Quotes of All Topics . Occasions . Authors
It is one thing to describe an interview with a gorgon or a griffin, a creature who does not exist. It is another thing to discover that the rhinoceros does exist and then take pleasure in the fact that he looks as if he didn't.
People down on their luck deserve the best: beautiful surroundings and well-paid professional staff to help them out of their difficulties. Why not train thousands more social workers and let them sit in on claimants' interviews?
Hardly any actor objects to press. It's a question of it being done in the way they like to see it done, meaning to get down to the serious interview what the profession is so we can reach out to the people to help them get along.
I bounce my knees, but I do not have restless leg syndrome. I did an interview, I don't even know who it was with, and they said I told them I have restless leg syndrome and it distracts me from my work. I do not have any syndrome.
Vicodin, I got addicted to that little pill. The reason I don't talk about it too much in the press is because it isn't funny, and I love to be funny in interviews. If you joke about that period in your life, it doesn't seem right.
I think as soon as you're a woman, or any minority doing something, you automatically become a representative for it, and I think a lot of brilliant women's interviews are being wasted on talking about what it's like being a woman.
I stopped doing interviews for a long time because the words were mine, but they were in the wrong order. Context is a very important thing - a lot of the things I say aren't serious, and so to remove the laughter does me no favours.
As Conchita, I've got everything that I need to be glamourous and in the spotlight, giving interviews, doing photo shoots. And on the other side, there's Tom, this shy, boring boy. And I love to be shy and boring when I'm in private.
Singing is just another outlet to express what I feel and to show everyone who I really am. I really don't talk about my personal life that much in interviews because that's my life, but with music, the way I write explains who I am.
'First Take' is known for the hot sport debate, which we'll continue to have. But also, I think another important aspect of the show is having the big-time interviews and the big-time guests, and being in New York gives it that feel.
There have been many times when I've been asked to appear and I'd say to myself, what am I going to talk about? Early on, when I did interviews, I'd tell everyone, Don't ask me about dates. I don't even remember what I did yesterday.
The pool of illegal immigrants is like a qualified bunch of people. You don't have to do surveys. You don't have to interview them. You know they are ready-made Democrat voters. Not only that, they are readymade Democrat constituents.
I get so carried away in interviews and deliver 1,500-word treatises, then find it's been reduced to something pithier but also not quite accurate. Although I imagine there are people I work with who wish they could edit me every day.
One of my first interviews was Keira Knightley, Orlando Bloom, and Johnny Depp for 'Pirates of the Caribbean.' I was in eighth grade at the time, little teenybopper. I was so, so nervous. I just remember Johnny had an aura around him.
I do get bottled up in interviews. You're thinking about what you're saying, and suddenly you get all tangled. So people think I'm sullen, or that I don't have much to say. But my friends will tell you: a lot of times I talk too much.
Stanley Kubrick, I had been told, hates interviews. It's hard to know what to expect of the man if you've only seen his films. One senses in those films painstaking craftsmanship, a furious intellect at work, a single-minded devotion.
The goal of my shows, my interviews, my business, my philanthropy, all of it, whatever ventures I might pursue, would be to make clear that what unites us is ultimately far more redeeming and compelling than anything that separates me.
When 'Game Of Thrones' came out, lots of interviews were coming in, and people asking me to do certain things which would push me out there. Like this whole Instagram and Twitter thing - getting more followers doesn't bother me at all.
Then instead of introducing Dre as the guy from N.W.A., Jerry Heller would say Dre was my producer! Dre would come to my interviews with me - he'd come to all these places that would never have had the guy from N.W.A. Wasn't it genius?
I'm asked all the time in interviews about who I am, and I know a few people my age who have a strong sense of self, but I couldn't say I know myself and sum it up and give it to you in a little package. I don't know myself at all yet.
There needs to be a planned series of speeches, interviews, etc., over the next two or three months by administration officials and other public figures talking about President Ford, what he is trying to do and what he has accomplished.
Even if I'd wanted to work at Goldman Sachs, they weren't going to hire me, because I was saying things like, 'That's a dumb question' when I was asked something stupid in the interviews. I just didn't have a lot of respect for authority.
Twitter is the new rock magazine of the modern age. When I was a kid, we had magazines and journalists and interviews and articles and pinups and posters to follow our favourite artists. Nowadays? Twitter is actually the new rock magazine.
I don't mind doing interviews. I don't mind answering thoughtful questions. But I'm not thrilled about answering questions like, 'If you were being mugged, and you had a lightsaber in one pocket and a whip in the other, which would you use?'
Being an entrepreneur is a mindset. You have to see things as opportunities all the time. I like to do interviews. I like to push people on certain topics. I like to dig into the stories where there's not necessarily a right or wrong answer.
I don't try to hide who I am when I appear in public places, act, or attend interviews. If I do, it makes the gap even wider. I like it best when someone says I'm the same on television, on camera, or off camera. This makes it easier for me.
