Quotes of All Topics . Occasions . Authors
I started to understand that for me, art was no longer about self-expression but about creative engagement with the world. I started to respond in an excited way to making work inside an industry and not feeling the constraints of audience expectation as some kind of thing that I should avoid.
When you get inside a literary novel you feel that the author, more often than not, just doesn't know enough about things. They haven't been around enough - novelists never go anywhere. Once I discovered true books about real things - books like 'How To Run a Company' - I stopped reading novels.
My experience growing up in London and growing up in a working class background is that when people are down and out, that's when they're probably the funniest. They have to be. That's what they do to cope, to find joy, 'cause they don't feel the joy inside. Or they use humor to keep people out.
After a great save or a mistake by a defender, I prefer not to shout on him; I prefer to wait and say it inside of the dressing room. I was always like that. I am relaxed, I try to be normal after a mistake, and when I make a mistake, I don't want people coming to me on the pitch shouting at me.
The refugee problem is definitely a disaster for the entire region. Putin - the refugee problem in Chechnya was largely contained inside of Russia itself although there were tens of thousands of Chechens who sought refuge across Europe. Putin wasn't swayed by that issue when it came to Chechnya.
I know how I like my house. I like it cute and cozy and a little funky, and I like it to feel lived in and worn, and I like the things inside of it to work. That's all. And for me, it's fine that my house's interior suggests that I might not spend every waking moment thinking about how it looks.
When you get into your car, shut the door and be there for just half a minute. Breathe, feel the energy inside your body, look around at the sky, the trees. The mind might tell you, 'I don't have time.' But that's the mind talking to you. Even the busiest person has time for 30 seconds of space.
There's a constant tension between the excitement of new people and security with one person. If you go with excitement, you create chaos; you hurt people. There's jealousy, and it gets very messy. If you have security, it can be boring, and you die inside because of all the opportunities missed.
The idea of a spiritual heart transplant is a vivid image to me; once you have the heart of somebody else inside you, then that heart is there. Jesus' heart is inside me, and my heart is gone. So if God were to place a stethoscope against my chest, he would hear the heart of Jesus Christ beating.
The music is something outside myself that's also inside myself... Music and a sense of another presence always went hand in hand. Even when I was three, I would improvise music, and my maternal grandfather would act as an audience and used to applaud. I would imitate things like thunder and rain.
'The Secret Agent' remains the most brilliant novelistic study of terrorism as viewed from the blood-spattered outside. But 'Under Western Eyes' dares to leap inside - not only into the terrorist mind, but also into the troubled zone that divides West from East, 'the autocracy in mystic vestments.'
One day Mum saved up for this exciting new thing - a frozen chicken. She cooked it on the Sunday and we all sat around waiting for it, but there was a terrible smell from the kitchen. She didn't realise that the giblets were in a plastic bag inside it. We just ate vegetables and she cried and cried.
My feeling is that my body and all my things inside me - when I move, when I do everything - are Brazilian because my family is Brazilian, and my mother language is Brazilian Portuguese. But all the thinking in my life, all the treatment with people, I think I'm more from Spain. That's how I grew up.
The great white advantage has been living inside history, adapting to its constant demands, nurturing the values and the habits of life that allow one to keep pace. This is the cultural capital that whites too often take for granted and rarely think of insisting on in the former victims of exclusion.
Being a father has fulfilled me in parts of my life that sustain me. It gives me a comfort and patience. All actors have this hole inside that they're trying to fill by performing. I'm anxious to keep creating, but I'm not so desperate any more because I have the love and support of my kids and wife.
Even one's own home is a kind of anthology of advertisers, manufacturers, motifs and presentation techniques. There's nothing 'natural' about one's home these days. The furnishings, the fabrics, the furniture, the appliances, the TV, and all the electronic equipment - we're living inside commercials.
Growing up in a Jewish matriarchal world inside the patriarchal paradise of Salt Lake City, Utah, gave me increased perspective on gender issues, as it also did my gay brother and my lesbian sister. Our younger sister is the perfect Jewish-American wife and mother, and is fiercely proud of that fact.
