my vocals to have male guests and would send them to a small circle of friends after they were done.
No one really knows what I'm really like, and you won't unless you spend a day with me, or if you're my friend. No one ever knows what anyone is really like. Read all the interviews you want on them, it's just the media talking and you can't really get to know someone that way, obviously.
I listen to WTF with Marc Maron, although I'm getting annoyed with him, he's a bit too intrusive and fawning. But he's done some great interviews in the past, like with David Simon, the writer of The Wire, and Bruce Springsteen. He gets fantastic guests. I just wish he let them talk more.
I did interviews with tennis greats, like James Blake and John Isner. I also interviewed tennis pros who aren't well - known but who made all the same sacrifices but had just a little spark of a professional career and are now still orbiting the sport, either as a teaching pro or a coach.
I think that readers believe that a writer becomes friends with the people he interviews and writes about - and I think there are some writers who do that - but that hasn't happened to me. I do think it's dangerous because then you write the article to please them, which is a terrible error.
We like so much to talk of ourselves that we are never weary of those private interviews with a lover during the course of whole years, and for the same reason the devout like to spend much time with their confessor; it is the pleasure of talking of themselves, even though it be to talk ill.
I try to find 15 minutes a day to just be alone without any distractions just for headspace to meditate and get my Zen on. I think that helps me get through the hecticness of the day on tour with the interviews, the sound check, the meet and greets, the show and the post-show meet and greets.
Sometimes when I try to make jokes or have a sense of humor in interviews, it doesn't go over very well. But Twitter made my life easier in this way that I didn't expect. It would have taken probably 10 times as long for people to accept my voice and my sense of humor if I didn't have Twitter.
I have occasionally - if ever I do interviews that are difficult or nerve-wracking - I take my wife's dog tags and have them in my pocket because it's a very quick way to realize that what I'm doing is not that important. It's not really worth getting stressed about because it's not, you know, war.
I remember our first interviews at the Capitol tower. These magazine people were asking us things like 'What's your favorite color?' and 'What do you like to do on a date?' I'd ask, 'Where are you from?' and they'd say, 'Fave' or 'Rave' or whatever. We wondered, 'When do the real writers get here?'
I don't parade my family out for display, which is the way it will stay. Yet I have a reputation for being cooperative with the press. That's because when I do give an interview, I'm willing to tell the truth about what I do for a living and how goofy it is sometimes - and how volatile it can also be.
I've been surprised at how much an unknown like myself can accomplish just by reaching out to people and pleading my case. Quotes for the book cover, reviews and interviews, readings and radio appearances - all this by simply moving ahead and making contact with folks I thought might enjoy the writing.
Emphasize your strengths on your resume, in your cover letters and in your interviews. It may sound obvious, but you'd be surprised how many people simply list everything they've ever done. Convey your passion and link your strengths to measurable results. Employers and interviewers love concrete data.
At the Harvard Business School, I really felt I had gained the ability to resolve difficult issues. But I also felt that I wasn't in the mainstream with my fellow students. During job-hunting season, for example, everybody shaved their beards for interviews. I thought, 'This is crazy.' So I grew a beard.
I'm a real big Marilyn Manson fan. I get a lot of my styles from him. Not even musically - living-wise, too. Marilyn Manson definitely shows me you shouldn't care what nobody say. I watched a bunch of his interviews, and he's not just an artist; he's one of the most intelligent people I ever saw in my life.
I want you to understand, when I do these interviews, I say a lot of goofy things because that's what people expect me to say. But I never said ever that I was trying to prove the flat Earth with this rocket. It's to raise awareness, to inspire people, to dream - which is what we used to do in this country.
There was a time not long ago when stories about Internet crimes were a tough sell for TV newsmagazines. Executive producers were wary because images of people typing on keyboards and video of computer monitors did not make especially compelling TV, even when combined with emotional interviews with victims.
My sisters are my best friends and my most staunch supporters. They're always there to help me through every audition, through interviews, and through everything. Hopefully, I find some guy that I love as much as them some day. They are the best things in my life, and I would be completely lost without them.
