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I've been touching instruments since the day I was born. My mother is Brazilian, and she listens to Brazilian music. My father was a musician, and I've seen pictures of him when he was in a band playing guitar and piano. He loved country music, Frank Sinatra, and stuff like that.
You know, the media and politicians are always gonna be in a bit of tension with one another and probably most of the time that's healthy and indeed even creative. But it's where - it's really when news organisations are used as kind of instruments of politics that it gets tricky.
Health care can be made more affordable for the poor without requiring major new scientific developments, just the smart application of current technologies. We have seen a $25 incubator and diagnostic instruments that are built tough, cheap, and reusable for the developing world.
I grew up around electronic instruments. To me, the turntable is an electronic device. At the same time, I had access to drum machines and keyboards through my uncle; then track recorders into computers. At an early age, I was messing with computers more than most hip-hop musicians.
The instruments that bleed into each other are what creates the ambience. Once you start cleaning everything up, you lose it. You lose that sort of halo that bleeding creates. Then if you eliminate the halo, you have to go back and put in some artificial reverb, which is never as good.
What was done is measure directly, with exquisitely sensitive instruments, gravitational waves predicted about 100 years ago by Albert Einstein. These waves are a new way to study the universe and are expected to have significant impact on astronomy and astrophysics in the years ahead.
I wrote all my songs on my main instruments, and the songs I would record in my bedroom were just acoustic guitar, mandolin, and sometimes bass. I really like the texture the mandolin added to my music, but my fingers were too big to play it... I could only do little riffs and whatever.
Computers were never designed in the first place to become musical instruments. Within a computer, everything is sterile - there's no sound, there's no air. It's totally code. Like with computer-generated effects in movies, you can create wonders. But it's really hard to create emotion.
If I think about music in the future, I imagine it often as not involving electricity, in some dystopian, post-apocalyptic future. And that's what I get from Penderecki: people making music by taking these instruments out of boxes and playing them. That's a very bizarre and modern thing.
I can only speak for particle physics. But it has become obvious that on the experimental side, there has been a huge evolution in the number of people who have to collaborate because of the gigantic size of the instruments used, but also because of the enormous task that is data analysis.
I grew up in this room filled with musical instruments, but most importantly, I had a family who encouraged me to invest in my own imagination, and so things I created, things I built were good things to be building just because I was making them, and I think that's such an important idea.
I love playing instruments that I don't know how to play or am not familiar with. I like the idea of danger and innocence that comes from it. As an artist, I feel I should be able to do something with anything I get my hands on. The music becomes minimalist because of my limited knowledge.
More and more, I enjoy hearing people who are good at their instruments and who've found a distinctive voice. In death metal, a lot of guys are Eddie Van Halen disciples, but they take his style to really expressionistic places. It's a real pleasure for me to hear people pushing their craft.
I just want to shed light, illuminate and turn the spotlight over to all of the black people who have been being futuristic and innovative since instruments were plugged into a wall. With computers, machines, and music, black people have been contributing to that a great deal for a long time.
On 'Sullivan,' you sang live. Not only that, you sang with a 40-piece band. So you had instruments that weren't even on the original record! So this was when the rubber met the road - when you had to really learn how to perform. And it was for 10 or 12 million people. So that was a challenge.
Get to the point where the songs sum it all up, and creatively, I'm just like, 'This is it.' I've also learned how to be patient and not really try to overproduce anymore. I used to add instruments, keep adding instruments, but nowadays - I know better now. I know how to let the track breathe.
Sometimes it's like that. I go, 'You know what? I'm going to just change scales. I'm going to even change instruments. And I'm going to go into the chromatics of the Spanish language,' and I do. You know, the poem is totally different. It's like a lunar voice versus a day voice, a solar voice.
I play trumpet. And I took all the music courses in college, so I can also play the string instruments, keyboard, the brass and woodwinds - but only well enough to teach them. If you put a violin in front of me, you wouldn't say, 'My God, that guy can play.' It'd probably sound more like Jack Benny.
