Quotes of All Topics . Occasions . Authors
If I feel like I've done a great job during an interview with the president of the United States live in the Oval Office, it doesn't give me a tenth of the good feeling of going to the school play and making eye contact with my kids as they're onstage delivering their lines. Nothing compares with that moment of connection.
Your wardrobe can be your passport for success. What you wear to a new job interview or an audition can be of great impact and open doors for you. If you possess talent and faith in yourself, and wear clothing that enhances your personality, you have a 50 percent better chance of winning or gaining whatever you're seeking.
I'm constantly playing this game in my head where I'm thinking, 'Can this quote be pared down and misinterpreted?' It doesn't matter what outlet I'm talking to and how comprehensive the interview is, because I have to think in terms of, 'Right, but 'People' magazine could just take this one quote and take it out of context.'
I sit at this really weird crossroads. My job requires me to take in calories. I take care of myself. I eat healthy. I exercise a lot. But then I have to go to events in cocktail dresses and look fancy, and people want to interview me about what I'm wearing, and then I'm compared to people who are wearing size 2 all the time.
I entered KC College in 1975. When I came here for my interview, for my admission, every person I spoke to spoke to me in Sindhi. Be it Kundanani, Bhambani, Nichani, Kevalramani... and they also thought that Ambani was the same. For a moment, I thought that I got my admission at KC College because I have a 'ni' in my surname.
We released 'The Interview' through a variety of platforms, and we continue to look for other distribution options. Throughout this whole process, we never stopped - not for a single moment - trying to secure a broad release. Our studio takes great pride in continuing to grow the release of this movie and making it a success.
I was walking home from school when I was about 17 with two friends, and they took a left into an electrical shop. While we were chatting away, they grabbed a couple of forms and I was handed one. My mum found it and made me fill it in. I got called for an interview, and that's how I ended up being an electrician for 11 years.
I don't know why people feel that I am snooty. I am not a person who has ever given an interview on image building. I have never been that person, as I am very confident of what I do. People do PR, but I get completely foxed. I don't know how to do it. I stay away from the limelight, as I think my work should speak on my behalf.
Usually, you get to interview that one girl who plays the sister on some Disney show - you interview that girl a lot - but sometimes, every once in a while, you get to interview a legend. I have interviewed some amazingly iconic people, including Michelle Obama, Oprah, Sidney Poitier and Judy Dench. These people are legit icons.
I play knowing that there is somebody watching me out there in the crowd that has never had the opportunity to watch a game before and it might be the only chance they ever to see one, live in person. Michael Jordan once said that in an interview, and I really took it to heart; whenever I step on the floor, I play for that person.
Sometimes when I visit schools, kids will interview me for the school newspaper. They ask me questions and my answers tend to go on and on, and they try to write down everything I'm saying as quickly as they can. And one day, a kid holds up her hand and said, 'Do you think you could just answer 'yes' or 'no?' Aren't kids wonderful?
If you're going for an interview, you will dress smartly and look the part, that is absolutely fine, but it's just the level to which this becomes the ultimate focus of everything, where you have people who won't go to school unless they've put their make-up on, or won't leave the house unless they've spent two hours getting ready.
The problem for me is we are denying British coaches positions in all divisions now, particularly in the top division and the Championship. We need to do something about that. As a country, as the FA, as the Premier League, we need to protect the position of our own highly qualified coaches who are not even getting an interview now.
I think it's a false distinction to say that conversation and composition are separate. Because even as we speak, I'm seeing. Every interview is different, and I'm finding new ways to talk about ancient preoccupations. And I sometimes come on something that's immensely helpful and valuable. Plus I like the sensation of conversation.
Often, I dream about work. For instance, the night before the Oscars, I dreamt about the Oscars and I dreamt about who I wanted to interview. Interestingly, one of the people I really wanted to interview was Keanu Reeves, and then we got him. We had never interviewed him before, so that was lucky. Or maybe it was fate - I don't know.
That's what Letterman did. He mocked everything and everyone in show business, even though he was at the top of show business. He was in it but not really of it, and that's one thing I came to love about him. I mean, you can't sit there and interview Cher and pretend you're not in show business, but he managed to pull it off somehow.
Startups need to focus on building a foundation for their company culture early, and then they need to revisit it often. Every time a hire is made, a feature is launched, a Facebook status is updated, a press interview is given, a round of financing is raised, or a meeting is held, culture should be part of the decision-making process.
In improv, the whole thing is that it is a relationship between the two people, as a back and forth. In standup, you don't really want to be listening to what somebody is saying; you want to project your jokes into their face. And that's really not a good instinct with a 'Daily Show' field piece, where it's supposed to be an interview.
I moved to London when I was 21 and I needed a job. I'd just done a year working in Waterstones in Manchester and I was looking for any old job. This advertisement came up for an editorial assistant on Dora the Explorer Magazine. Because I'd been working in the Children's Department in a bookshop for a year I just nailed the interview.
Go out and interview people to find a partner whom you can trust. Find somebody who subscribes to the same view that you do. I'm happy to tell you that I practice what I preach. I would have never thought I'd end up in financial services. I'm happy to tell you that my debt is retired. That happened because I got a good financial adviser.
