I grew up listening to John Coltrane and jazz, so they were subtle influences. I sometimes think about doing some kind of weird jazz record, but I don't know... It's on my list of things to do. I don't want to have to then go promote it.

Everybody has their own style. I'm very particular in what I like, and I try to keep it that way. I always have big appreciation for other people's styles, and I love seeing how other people dress themselves through their own influences.

We were surrounded by influences and interests that came between Stephen and me. The nurse who became his wife was seeking to undermine me, and there were wider influences, too, following the runaway success of 'A Brief History of Time.'

When I started out, I was definitely writing about experiences that I hadn't had yet. The songs were just based on my influences, songwriters that had written songs before me and that were more experienced and 20, 30 years older than me.

I could have taken the easy life and just done classical, but I felt very strongly about the album, my first pop album, the first time that I'd fused so many influences. I was very proud when it was in the charts in 25 countries at once.

All my influences go into a pot like a big ole stew, and it tastes like all the years I spent trying to play the guitar like Stevie Ray Vaughn. It tastes like Allman Brothers and Lynyrd Skynyrd. And if it comes out bluesy, then so be it.

In my vocal, I think you can hear something of my earlier times when I'd sing in subway halls for the echo and perform doo-wop on street corners. But I had a lot of influences, too - singers like Sam Cooke, Brook Benton and Roy Hamilton.

But as we shall see, Roosevelt, through a combination of events and influences, fell deeper and deeper into the toils of various revolutionary operators, not because he was interested in revolution but because he was interested in votes.

I couldn't imagine what it's like to be a journalist talking about music. You're left with empty descriptions; you probably have to make up a sort of weird cocktail of band influences and references to other music to get your point across.

Our preoccupation has always been to craft space in such a way as to induce social interactions that would in turn generate a sense of community and a culture, but starting from the very immediate issue of how action influences perception.

As a writer, I've always been the sum total of my influences, and those are all over the spectrum: Rachmaninov, the Who, the Beatles, the Beach Boys, Lesley Gore, Burt Bacharach and Leonard Bernstein, the Rolling Stones and the Small Faces.

The point of my work is to show that culture and education aren't simply hobbies or minor influences. They are hugely important in the affirmation of differences between groups and social classes and in the reproduction of those differences.

People often ask us if we had direct influences. Honestly, just a lot of different music - not necessarily individual people. We listen to anything from Bob Dylan to Massive Attack to Aerosmith to En Vogue. We very much enjoy all that music.

The cool thing about 'Sweet Tooth' is that you can bring influences from the underground and alternative people that I read and also bring in some genre influences, too, from movies and comics. And kind of mash it all up. It's a fun project.

My folks have played everything from rock, disco, pop, funk, and blues. My dad has always brought and played different genres like jazz, classical, and Latin. With all this in my pocket, I feel I have a taste of everything for my influences.

Technology is just one of the factors affecting the world of work. Economics, demographics, sociological trends, and government policies are four other core influences reshaping labour markets and determining how we will work for years ahead.

Kids are naturally curious about what they don't know, or don't understand, or what is foreign to them. They only learn to be frightened of those differences when an adult influences them to behave that way and censors that natural curiosity.

My whole life experience feeds into my writing. I think that must be true for every writer. Clearly the Army and combat were major influences; just the same, you need to understand that many of the writers we have now couldn't load a revolver.

I did go through graduate school and I like to do research, to create something that has a certain objective solidity. The same thing influences my fiction to some degree, because, you know, my fiction is often based on history that I've read.

We were a Western civilisation, an English speaking civilisation, both NZ and Australia, and we had all these influences coming from both Great Britain and America to us; sending us their culture in the shape and form of movies and television.

My parents are kind of young, and my dad always listened to rock music and stuff like that, so I sort of grew up around that. As far as acting goes, I didn't really have any major influences because it wasn't really something that I focused on.

I hope we can keep doing it this way - making music and art that are pure products of our influences while not really having to let the whole celebrity side of it get in the way. Then maybe more virtual bands will come out and do the same thing.

When I became older and started to become more in tune with my political leanings, there was a disconnect between the feminist in me and the hip hop side of me, and I don't know if, in some way, those influences are also present in Tupac's work.

Reading to babies creates such a special parent-child bond and so strongly influences a child's language skills that the American Academy of Pediatrics recommends that doctors and nurses routinely discuss it with parents during pediatric visits.

At 16 I was living in the Congo, and, you know, it's your teenage time. I really wanted to find a way to express myself, so I started to write songs in the Congo, and I think that's why my music is quite open, with a lot of different influences.

I say that democracy can never prove itself beyond cavil, until it founds and luxuriantly grows its own forms of art, poems, schools, theology, displacing all that exists, or that has been produced anywhere in the past, under opposite influences.