By the time we get to the 2040s, we'll be able to multiply human intelligence a billionfold. That will be a profound change that's singular in nature. Computers are going to keep getting smaller and smaller. Ultimately, they will go inside our bodies and brains and make us healthier, make us smarter.
This is what I tell my students: step outside of your tiny little world. Step inside of the tiny little world of somebody else. And then do it again and do it again and do it again. And suddenly, all these tiny little worlds, they come together in this complex web. And they build a big, complex world.
When Basquiat was hanging out with Madonna and Fab Five Freddy, and all those worlds were colliding, people have to realize hip-hop and the arts were like this 'cause we both were outcasts: we wasn't allowed inside the galleries or inside Yankee Stadium. We were writing in the street and making music.
I was born on a plantation, and things weren't so good. We didn't have any money. I never thought of the word 'poor' 'til I got to be a man, but when you live in a house that you can always peek out of and see what kind of day it is, you're not doing so well. And your rest room is not inside the house.
My father was brought up in an orphanage in the Catskills. He was a factory worker. And because his family wasn't there for him, family was everything. We could disagree inside the house, but outside the house it was us against the world. So when I became a drag actor, he looked sideways but said okay.
The human longings that are deep inside of us never go away. They exist across cultures; they exist throughout life. When people were first made, our deepest longing was to know and be known. And after the Fall, when we all got weird, it's still our deepest longing - but it's now also our deepest fear.
There's a famous slogan here in the Bavarian dialect, and we use it inside Bayern Munich. We say, 'Mia san mia.' Literally, it is, 'We are we,' but it means, 'We are who we are.' That's not being very arrogant, but we are very confident about our ability to win the game. It is about a winning mentality.
The Ahmaud Arbery video was the final straw for me in being silent. That shook me to the core like nothing has in the past. Something flipped inside of me to be more vocal and stand up for racial equality and make sure we get a hold on that and change the face of this world and get it to a better place.
I guess I just process death differently than some folks. Realizing you're not going to see that person again is always the most difficult part about it. But that feeling settles, and then you are glad you had that person in your life, and then the happiness and the sadness get all swirled up inside you.
I was nine, and I was shopping in a supermarket with my dad. There was this cereal, and it had a special promotion with a CD inside the box that had a really simple music-making program on it. I got it, and that opened my mind to being able to make music on a computer and seeing all the different layers.
There's a gap somehow between empathy and activism. Rev. Dr. Martin Luther King, Jr. spoke of 'soul force' - something that emanates from a deep truth inside of us and empowers us to act. Once you identify your inner genius, you will be able to take action, whether it's writing a check or digging a well.
Social media is amazing because it's opened a platform for so many people to have a voice - but that voice can get inside your head, and it can really mess with you. The only way to avoid that is to have a strong sense of self. I can't say that I have one, but I can tell you I'm working really hard on it.
First, I eat healthy; it comes from the inside out. If you eat right, your skin, hair, nails will look good. The same if you have negative thoughts - they can give you a bad look, too; we reflect what we eat and think. We also taste and smell what we eat. Being happy and doing what I love really reflects.
I just don't believe in abortion, period. But I would never take away a woman's right to choose what's good for her body. But I still believe that when you do have an abortion, still inside, you go through a lot of stuff. It tears away at your spirit and your soul. So I don't think people think about that.
There are two worldviews in thriller writing: the paranoid view, like Chuck Logan's, that everything is inside a large clockwork. I like those books; they're intricate and thought out, but my view is that everything is chaotic and stupid. Chaos reigns, and civilized people do what they can to hold it back.
Designing is a matter of concentration. You go deep into what you want to do. It's about intensive research, really. The concentration is warm and intimate and like the fire inside the earth - intense but not distorted. You can go to a place, really feel it in your heart. It's actually a beautiful feeling.