It's a complicated process being so bilingual. Sometimes it's a mere word or sentence that comes to me, if I'm writing the book in English, in French. It's not always easy to deal with. Sometimes even during an interview somebody can ask me a question in English that I want to answer in French and vice versa - that's the story of my life!
I don't see the point of doing an interview unless you're going to share the things you learn in life and the mistakes you make. So to admit that I'm extremely human and have done some dark things I don't think makes me unusual or unusually dark. I think it actually is the right thing to do, and I'd like to think it's the nice thing to do.
Wherever I went, I became a son-in-law. It was a terrible phase for me. I had to work double hard to get back my identity. Whenever I gave an interview, the first question would invariably be, 'What is it like to be his son-in-law?' Now that question comes somewhere in the middle of the interview. Hopefully, soon, it won't be asked at all.
When someone recognises you or wants an interview, you think, 'You know, maybe I've done something good. Maybe I have a good result.' So if you see it in that way, it becomes a lot easier, and you realise that, actually, you're there and you've succeeded because of the media, because if it wasn't for them, no one in the world would know us.
I was in an ESPN interview and was asked, 'Who would I most want to ride a roller coaster with?' and I said Warren Sapp because every time he giggles, you can hear there's a little girl inside of him. I called him a little girl, and he found me on Twitter and was like, 'Are you the Bert who called me a little girl?' I was like, 'Oh, great!'
After earning my university degrees and working for a few years, I wrote to NASA to request an application package. Seven months later, after I applied, I received a call inviting me to Houston to interview. That itself was thrilling; it meant that I was one of the 100 or so who would be interviewed, chosen from several thousand applicants.
I was very blessed it was Steven Spielberg who made the movie. He was very much into the redemption side of the story. They asked him in an interview why he had owned the rights to this story for 20 years before he made the movie, and he said, 'I wanted to see what the real Frank Abagnale did with his life before I immortalised him on film.'
In 2014, I knew my English was not so bad, but I had no confidence in talking directly to an English-speaking reporter. I had to do a short interview with, I think, Reuters from France. I was so nervous. I practiced memorizing three sentences for two hours. But, I think that these kinds of interviews make me develop a lot, and that helps me.
At Liverpool, I used to read the match day programme, and you'd read an interview with a lad from the youth team. They'd ask age, heroes, strong points, etc. He'd reply, 'Shooting and tackling.' I can't get into my head that football development would educate tackling as a quality, something to learn, to teach, a characteristic of your play.
What I've learned in my life, it's a very interesting social study for me, to go back and forth between being the guy at home and being the guy on the road and being the guy in studio and being the guy in the interview. The environment around you has so much to do with your character, and when I'm home, my character really changes quite a bit.
My son was about five or six months old, and he was ill, and I was sent to New York to interview three people back to back. I got home, and I saw my baby. He had been very ill, and he was on three kinds of antibiotics. I'd been away for eight days. I looked at him and thought, 'What am I doing? I'm a terrible mother and a terrible journalist.'
For a wide-ranging look at literary matters, the 'Book Review Podcast' from the 'New York Times' is still one of the best. Presented by Pamela Paul, each episode has an interview with an author - recent guests have included Neil Gaiman and Sana Krasikov - plus a roundup of the uppers, downers and hanging-arounders on the U.S. bestsellers chart.
I always try to find better ways to do things. Whether it's a game plan, a practice, a meeting, an interview, whatever it is. I'm going to find a way to find a way to analyze it and find a better way to do it. That's my mindset. I've never been satisfied with anything. That's just my mindset. I'm always trying to find a better way to do things.
When I started, people would come to interview me, and just knowing that I worked in videogames - it was like people wanted to stone me, it was that bad. People thought of video games as kind of a bad thing in society. Now, people that come to interview me, they have grown up with video games, and they know what they are; they've experienced it.
Ossie Ardiles got the job at Tottenham. I knew Ossie well and he brought me back as his reserve-team coach. That was my intro into coaching. Over the years I have known lots of other potential coaches who couldn't see a pathway. They couldn't see role models. There were so many BAME coaches who would apply for jobs and not even get an interview.
The old Johnny Carson 'Tonight Show' was great in that he was so good with the guests, and it was not about him. I think he was very smart in realizing 'I have plenty of screentime on this show. I do my monologue and we do sketches and stuff like that.' During the interview, he really made it about trying to bring the best thing out of the guest.
In the early days, a Georgia college kid named Chris Putnam created a virus that made your Facebook profile resemble MySpace, then the social-media incumbent. It went rampant and started deleting user data as well. Instead of siccing the F.B.I. dogs on Putnam, Facebook co-founder Dustin Moskovitz invited him for an interview and offered him a job.
Whether I'm pursuing a story or conducting an interview or I'm at the bakery implementing policy and procedure, I have a team who is looking to me. I think my persona is the same for both jobs - perhaps a little bit more in command with the bakery. I say that only because we have so many more employees, and ultimately I make every single decision.
I find myself asking questions that as a filmmaker I never thought I would ask. Like I get a call from a magazine for a feature and my first question is, 'Cover or not?' Interview invite from a leading channel? I have stopped asking the topic. I'm just like 'Primetime or not?' If I am invited and put in the second row, I can be distraught for days!