Intense Quotes - Page 23

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After Hurricane Sandy, my family and I stayed in our apartment in lower Manhattan before things normalized. We're lucky enough to live on a bit of high ground, so we weren't flooded... but it was intense. Since there was no light, water, or electricity, I spent a lot of time playing acoustic guitar in the evenings.

Trauma survivors have a deficiency in their capacity to regulate emotions - they're too prolonged and too intense and too negative. As a corollary to affect regulation, self-esteem, sense of self and inter-personal functioning all goes downhill. And that's a chronic thing that's solved in an-inter personal context.

It wasn't until I realised that I could actually take nice photographs that I started to become passionate about it. I then got a few jobs working for magazines in London, and I would get terribly excited and intense about doing a job and taking photographs and looking through the lens to capture something amazing.

The game of basketball has been everything to me. My place of refuge, place I've always gone where I needed comfort and peace. It's been the site of intense pain and the most intense feelings of joy and satisfaction. It's a relationship that has evolved over time, given me the greatest respect and love for the game.

The competitive pressure to produce, buy, and sell to our global multi-national companies is so intense that contractors in supply chains are motivated to pay low wages, intensify exploitative conditions, keep workers fearful with insecure work contracts, or simply sack workers who have formed a union to fight back.

I grew up around a whole bunch of girls, and one thing I realized is what they had on their plate was very different than what I had on mine. The things girls are made to be responsible for is a heavy burden - take care of your younger siblings, do good in school, have some extracurriculars. The pressure is intense.

I think that all of the deep, intense things, a lot of different abuse, and all kinds of crazy stuff - I think it made me really strong and it made me learn how to appreciate every day, appreciate people in my life, so it's just another good example of sometimes bad things make us appreciate the beautiful every day.

Slipknot's music is very technical and intense, and it's not easy to play, but that's what makes it special. What's so gratifying about playing a show that is that intense is when you get off the stage, and you know you really delivered at the top of your ability and performance; that is what makes it all worthwhile.

Certainly, your characters - whether they are superheroes are not - should have foibles. They should have problems; they should have things that their powers can't solve. That's what makes them nuanced, interesting characters. They can have intense motivations. They should have intense motivations to do what they do.

Singing is a way of releasing an emotion that you sometimes can't portray when you're acting. And music moves your soul, so music is the source of the most intense emotions you can feel. When you hear a song and you're acting it's incredible. But when you're singing a song and you're acting it's even more incredible.

Our ideas about love and attractiveness are so primal, our need for belonging so intense, that most of us are loath to abandon our favorite beliefs on these issues. If you've ever let yourself feel lovable and lovely, only to be deeply hurt, you may see accepting your own body as a setup for severe emotional wounding.

In detective land, you have to deal with a lot of intense emotions, so you yourself have to remain mostly unemotional and detached. These are people, like law enforcement and surgeons, in professions that don't have the luxury of being able to be emotional or to break down. In my line of work, it's almost a requirement.

Television has never known what to do with grief, which resists narrative: the dramas of grief are largely internal - for the bereaved, it is a chaotic, intense, episodic period, but the chaos is by and large subterranean, and easily appears static to the friendly onlooker who has absorbed the fact of loss and moved on.

Music has its own emotional embodiment. It carries an emotion with it. When you associate a lyric with the music, it's much easier; but when you're standing there completely dry in front of the camera with no musical background, just a fine-tuned, get-this-emotional-story across, it's a very, very intense kind of focus.

I've always had a big personality. I was trickier as a kid. I behaved erratically instead of consistently. I would have tons of friends, and then I would have no friends. I'd be with the cool girls, then the uncool girls. I migrated from group to group because I was bored or people got bored with me. I was very intense.

'A Fair Maiden' existed in notes and sketches for perhaps a year. When I traveled, I would take along with me my folder of notes - 'ideas for stories.' Eventually, I began to write it and wrote it fairly swiftly - in perhaps two months of fairly intense writing and rewriting. Most of my time writing is really re-writing.

Teenagers watch and listen to all kinds of things. It is the nature of being a teenager to seek out intense stuff. Stuff about death and sex and love and fear. Teenagers are the bravest, most curious, most philosophical, most open-minded readers there are, which is why so many less-than-young adults like writing for them.