My entire life, I've always known that I wanted to be a performer, but I didn't know exactly how, where or when. I never learned or studied the craft, formally. I grew up doing martial arts and playing piano. But, something inside of me always said that I was going to do this, as far back as I can remember.
It makes a huge difference in how you feel, the way your costume holds you. When you look at yourself in the mirror, it makes you feel a certain way. Actors like to talk a lot about working from the inside out, but there's a lot to be said also about working from the outside in. It can be extremely helpful.
There are two things I will always remember. First, a shot against Derby that hit the inside of the post but didn't go in, and we could only draw 2-2. And then the really big chance against Bayer Leverkusen, two minutes from the end of the Champions League semi-final, when I shot over the bar. That hurt a lot.
I believe always you should have a philanthropic heart inside but business way. Because you have to get things done. That is what scientists tell us how to do properly. Business should tell us how to get things done efficiently. And government should have the good environment and the foundations of researching.
The magic happens when you take facts and figures, features and benefits, decks and PowerPoints - relatively soulless information - and embed them in the telling of a purposeful story. Your 'tell' renders an experience to your audience, making the information inside the story memorable, resonant and actionable.
Since my subjects have always been my sensations, my states of mind and the profound reactions that life has been producing in me, I have frequently objectified all this in figures of myself, which were the most sincere and real thing that I could do in order to express what I felt inside and outside of myself.
Karaoke was my family's happy secret. In those early years in America, like many immigrants, my parents struggled with poverty and loneliness, but they also built provisional families, and inside our bubble there was joy, understanding, an intimate language I could never translate - and above all there was song.
With the Black Lives Matter movement, a lot of the focus is on the protest and dissent. I'm hoping to dismantle the public notion - for folks outside of the community - of what Black Lives Matter means. It's really about saying that black lives matter: that humanity is the same when you go inside people's homes.
A lot of what I've done as Nine Inch Nails has been governed by fear. I was trying to keep the songs in a framework that was tough, and I learnt a lot from Jesus and Mary Chain about how to bury nice pop songs in unlistenable noise - the idea being if you can get behind that wall, you find there's a pearl inside.
Back in '98 or so when I was in film school I was working on lighting for a movie in Georgia, out in the middle of nowhere at a gas station. Inside the gas station they had a bunch of old home remedies like castor oil, and one of them was a protein supplement called Beef, Iron & Wine. I just dropped the Beef part.
I think it's important to earn your fan base and not just try to immediately advance to the top. If you ride to the top quickly, you're liable to fall as quickly. Take your time. It's a long journey ahead of you as an artist. There's nowhere that you're supposed to be other than right now living inside of your art.
I used to take formal notes in lines of blue, and underline the key words in red, and I realised I needed only the key words and the idea. Then to bring in connections, I drew arrows and put in images and codes. It was a picture outside my head of what was inside my head - 'mind map' is the language my brain spoke.
When I was supposed to go to a certified kindergarten that's supposed to teach you actual things like how to read, I went to a daycare that my parents thought was a kindergarten. I was Crayola-ing inside the lines with no fundamental education at all. So I walked into the first grade with no formal education at all.
We are not what we seem. We are more than what we seem. The actor knows that. And because the actor knows that hidden inside himself there's a wizard and a king, he also knows that when he's playing himself in his daily life, he's playing a part, he's performing, just as he's performing when he plays a part on stage.
My talk is inside of the cage. This is my real words where I talk every time. I think this is really important. You can speak before the fight on whatever you want, but inside of the Octagon, inside of the cage, it shows who you are. You can speak whatever you want, but who you are is who you will be inside the cage.
I write first drafts by hand. Never do I open an umbrella inside the house. I don't predict wins or losses. I used to stand on a certain piece of rug if my brothers and husband were watching football and their team got in trouble - but now the luck went out of that rug. If a circle is involved, I try to go clockwise.
I don't see people. I don't see men and women at all. When I see them, I see... their mothers and fathers. I see how old they are inside. Like when I look at the president, or anybody in a record company, or a store owner, I may see a little boy behind the counter with the face of an old man. And that's who I talk to.