I think a guitar solo is how my emotion is most freely released, because verbal articulation isn't my strongest communication strength. My wife thinks that I should do interviews by listening to the questions and playing the answer on guitar.
Oftentimes, if a writer really gets her hooks into me, I'll want to read interviews, or listen to an interview, or read a literary biography or a memoir of some kind. And doing so almost always deepens my enjoyment of the author and her work.
I've made my records and I've done all the interviews. I've done lots of long tours. I've made stupid videos. I've done all that stuff and learned all the lingo and gone to radio stations and shmoozed with DJs on the air and met retail people.
My sisters are my best friends and my most staunch supporters. They're always there to help me through every audition, through interviews and through everything. They are the best things in my life, and I would be completely lost without them.
I used to do interviews - I still do - interviews every day, all day. And you go from maybe doing a couple of professional interviews, where you can hear the sound right, to everyone else sounds like they're at the bottom of the Atlantic Ocean.
They see us interacting with people, they see us doing serious interviews, they see us having fun, and when you're conversing with someone, you get a much clearer impression of who that person is than if they are just reading into a news piece.
When you strategize a relationship too much, like, "We're not gonna be public about it, and we're gonna say this in interviews," when you think it all out, I think that complicates the relationship and I think that's unfair for the relationship.
It is harder to lie in an interview. A good interview - and it can be polite - is not a one way street like a candidate controlled ad. An interview is not programmed by the candidate and so the candidate can't be exactly sure what will be asked.
The FBI released its report on [Hillary] Clinton's emails. It exonerated her almost completely, but a few days later Matt Lauer obliviously spent a full third of his interview with Clinton on the emails anyway. Lauer was widely pilloried for this.
In interviews, the first question I get in America is always: 'What do you do to stay young?' I do nothing. I don't think aging is a problem. What irritates me a little is growing fatter. It irritates me that if I eat what I want to eat, it shows.
I remember listening to an interview with Beyonce and she talked about how she and her husband, Jay-Z, have always made it a point to have the conversation about them be about their music, not about their business, not about their personal business.
I'm just there to do interviews and stuff, because we have about 40 media people there, so it's a very, very busy week. But that's the only time. I did marry, I think on one show, about 25 couples in Acapulco Bay once, but that was all just for kicks.
I'm not a standup. I didn't start off as a writer, I learned to write through improvisation, and so that's the part of the show that can most surprise me. The written part of the show, I know I can get wrong. You can't really get the interview "wrong."
When I started, with films like 'The Bay Boy' and 'Stand by Me', I look back on those interviews and I'm amazed; there's no mention of my father; it's not even 'son of Donald Sutherland.' I caught a bit of a break in that it never felt like a weight to me.
When 'Ruby Sparks' came out, I had to do so many interviews where I had to explain the film and my politics. And I think there was a willful misunderstanding by some people. They thought the movie was trying to perpetrate the thing the movie was deconstructing.
One interview would lead us to another interview, which led us to another interview. We had the questions and the idea of chonicling this moment in time. But we didn't have a movie, per se. As we started interviewing people, it started to kind of define itself.
Looking back on my early romantic life, I was more worried about what impression I made on my dates than what I thought of them. I would approach them as though they were job interviews, trying to wow the man so that he would ask me out again and I got the 'job.'
Sony has canceled the big Seth Rogen movie, 'The Interview.' North Koreans hacked their email so Sony said, 'Now we can't show anybody the movie.' I'm disappointed. I think this is the wrong thing to do. And I hear in the film Meryl Streep is great as Kim Jong Un.
It's great, the number of people that I'm reaching through the Internet - I've done some wonderful interviews - but I miss touching the bodies. I miss shaking hands, looking into people's faces and saying, 'Hello, how are you doing? Thank you for playing my music.'
People ask me in Europe, when they do interviews... they ask me, 'Well, how does it feel to be a cook in a country that doesn't know how to eat?' It always touches a nerve, because Europe and the world think that America is no more than bad hot dogs and bad burgers.
Some writers are more natural public performers than others; personally I find it quite strange giving interviews. But everyone has parts of their job that they like more than others. You can't complain if you get to do what you love doing most of the time, can you?
I don't do interviews at home any more because my wife doesn't like having her taste in interiors put through the mill. And I get annoyed when journalists make snide remarks about the annoyingly pretentious shops in the neighbourhood - because I hate them just as much.
I don't think I win most interviews. For instance, with Fidel Castro, I only spoke with him one minute and three seconds. But I think he won because I couldn't get anything from him. With the former president of Venezuela, Hugo Chavez, it happened exactly the same thing.
I did a 20-minute selection of scenes from the play 'Spring Awakening' in college, well before the musical came around, so when the musical was becoming a hot thing, and I was reading interviews with Duncan Sheik about how he came to do the music, I think it's interesting.