Quotes of All Topics . Occasions . Authors
I enjoy all forms of writing, but playwrighting is what made me what I am. Not only working with the ghosts of Chekhov and Ibsen and Shakespeare, but what it is to be a playwright, to be interacting with human beings in the live theater and affect people on such a direct, emotional level.
I want the camerawork to fit the narrative and tell the story from the point of view of the character, but sometimes, to be interacting with the sensations of the story, you almost become like a ghost, you know? Like, someone that is floating, observing, not really judging what's going on.
Conservatism vests in and depends on the widespread, informed understanding of human nature, self-governance and the First Principle of Progress: free people interacting in free markets produce the greatest good for the greatest number always, but only, when tethered to virtue and morality.
My job when I'm acting in a movie is very limited to playing a role. I'm not evaluating somebody. I'm only evaluating them insofar as they're interacting with me, but I'm not evaluating their skill set and I don't watch the movies, so I'm not aware of the way they're putting things together.
The one thing I have never been comfortable with in the modern presentation of character - and it may have changed, this is some years ago - is their total isolation from the rest of the world. It's all about superheroes interacting with superheroes. There's no normal life. No normal people.
A lot of times, you're interacting with people for whom you're one of the very few veterans that they've met or had a lot of interactions with, and there's a temptation for you to feel like you can pontificate about what the experience was or what it meant, and that leads to a lot of nonsense.
I'm not one of those kind of people who does the observational 'Hey, don't you hate it when you're at the grocery store and the line's long and the cash register starts taking too long.' I don't really do that kind of stuff. I'm heavy on persona, and I do a lot of interacting with the audience.
Don't get me wrong - it's amazing playing basketball. But being 19 years old, playing and interacting with grown men with families wasn't fun all the time, especially during a grueling 82-game season. That, mixed with Toronto's freezing winter climate, made me miss my buddies back at Tech even more.
Well, obviously I'm not Mark Wahlberg - I have much better abs and I look much better in a pair of Calvin Kleins but when I saw Mark Wahlberg interacting with the world, I realised that his stardom was sort of a result of the movies he had done and the publicity that he had got and the work that he did.
Young adults love to play games and they're thirsty for social interaction, but a lot of bar and restaurant experiences are quite unsatisfactory on the social level. What young people need is a place that has the feel of an unhosted party where they find themselves interacting with like-minded strangers.
It's always great to engage with people. You never know who you can make an effect on. And I love interacting with the fans, hearing what they have to say and joking around with them. Anytime I can reach out online and give encouragement, motivate people, be a better citizen, that's what it's all about, man.
I'm one of those people that thinks the world changes in smaller and in more mysterious ways than a lot of people like to think. A lot of traditional charities and organizations do things that on the surface seem like a good idea, but it doesn't change the way that people think about interacting with other people.
Cognitive neuroscience is entering an exciting era in which new technologies and ideas are making it possible to study the neural basis of cognition, perception, memory and emotion at the level of networks of interacting neurons, the level at which we believe many of the important operations of the brain take place.
It's almost like living a double life where I'm in a limbo space where Amanda Knox, a real person, exists, 'Foxy Knoxy,' an idea of a person, exists, and I'm constantly having to juggle how someone is interacting with me based upon that two-dimensional person of me that has been in the public's imagination for so long.
A refugee in the traditional vision is someone who flees from country to another because of persecution or conflict. But what we're witnessing now more and more is a certain number of mega-trends interacting with one another: population growth, urbanization, food insecurity, water scarcity, climate change, and conflict.
It may seem like sort of a waste of time to play 'World of Warcraft' with your son. But you're actually interacting with each other. You're solving problems. They may seem like simple problems, but you're solving them. You're posed with challenges that you have to overcome. You're on a quest to gain certain capabilities.
In drama, you're interacting with other actors to tell the story. The camera is like the theater: it's the artistic fourth wall. In a screen play, you don't look at the camera and communicate with it. But with hosting, you're looking right into the lens and talking to the people. It is a different style, and it's fascinating.
I'm a very private person, so I didn't like this idea of tweeting about me. And then I realized, 'Oh, this is actually a brilliant device in terms of interacting with the fans'. It's a lovely way to just get back, to thank the fans for watching the show. And to live tweet is kind of like getting the rewards of doing live theatre.
Brazil is a country I hold very dearly. I've got followers there who I've been interacting with for years, as well as fellow artists like Ivete Sangalo, and it also has huge figures like Pele. I'd love to go to that World Cup - I'm not sure in what capacity, but I'll definitely be there. I know that nobody wants to miss it, least of all me.
We like layers of character and personality in our storytelling. We like very distinctive, unique personalities interacting with each other. And I think, because there are two of us, and we're a collective, we identify with that. We call it the mastermind principle: Two minds aren't doubly better than one - they're exponentially better than one.
We already know that kids who get put in front of TVs instead of interacting, this is not good in all kinds of ways. And it's just not good for their cognitive - it's not good for their social development - I mean, that is incredible that kids in kindergarten... We should be moving away from screens at all levels of education, not moving into them.