When we're true to ourselves, we become instruments of truth for the planet. Because we're all connected, we touch the lives of everyone around us, who then affect others. Our only obligation is to be the love we are and allow our answers to come from within in the way that's most appropriate for us.
It might seem paradoxical that the biggest scientific instruments of all are needed in order to probe the very smallest things in nature. The micro-world is inherently 'fuzzy' - the sharper the detail we wish to study, the higher the energy that is required and the bigger the accelerator that is needed.
Scientific knowledge is, by its nature, provisional. This is due to the fact that as time goes on, with the invention of better instruments, more data and better data hone our understanding further. Social, cultural, economic, and political context are relevant to our understanding of how science works.
I think what makes the Byrds stand up all these years is the basis in folk music. Folk music, being a timeless art form, is the foundation of the Byrds. We were all from a folk background. We considered ourselves folk singers even when we strapped on electric instruments and dabbled in different things.
That's how we grew up - kinda like Pops would put his drums, his percussion and instruments into the car and we would just go to a facility in the Bay Area and he would say to us, 'You think we have it bad? There are people worse off than we are. Let's go give back to the kids.' And that's how we grew up.
When you're making music or playing a song, I find the moments when there are no instruments being played even stronger than when they are being played. Because they add tension. It's also an ego-less thing - a place where you have no ego - when you're with a bunch of musicians who stop and listen instead.
Everything is so fast, and everybody wants to be stars and stuff, they're taking the music out of the schools and kids wanting to play instruments, that whole piece of it is gone. Nobody is taking responsibility to push these kids to want to do it. Nobody's reaching their hand out to it, and it's pretty sad.
I just essentially stayed at home for three years and just learned to play as many instruments as I could and listened to as many singers as I could. Like, when I got to about 19/20, I started listening to singers. I normally just listened to bands. Now I listen to a lot of old singers, not a lot of new stuff.
Some people like the same thing forever, but I don't know. We kind of, like, listen to loads of different stuff, and our attention spans aren't good enough. So there was a bit of frustration when you're, like, having to play the same thing all the time because we play all, like, loads of different instruments.
I got this Christmas gift with the entire Beatles catalog. I had fun trying to duplicate what I was hearing on these records, only using the instruments I had at hand - an acoustic guitar, and that's all. It was endlessly amusing to me to try to imitate John Lennon and Paul McCartney's harmonies using the guitar.
The major rock instruments and classical instruments were designed for performance, for sharing the music with an audience, and then later people put microphones on them and recorded them. But for electronic music, the opposite was true - they're designed in laboratories, and later, we tried to put them on stage.
I learned everything by ear and played all the different instruments. So then I was able to find a guitar. That was, like, in the seventh grade. And then I didn't know how to put my fingers on all the different strings, so I had to figure out how to do it upside down and backwards, and I still play that way today.
I spend time editing and massaging each note. Then I start layering with different instruments, adding harmonies, counterpoint, and whatever the song calls for. Then I arrange it into a whole piece, and decide where I need to add live musicians. It takes a lot of time, but it is very satisfying once it is complete.
My daughters are both funny and smart and lots of fun. They play lacrosse, soccer, musical instruments, like to cook with me, and are naturals in the swimming pool. Honestly, though, what I like doing most with them is eating. I've worked really hard to make sure they are willing to try all sorts of different foods.
I have this desire to just while away weeks, months and years. It took me two years to make this record but that was with me trying to condense my process and not disappear down the rabbit hole with all the cool things I've collected. I could take 10 years and not explore everything I want to with these instruments.
I play these sort of comical instruments I invented, like the electric rake and the electric plunger. I do a lot of almost stand-up comedy material. Just the juxtaposition of the different styles in itself sometimes is funny. Like, I do sort of an acoustic version of 'Purple Haze' that has some bluegrass licks in it.