I tend to approach giving interviews with the same sense of circumspection and restraint as I approach my writing. That is to say, virtually none. When asked what I made of blogs like my own, blogs written by parents about their children, I said, 'A blog like this is narcissism in its most obscene flowering.'
I've been fascinated by the world ever since I read 'Kitchen Confidential' by Anthony Bourdain. I've watched 'Top Chef' and watched interviews with chefs on 'Charlie Rose'... I thought they're really intriguing characters, and they really encapsulate that tension between vision and commerce, art and commerce.
I think people are used to seeing actors be wide open and desperately giving of themselves, and while I do that on a movie set as much as I can, it's so unnatural for me to do it on television, in interviews, in anything like that. I also don't find that my process as an actor is really anyone else's business.
I was crashing with a boyfriend on his couch in Fort Green. At first, I was temping - insurance agencies, nonprofits - and then, in between temping, I was going on job interviews, and I could name 12 publications, some of which no longer exist, that didn't even call me back or interviewed me and had no interest.
I often hear actors say during their interviews: 'I want to play a crazy person, a murderer, or someone who's on edge.' But that question scares me. I mean, of course there are characters I'd like to play, but I can't really say specifically who they are. It's much too hard to play a convincing normal person as it is.
Growing up, I didn't realize how unique it was to live on the border of the United States and Mexico. It wasn't until I started doing interviews with the press that I actually began to appreciate just how cool it was that I would cross the international border every single day from Tijuana into San Diego to go to school.
The journalism, I was a financial journalist - it's very good training as a writer. You have to write for deadlines; you have a certain economy of phrasing. As a training ground as a writer, it's fantastic. I also think it teaches you to be observant, to listen to people, and gives you an ear of dialogue from doing interviews.
Sometimes I do feel hopeless when I look out and scream out through my music, and I scream out through these interviews, and I scream out to people to kind of get their attention back on the things that are meaningful. There's people dying on the streets of Chicago - young people, young men and women who are losing their lives.
I mean, I have done scenes with animals, with owls, with bats, with cats, with special effects, with thespians, in the freezing cold, in the pouring rain, boiling hot; I've done press with every syndication, every country; I've done interviews with people dressed up as cows - there's honestly nothing that's gonna intimidate me!
When I did my first media interviews after I was announced as a team principal, the first question was, what qualifies you for the job? The second question was, did your husband place you in the role? And the third was, how are you going to do your job as a mother? I was speechless to think that we were not making any progress.
I remember when I was in Mid-South and they used to tape interviews every Wednesday morning, and I wasn't required to go to the interviews because I was a rookie and I wasn't cutting any interviews - I was a curtain jerker. But I went every Wednesday anyway because I was going to watch those guys and I was going to glean from them.
Sometimes people ask me this question in interviews and it is very difficult to answer. They say, 'Kouli, how does it feel when the fans make these racist howls at you? Does it bother you? What should be done?' I think that until you have lived it, you cannot really understand. It is such an ugly thing, and it is hard to talk about.
To be honest, there are parts of 'How Literature Saved My Life' that began as interviews. Someone was telling me that they think the book sounds very phonic: that it sounds like me speaking. And I don't think it's a coincidence that there are six to ten passages that I cadged from various interviews that I did post-'Reality Hunger'.
In karting, in the European races, you have the cameras and the film crews and you do interviews. At around 13 I'd already started doing bit of media and it just increases more and more with every level you take, especially when you get into cars - and when you hit F1 it's an even higher step up. It's something you get used to over time.
The Holocaust survivor who knows Auschwitz through the experience of suffering observes it all from the perspective assigned to him. He keeps silent or gives interviews to the Spielberg Foundation, he accepts the compensation payments promised him after a fifty-year delay, or, if he is prominent, he makes a speech in the Swedish Academy.
The most memorable interviews for me are folks whose names I don't know: young civil rights leaders in the South, showing great courage as they walked into a town in the dark of night. A doctor working for 'Doctors Without Borders' in Somalia, operating by kerosene light in a tent. Those are the kinds of people that linger in your memory.