Quotes of All Topics . Occasions . Authors
Light in the heart has an interesting phenomenon. When you look at this world from here, now, light has shadows because light comes from a source. But, the same light inside the heart, which I've spent so much time looking at and so have other people, has no shadow because the light appears to come from everywhere.
I'm one of the people that were divorced by 30, which is apparently a growing group... Obviously it's something that affects you forever. It's going to be interesting to see in ten, twenty years what kind of lasting effect young divorce has on the people that are doing it because it's becoming more and more common.
You look at the road you could have taken, you know, I just think that's interesting... I've been on a lot of roads and I had to hitchhike on a couple of 'em... I have to be very honest: There's not an awful lot of regret in my life. I think that, you know, you learn from everything, and then, sometimes, you don't.
The obvious example would be Jesus. Jesus is an object of fascination for me. He's an interesting historical character because we don't know much about him. He seems to be a guy who was in touch with something deeper than most people around him were and someone who was very concerned with trying to communicate that.
Great historians can make the discovery of the real story more exciting than the romantic myth. Stacy Schiff, a great historian as well as a wonderful writer, peels away the layers to reveal the true Cleopatraa much more interesting woman than the Hollywood version and, as it turns out, a formidable queen after all.
It's really interesting that we've had this great Tea Party movement that is all about restoring free market capitalist values, but what they completely fail to understand is that what we've got now is a situation where there is a small class of gigantic financial companies that have put themselves above capitalism.
The whole mythological side of 'Twin Peaks' was really down to me, and I've always known about the Theosophical writers and that whole group around the Order of the Golden Dawn in the late nineteenth, early twentieth century - W. B. Yeats, Madame Blavatsky, and a woman called Alice Bailey, a very interesting writer.
I never said I wanted a 'happy' life but an interesting one. From separation and loss, I have learned a lot. I have become strong and resilient, as is the case of almost every human being exposed to life and to the world. We don't even know how strong we are until we are forced to bring that hidden strength forward.
Your own private journal should record the way you face up to challenges that beset you. Do not suppose life changes so much that your experiences will not be interesting to your posterity. Experiences of work, relations with people, and an awareness of the rightness and wrongness of actions will always be relevant.
I've never been very interested in literary narrative in movies, it always seems an obligatory trait and the least interesting of all the things film can do. It forces us to look through the thing instead of at it, it teaches us to ignore our senses and look for meaning outside the immediate world of our experience.
Coming to LA and working with brands connected with celebrity was a very different experience. I thought it was interesting to work with someone like Justin Timberlake and to work with the phenomenon of celebrity in the U.S., and also to take on the challenge of taking a celebrity brand and adding credibility to it.
We figured the interesting question for them is, "Where has the family been since 2006, since the last time we saw them?" So, part of the time, we had to spend answering that question. Then, inevitably, it goes up to a point of crisis, in everyone's show. There was just no getting around that it was about 2006-2012.
I live with myself. I wake up with myself, I eat, and I take a dump with myself. I don't see anything special there. I do all the same things other human beings and creatures do. I don't see any need to be telling the data of the day of this particular human being by posting it on online. It's not interesting to me.
I love exploring the relationship between fathers and daughters. I think that's a special thing, especially with daughters who are dealing with being adults. That's fascinating to me. I've had a lot of very interesting parenting techniques that I've employed with my own daughter that have worked really well, so far.
I do not see in what way the face of a man should be a less interesting landscape than any other. A man, the physical person of a man, is a little world, like any other a country, with its towns, and suburbs.. ..As a rule what is needed in a portrait is a great deal of the general, and very little of the particular.
In terms of building consumer products, the U.S. and China are ahead of India. The interesting opportunity for India is whenever there is a disruption in technology, it gives every country a chance to leapfrog and take a lead. To take an example, China is leaping ahead in growing the China electric vehicle ecosystem.
I say that drums and bass should be very prominent, with vocals being the most important thing, and maybe very little guitars. I conclude by calling for no songs over five minutes and saying that I'm sure we'll fail at anything like what I describe, but hopefully we'll do that in an interesting way. Plans never work!