New York is on a grid system, so it's slightly less challenging logistically, but Londoners are more relaxed in their selling approach. With that intense shopping service in New York, it's easy to get carried away and make a wrong purchase. Here, there's a different flow. You are left to explore, and individuality is key.

I can't even remember anything before Albee. There is this bursting love you feel, but it's so intense and so all-consuming. I've become one of those psychopath mothers who loves looking at my kid and being with my kid, and then, when he takes a nap, I'm just looking at videos and pictures of him on my phone. I'm obnoxious.

In the 21st century, we face new and more intense global competition, spanning the ambitious and industrious economies from Latin America to Asia. To meet the challenge, Britain must rediscover and reward the lost virtue of hard work - a tried and tested route to individual success, national prosperity, and a fairer society.

In my perfect day, I wake up next to the woman of my dreams, and she's crying tears of joy because she's so excited about the life we have together. I'm preparing to compete in the 2016 Olympics with U.S.A. Team Handball, so I head to an intense training session with my coach to increase my physical strength and athleticism.

The thing is that I have a really intense, almost compulsive need to record. But it doesn't end there, because what I record is somehow transformed into a creative thing. There is a continuity. Recording is the beginning of a conceptual production. I am somehow collapsing the two - recording and producing - into a single event.

I was a guitar player in a band that had two keyboard players, sometimes two other guitarists, a bass player, and a drummer, four or five singers, and percussion. We did a two-and-a-half hour show where the music spanned from the early Sixties to the present. Whereas the David Lee Roth thing was like, Now. Very big and intense.

I've had fans do some pretty awesome things... I once had a fan do a mock proposal for me in Mumbai, inside a McDonalds... and I've had fans give me some precious things. I had one fan give me her mother's ring; I've gotten some pretty intense stuff. And I always get drawings and scrapbooks from fans, which is also pretty cool.

It was Sultan Qureshi, the character of 'Gangs of Wasseypur,' which brought success as a baddie, but it were the TC and teacher's roles in 'Masaan' and 'Nil Battey Sannata' that broke the villain's mould and helped me successfully explore the other shades - be it comedy, intense, or serious - surprising the audience all the time.

My exercise regime for the film was really intense. I'd work out with a trainer six days a week, and then I had a stunt rehearsal team that would do boxing, stretching, and a little bit of parkour. And yet, people don't get to see me shirtless in this movie. I don't know if you've seen the trailer, but this Aladdin wears a shirt.

When I was first approached about doing an autobiography, I said, 'absolutely not.' But when I sat down, memories came pouring out. It wrote very quickly - I think there was an emotional impulse, because once I started in, the story itself carried me along. It was a very intense writing period and took a year and change to finish.

I knew there would be some controversy over the 'Potter' series between religious people and secular-minded people - that was inevitable - what astonished me and continues to astonish me is the intense controversy that erupted very early on among Christians themselves, in all the churches. It cuts across every denominational line.

Why do you think so many actors are only half-developed people? It's very easy when you're a young actor to have these intense, explosive friendships for short periods of time, because you can control what's shown of you. Then you go on to your next job and reinvent yourself again. I think it's important to find something constant.

It doesn't make sense for me to try to be, like, a dance dude who only releases two 12-inches a year and then plays every weekend. Making an album, you get to put out a body of work that shows a lot of different sides of you. And you get to work on it for an intense period of time and promote that album. And then you get to move on.

I'd say I'm a pretty intense person. I'm definitely not my Denise character on 'Scrubs,' nor my Jane character on 'Happy Endings,' but I'm a mix of the two. I really feel that I'm kind of every character that I've ever played; it's just a part of me. And I am a bit of a control freak like Jane. I'm very, perhaps, obsessive like that.

On the rare occasions when I spend a night in Oxford, the keeping of the hours by the clock towers in New College, and Merton, and the great booming of Tom tolling 101 times at 9 pm at Christ Church are inextricably interwoven with memories and regrets and lost joys. The sound almost sends me mad, so intense are the feelings it evokes.