The core of human rights work is naming and shaming those who commit abuses, and pressuring governments to put the screws to abusing states. As a result, human rights conventions are unique among international law instruments in depending for their enforcement mostly on the activism of a global civil society movement.
Instruments are a phenomenal investment, especially violins and violas and celli, because the value really doesn't go down, and it just rises up at incredible speed and has done, and I believe will continue to do so, because these rare instruments are not getting more. They are getting less and less through the years.
Cassini was an international undertaking, led by NASA and the European Space Agency and designed to be, in every dimension, a dramatic advance over Voyager. At the size of a school bus, it was bigger than Voyager and outfitted with the most sophisticated scientific instruments ever carried into the outer solar system.
People don't realize how much it means to your music to record on tape, whether it be for new music or old music. People don't realize how much or how imperative it is to use actual hardware when making drums because those are actual percussion samplers. They're hardware instruments that are made to have the drum hit.
Growing up in the Libya of the 1970s, I remember the prevalence of local bands who were as much influenced by Arabic musical traditions as by the Rolling Stones or the Beatles. But the project of 'Arabisation' soon got to them, too, and western musical instruments were declared forbidden as 'instruments of imperialism.'
Complex astronomical instruments like the Antikythera Mechanism and the Nebra Sky Disk were made by Pagans. Our Pagan intellectual heritage includes poets and scientists and literary intellectuals of every kind, especially including those who wrote some of the most important and influential books in all of Western history.
Everything we know about the universe is studied by using telescopes or other instruments that look at visible light, infrared, ultraviolet or X-ray - different wavelengths of electromagnetic interactions. Only 4 percent of what's in the universe gives off electromagnetic radiation, so we don't have any handle on the rest.
There are places on a man's head that are as hard as a rock. Your head's actually stronger than your body. And you don't have too many instruments up there workin'. But you got a lot of tools workin' in that body: the liver, the kidneys, the heart, the lungs. You soften that up and see what happens. I lived by the body shot.
I was classically trained. But more than just the fact that I play violin, there's a lot of classical elements in the way I write, in the way I hear chords. A lot of times, I think of my songs as a symphony made out of electronics rather than instruments. And I love to do orchestral arrangements of my songs after they're done.
The bass line is the anchor for me. I started with the bass, and either doubled that and then added the harmonies, or sometimes added my own harmonies that I've always wanted to sing on the song. And then it just went on from there - singing violin parts and trumpet parts and just trying to emulate the sounds of the instruments.
During college, I didn't really have an interest in what I was studying. It was during college that I first stumbled into forming an underground band where I was the lead vocalist. I had always had an ear for music, but nothing more than that. And that good ear of mine led me to learn and play a lot of instruments while in college.
Over and over again, financial experts and wonkish talking heads endeavor to explain these mysterious, 'toxic' financial instruments to us lay folk. Over and over, they ignobly fail, because we all know that no one understands credit default obligations and derivatives, except perhaps Mr. Buffett and the computers who created them.
Mostly I listen to old-time music, some bluegrass, some Americana stuff, too many to name. But of the younger acts, there are The Freight Hoppers, who were big in the '90s, and The Foghorn Stringband from Oregon, and there's a lot of young string bands coming up now, basically punkers who play acoustic instruments forming new bands.
The why is what makes journalism an adult game. The why is what makes policy coherent and useful. The why is what transforms bureaucrats and foot soldiers and political leaders into viable instruments of rational and affirmative change. The why is everything and without it, the very suggestion of human progress becomes a cosmic joke.
I started playing instruments before I started making beats, and I was never the best guitarist or the best pianist or the best drummer. And when I started making beats, I was not the best beatmaker, and when I started making hooks, I was not the best vocal melody person. When I first started rapping, I wasn't the best rapper at all.
'Deacon Blues' was special for me. It's the only time I remember mixing a record all day and, when the mix was done, feeling like I wanted to hear it over and over again. It was the comprehensive sound of the thing: the song itself, its character, the way the instruments sounded, and the way Tom Scott's tight horn arrangement fit in.