If in addition to being physically unattractive you find that you do not get along well with others, do not under any circumstances attempt to alleviate this situation by developing an interesting personality. An interesting personality, is, in an adult, insufferable. In a teenager it is frequently punishable by law.
I don't like filmmakers to tell people how they should react to their movies. I absolutely have favorites, and I have others that I'm mortified by, but I keep that to myself. I think I've managed to find some very interesting things that I've been very satisfied with recently. I don't know if that's gonna keep going.
It's interesting how people who were once fairly radical can become, later in life, kind of conservative and not just in terms of politics - how if you're an artist, you can start out being somewhat avant-garde and then end up doing landscapes. Sometimes the opposite can happen, but it's usually the other way around.
I went to Dartmouth College so simply by being an Indian-American woman, I was already so statistically interesting. And then the fact that I didn't want to do anything science-related, and I wanted to write comedy plays and act little bit - I mean, I became deeply interesting in college because of how rare that was.
Although we don't know what is outside our universe, astronomers still wonder. Several pictures of what there might be have been dreamed up. An interesting one, called multiverse, has lots of universes. Picture it as a foam of bubbles. Our universe would be one bubble, and we'd be surrounded by lots of other bubbles.
You're always thinking, "What does that add up to?" You can't really get a handle on it. I was curious. I felt like it would be an interesting challenge for me to write down what I'd seen and done and learned - all the convolutions captured in one item that I could look at and get some grip on what the hell happened.
I'm always keen to use my body in my work, so I'm looking forward to the motion capture for Smaug. Both Gollum and King Kong were primates, whereas I'm playing a serpent, so it'll be interesting - I'll have to tie my legs together, possibly, or else they'll be kind of splayed out to the side as a reptile's should be.
It's really quite an interesting dynamic. I wanted to play to the truth of who Manute was in the first film, while it's also a prequel and the originator [of the story]. It was an interesting dynamic to work with, definitely. I haven't seen the film yet, but the way it felt when I was doing it, it felt like it worked.
I got into lobbying kind of against my will at first. I frankly didn't want to be a lobbyist, but I realized that in lobbying I could do things politically that were interesting to me and do some what I thought would be good. I'm not sure it all turned out like that, but at least that was some of the initial thinking.
Three Days of the Condor is still an interesting film to watch not because it's political. It happens to be political. But that's not why the sales of the DVDs are as high as they are. It's because it's an entertaining thriller. In my opinion, Tootsie is a very political movie but truck drivers can go and laugh at it.
It was easy to make fun of Bush, but it was sort of like shooting fish in a barrel and it didn't really feel all that good because it was so easy to do. I would much rather live under a thoughtful president. Even if it makes it harder to be funny about politics, it makes it more interesting to be funny about politics.
'Saw VI' has a really interesting theme about the ripple effect. Everything you do affects the guy next to you, which affects the guy next to him, which affects her over here. And you might think that what you're doing is not that significant, but just the way you respond to other people makes the world the way it is.
I think people crave those meaningful situations, stuff about faith, identity, dilemmas of live paradoxes in our souls. It's going back to a time where lives were really defined by history, and also how you behave in the face of history. It's kind of interesting to go back to that simpler humanity, simpler but deeper.
I never think about Wall Street - why should I - but to go down there so often while filming 'Working Girl,' to become acquainted with this whole different world, and to find out what goes on behind the scenes, is so interesting. There's so much of the city that you don't really bother to investigate. Ahh... New York.
It is no compliment to be the stupidly idolised master of a dog whose instinct it is to idolise, but it is a very distinct tribute to be chosen as the friend and confidant of a philosophic cat who is wholly his own master and could easily choose another companion if he found such an one more agreeable and interesting.
If you cared enough about your characters, what happened to them was interesting... it's important to care about them, about who they are and what they do...I don't really care whose side they are on, and they can be monstrous on the outside or, worse, on the inside, but you still have to want to spend time with them.