Sting was one of my first and biggest influences. One night in North Carolina, when I reached out and touched his shoulder, he had the face paint on, and I didn't know why, but I loved it. I wanted to be just like him, and I was only 11 years old.

My chief literary influences have been Paul Laurence Dunbar, Carl Sandburg, and Walt Whitman. My favorite public figures include Jimmy Durante, Marlene Dietrich, Mary McLeod Bethune, Mrs. Franklin D. Roosevelt, Marian Anderson, and Henry Armstrong.

I keep saying I am an auto-didact, but I have a lot of outside influences. One I could cite is juggler Francis Brunn, who was the first man to throw ten rings in the air; he was really an amazing juggler who showed onstage the quest for perfection.

I don't think American independent films have ever really been particularly experimental, except for the original guys from the '60s who were huge influences, like Stan Brakhage, Robert Breer, and Stan van der Beek. They were the true independents.

It is easy to club people together, but there are bound to be influences of authors you've read. I grew up reading fast paced authors such as Sidney Sheldon and Jeffrey Archer, but to say I'm one of them isn't true; my style is intrinsically my own.

I am inspired by both Japanese Samurai films, in particular the films of Kurosawa, and how they share the spirit of American Westerns, with the influences running in both directions, and including the 'Spaghetti Westerns' and films of Sam Peckinpah.

With the likes of social media and outside influences - we're going to be on telly a lot more - I think it's important that you listen to the right people, whether it's your team-mates, your parents, or your coaches, and don't take too much to heart.

In the past, modeling influences were largely confined to the styles of behavior and social practices in one's immediate community. The advent of television vastly expanded the range of models to which members of society are exposed day in and day out.

Actually, a lot of my influences were horn players. I really liked Eric Dolphy, John Coltrane and Miles Davis - people like that. My dad had a lot of those records. So when I started playing jazz primarily, it wasn't jazz guitar that I was listening to.

My mum was raised Jewish, my dad is very scientifically minded, and my school was vaguely Christian. We sang hymns in school. I liked the hymns bit, but apart from that, I can take it or leave it. So I had lots of different influences when I was younger.

I've grown up on American songwriters my whole life - listening to Paul Simon and Bob Dylan and people like John Prine - you know, classic, real songwriters. They've been the lion's share of what I've really focused on as a writer and as influences, too.

Every existence above a certain rank has its singular points; the higher the rank the more of them. At these points, influences whose physical magnitude is too small to be taken account of by a finite being may produce results of the greatest importance.

Well, obviously I wanted it to sound as original as possible. I suppose the influences that we had were probably from the actual power point of view we wanted to be like the Who. Vocally we wanted to be like the Beach Boys, whatever was good at the time.

I was really lucky to have been raised in this really powerful matriarchy where my dad was around, but I was with my mom and my grandma most of the time. They were heavy influences on me. My mother has a career in technology; my grandma sold real estate.

If you ask me, I'd say what the world now considers K-Pop began with SM Entertainment. SM was the very first company to take musical influences from Western culture and incorporate Korean culture into that by rearranging and writing lyrics with our style.

People are composed of many things, and in my work, what influences me is the complexity of people - the chiaroscuro of dark and light. When I play a strong guy, I try to find, where is he weak? And, conversely, when I play a weak guy, where is he strong?

There are so many bad influences out there. I don't care if a kid is rich or poor, if he lives in a million-dollar house or the ghetto, he is going to find some sick things on the street. And if we don't clean it up soon, we're all going to pay the price.

In the seventeenth century, the science of medicine had not wholly cut asunder from astrology and necromancy; and the trusting Christian still believed in some occult influences, chiefly planetary, which governed not only his crops but his health and life.

I think sometimes I write to impress my influences. Whether they're actually acquaintances of mine, people that I think will hear the record or not, I still write - not to imitate my influences - but to write something that would live up to their standards.

The Little Paris Kitchen' was about my experience of living and cooking in Paris, 'My little French Kitchen' about my travels around France and 'Rachel Khoo's Kitchen Notebook' was a peek into my personal cooking diary with influences from around the world.

In terms of social media, I try to have my voice heard loudly in the cacophony of other influences whether from television and the Internet or social media... I want my voice to be heard in terms of the standards and values that I try to pass on to my kids.

Even though the music I make gathers influences from all over the place, I feel that the core of what I do comes from the jazz tradition. In terms of improvisation, interaction, feel and overall concept, Jazz is my main source of information and inspiration.

I have a lot of influences. I'm American-schooled. I'm classically trained. I'm a pretty universal student, if you will. I have a lot of degrees, which really don't pay the rent. I have two doctorate degrees, I have a bachelor's degree, but I'm still a cook.

I'm a mash-up of everyone. My influences would be Michael Jackson, Brandy, Aaliyah - those types of people. So if you can imagine them - and with me taking them, and then putting my own twist and the influence on it - that's musically what I would sound like.

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