I had started writing as a poet in a closed, post-Revival, claustrophobic world, where the shadows of the national upheaval and the intense effort - the intense self-conscious effort - to make a literary movement were still evident. Now we lived a life as writers that was more cosmopolitan, more open, that had more travel and exchange.

I have very intense feelings of joy or sadness. I used to not like that so much because I was worried it was girly, and I wanted to be more stoic. I think this happens a lot. When you're 16, there are qualities you wish you didn't have, and then when you're 30, you're like, 'Thank God I have that; otherwise, I'd be living less vividly.'

I always wanted to live outside of Australia... because I think it's good to see the world and get out of where you've been living, particularly if you're from somewhere like Australia, which is so isolated from the rest of the world. I chose New York because there was such a great choice of acting classes and it's such an intense place.

I am deeply immersed in my medical work, and it can get very intense, but I believe that the connection and devotion is key. You can not work on diseases as devastating and deadly as Lassa and Ebola without complete trust and respect for the individuals with whom you work. My lab and colleagues are just extraordinary, and we are a family.

I was interested by the idea that artists working in a totalitarian dictatorship or tsarist autocracy are secretly and slightly shamefully envied by artists who work in freedom. They have the gratification of intense interest: the authorities want to put them in jail, while there are younger readers for whom what they write is pure oxygen.

Because of my intense hopes for the youth of China, I feel very keenly my responsibility for their future success or failure. The fate of China lies in their hands. The responsibility for organizing and training them to become worthy citizens of China, able to undertake the tasks of Resistance and Reconstruction, is mine; I cannot evade it.

I can't imagine being a single parent or a single parent that doesn't have a lot of money. That's a big, huge impact on your life and your dynamic and everything - I mean, that's huge. It affects how much you have a break from just concentrating on just one other person in your life. It becomes so myopic that way, and more intense, probably.

The writing is really hard. You're alone. It really pulls it out of you. You pull it out of your head. But when you're a director, you're shopping - you're picking this actor, you're picking this scene. It's like the most intense kinetic high-speed shopping of all time. You sit in a chair and it will all come rushing at you like a wind tunnel.

'Love Don't Let Me Down,' which is the original title of 'Country Strong,' was just as difficult emotionally as 'Tron' was physically. I play a country singer that basically gets on tour with Gwyneth Paltrow's character, who is one of the biggest country stars out there, and she's fallen down too many times and it's an intense emotional story.

To some extent, the idea that rock 'n roll used to have this sort of free antediluvian identity, frolicking in the 1950s with Elvis or something, is totally wrong. It's insane. Elvis' relationship with Colonel Parker, his manager, was one of the most possibly corrupt, certainly lucrative, and intense business partnerships ever in rock n' roll.

I like doing what I do, but I like having the opportunity to do different things, and obviously comedy would be a fun jump. I've just been lucky enough to stay working. In my case, playing intense roles or playing character roles is something that people will hire me for, but yeah, I'd like somebody to think I'm funny. I guess we all do, right?

Muhammad Ali struck us in the middle of America's darkest night, in the heart of its most threatening gathering storm. His power toppled the mightiest of foes, and his intense light shined on America, and we were able to see clearly injustice, inequality, poverty, pride, self realization, courage, laughter, love, joy and religious freedom for all.

I think the B-52's were a huge influence on Sleater-Kinney. The way that there'd be a really interesting guitar line that'd be really melodic and kind of simplistic, I really related to that. The sense of melody is really intense and fun. It's not just traditional song structures, but it's very melodic and draws you in, in kind of an immediate way.

I did an Off-Broadway show that was a comedy written by Ann Meara. We were like a family, and we did that show for a year. On Oz, I did feel like the cast members were friends and there was a lot of bonding. That said, there was a lot of testosterone. Once again, it was full of really intense theater actors with this writing that was really intricate and subtle.

The fiction I've written and published is certainly inflected by the work of authors I was reading or translating at the time. One of my methods for developing my own voice in fiction, a process I am taking very slowly and deliberately, is through these very intense encounters with certain writers. Strength and power in fiction is being able to resist these intoxicating voices, recognizing that they are the signatures of other writers and not one's own.

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