'Birdman' has kinda... changed things. I'm not saying you won't see traditionally made movies any more. But I've had meetings with directors, and they've said it makes them rethink everything. You can hate this movie, but you have to talk about it. It's going to go down as one of the most interesting movies ever made.
Many times when you're a tourist you can just stay on the surface and not really experience the place you're visiting, which will probably leave you disappointed. Everywhere has something interesting; it's just about being curious enough to find it and scratch where you have to scratch and stay longer and walk further.
Like commercial stuff is sort of cheap and disposable and fun and can be sort of interesting in many ways. I love being in popular culture and existing in the evolution of popular culture. But it's so different from painting, and it's so different from that sort of slow, contemplative, gradual process that painting is.
Guys who are larger than life and theatrical and deliciously unpredictable - they're far more interesting than the good guys most of the time. They have these psychological layers that an audience can really cling on to, become fascinated with, much more so than these true-blue, one-dimensional, square-jawed good guys.
I love monsters, I love creatures, I love beings, I love aliens. That's more supernatural and more the stuff of fairy tales. Fairy tales are as ancient as we are. I love those stories. I think they're really interesting because they always have more than simply the fright aspect. There's something deeply psychological.
My friendships all tend to be quite steady, so it's really hard to novelise that stuff because it's just boring. I mean, there's interesting conversations, but there's no power struggle. And you can't work with equilibrium; you have to work with something that's just off and then observe how it tries to correct itself.
The endless teen franchises that come out of Hollywood... more often than not, the central character doesn't have any discernible character traits. They're just the young, good-looking guy who goes on this journey. They're always played by fantastic young actors, but ultimately, they're not very interesting characters.
I don't pick my presidents because they were great presidents. I'm not much interested in ranking presidents and who is the best and who is the worst. I am much more inclined to be interested in them if they had an interesting life and if they were a complete person - and by that I mean they also had flaws and failings.
With any mannerisms or dialogue, you have to be careful you're not just serving yourself. What happens with improving is a lot of times, if you're not in the framework of the script, you're just making everything easier so it fits you. It's much more interesting and challenging to go to it, rather than it coming to you.
Having all those demons makes it interesting, for me. Coming back now and being completely sober is okay, but I do like going back into the messy area. It's an empowering thing to play now, but at the same time, I do like to play the dirty side more. So, we'll see if she slips, or something. Wendy is always on the edge.
One thing I think is interesting is the Jedi in the prequels are supposed to be peacekeepers, and certainly had a very artful way of making war. They had an artful way of defending themselves and inciting violence, really. You find that the Jedi who survived all of that had a much more simpler way of going about things.
Interesting, he later reflected, was perhaps not the correct word.By the time he and Henry arrived back at the house for their midday meal-a scrumptious bowl of hot, sticky porridge-he had mucked out the stable stalls, milked a cow, been pecked by three separate hens, weeded a vegetable garden, and fallen into a trough.
When people are deprived of a sense, their other senses get heightened. If you're culturally devoid of something - of weather, of artistry, of interesting architecture, all the way down the line to culture itself - you're either forced to give in and get that car dealership, or you manufacture those things for yourself.
I looked around at what my colleagues were doing, and asked myself, 'What relationship has it with what's going on?' I found there was a great distortion of contemporary life. Photographers were interested only in certain things. A visually interesting place, people who were either very rich or very poor, and nostalgia.
It's very interesting to think about the distinction with mind, which I just made in very general terms, but it can be made more profound when we think that there are many species, many creatures on earth that are very likely to have a mind, but are very unlikely to have a consciousness in the sense that you and I have.
I figured if I write a modern thriller but spliced in the DNA of a classic western - the drifter who comes into town with secrets - I could do something interesting with both genres. Westerns are also an incarnation of the classic knight errant tale, the lone warrior with a moral code, and I love those types of stories.
I have taken film-work that has been a little more cliché-written, to support myself and my family, and that's a whole kind of other challenge. It's like chopping wood: You've got to take what you can get and bless what withstands you. But in theatre! There's enough great theatre that you can find something interesting!