Quotes of All Topics . Occasions . Authors
I think it was John who really urged me to play sitar on 'Norwegian Wood,' which was the first time we used it. Now, Paul has just asked me recently whether I'd written any more of those 'Indian type of tunes.' He suddenly likes them now. But at the time, he wouldn't play on them.
Indian cricket fans are manic-depressive in their treatment of their favorite teams. They elevate players to god-like status when their team performs well, ignoring obvious weaknesses; but when it loses, as any team must, the fall is equally steep, and every weakness is dissected.
I was lucky in my early years to play for a Karnataka team that was trying to forge itself into a strong side, and they were years of fun and learning. In the Indian team, I was fortunate to be part of a wonderful era when India played some of its finest cricket at home and abroad.
I am a product of Indian cinema; I've grown up watching Indian films ever since I can remember. And song and dance is part of our lives; it's part of our culture; we wake up to songs, we sleep to lullabies, you know, we celebrate every religious and traditional function with music.
What makes international cinema so interesting is that each territory has its own sensibility. When you look at an Indian or French film, there's a certain flavor. And even though the language is different, if the film is successful, it has something very common and understandable.
In the Indian film industry, especially those of us who are in mainstream cinema, we invariably play a typical hero's role. More often than not, we cater to the public perception. However, there is a latent desire in most actors to do a role where you can go all out and experiment.
At Amazon, we were not working with the e-commerce division but with the Web services team. We started Flipkart completely from scrap. Moreover, the whole shopping behaviour and infrastructure challenges in the Indian market were different from that in the U.S. and European markets.
There are large numbers of people in India below the poverty line; there are large numbers of people who lead a meager existence. They want to find a little escape from the hardships of life and come and watch something colorful and exciting and musical. Indian cinema provides that.
Telugu-Tamil producer Thyagarajan has bought the South Indian language rights for two Hindi hit films, Vikas Behl's 'Queen' and Neeraj Pandey's 'Special 26.' He wants me to play Akshay Kumar's role in the Telugu version of 'Special 26.' Akshay and I even look similar, physique-wise.
The Americans will never solve the Indian problem till the Indian is extinct. They have treated them after a fashion which has intensified their treachery and 'devilry' as enemies, and as friends reduces them to a degraded pauperism, devoid of the very first elements of civilization.
Osama Bin Laden was found hiding in a house compound in Pakistan by American forces. Muammar Gaddafi was captured by rebel militia while hiding in a drain underneath a road in Libya. And Pakistani starlet Veena Malik was found by the Indian media hiding in a suburban hotel in Mumbai.
Do you know what a skin walker is? It's a thing in Indian mythology. There are certain people born with this gift, and they're able to actually get inside you and mess with your feelings and with your mind. And if a skin walker chooses to get a hold of you, there's not much you can do.
I don't think Indian actors are good. A couple of them are, like Anupam Kher, but not many are there like him in the industry. There are thousand of actors and actresses in the industry, but you can count on hand how many of them are really good; the rest of them are just pretty faces.
As far as my projects are concerned, I have always maintained a healthy balance. My south Indian projects have never taken a backseat even though I've been busy in Hindi. Both regions have loved me, and being wanted by both the north and south film industries is a compliment by itself.
I used to forget that I was an Indian woman. I would even forget that I was a woman. I don't think of myself as bringing to the table a lot of 'women's issues.' I don't feel the need to write about maternity. I grew up thinking that the talented people in comedy were hard-joke writers.
Indian cinema is no more limited to audiences in India. We have viewers all around the world, and hence, understanding the global perspective is a must. Cinema Beyond Boundaries would get the viewers and the filmmakers together and would help us in serving them with good quality cinema.
I try not to put anything political on the forefront of what I'm trying to do creatively. At the same time, I do think it's wonderful when I hear people say that it's inspirational that I'm an Indian woman on camera. My life is very diverse, and my friends are a diverse group of people.
If Oak Flat were a Christian holy site or, for that matter, Jewish or Muslim, no senator who wished to remain in office would dare to sneak a backdoor deal for its destruction into a spending bill - no matter what mining-company profits or jobs might result. But this is Indian religion.
I think the way the audience takes the Indian film-star is a little different from the way the audience takes the Western star there. We are considered like demi-gods here, and the reason is not because we are better or good, but because there is no other mode of entertainment in India.
We passionately set up a programme that we call the Indian gun programme. I challenged Colonel Bhatia, who heads our defence business, that let's build an Indian gun. There's a belief that Indian companies aren't capable of this, and we want to prove them wrong, as we did in components.
I quit my software engineer job, decided that I would be a singer, and got married. Those days, there were no platforms like the 'Indian Idol.' It was like, you decide to become a singer, and then what do you do? It must have been tough for my wife getting married to a man without a job.
Certainly, historically, there has been more attention given in the international media to Indian English-language writers than to Pakistani English-language writers. But that, in my opinion, was justified by the sheer number of excellent writers coming from India and the Indian diaspora.
Nobody knows why we're alive; so we all create stories based on our imagination of the world; and as a community, we believe in the same story. In India, every person believes his/ her own mythosphere to be real. Indian thought is obsessed with subjectivity; Greek thought with objectivity.
I was exposed to a mix of cultures, lots of different religions and beliefs. I was a spiritual kid and went to Indian powwows and Buddhist temples. But over a period of time, with reading and thinking, I started to feel it was all so absurd: The whole idea of life after death is ridiculous.
I think there is a real misconception about Indian food being super spicy. And I know that's because when you go into an Indian restaurant, it is pretty spicy. But it doesn't have to be. In fact, my husband can't handle a lot of heat. I've had to temper my cooking so that he can eat with me.
I used to feel like not scoring runs is the worst thing in life but I started thinking: 'No, at least I'm getting to go out on the field wearing the Indian jersey.' Not many get to do that. I am lucky. Now, if I get runs or don't get runs, I'm just going out there trying to enjoy my cricket.
Culture and tradition have to change little by little. So 'new' means a little twist, a marriage of Japanese technique with French ingredients. My technique. Indian food, Korean food; I put Italian mozzarella cheese with sashimi. I don't think 'new new new.' I'm not a genius. A little twist.
I'm sure I went through a stage when I resented being Indian because in every other manner, in terms of cultural reference points and vocabulary and all the rest of it, I was way ahead of everybody else - so the one thing that set me back was being Indian. And I couldn't do anything about it.
On Monday and Thursday, I eat fewer than 500 calories a day; then I eat like a pig for the other five days. You 'surprise' the body: keep it guessing. I got the idea from a BBC documentary about this Indian man who seemed about 138 years old and said his secret was severe calorie restriction.
I don't really focus on these things - on what tags are given to me or what people think of me off the field - stuff like that. My main focus is always to do well on the field for the Indian cricket team. When people say good things about me off the field, I am more than happy to accept them.
When you call yourself an Indian or a Muslim or a Christian or a European or anything else, you are being violent. Do you see why it is violent? Because you are separating yourself from the rest of mankind. When you separate yourself by belief, by nationality, by tradition, it breeds violence.
I think the difference with Japan was that they didn't bring in too many foreign players. In my opinion at the ISL it's not too good to have too many foreigners playing. The minimum of five Indian players is too less in my opinion. Since it's the ISL, we have to encourage more Indian football.
I appreciate art in any form. So it applies to clothes as well. On stage, I think people prefer me in Indian outfits... in fact, it goes with the kind of songs I sing as well. Indianness in the form of a sari, or a chaniya choli or jeans with something interesting, matches my style of singing.
A lot of things have changed since I made my debut in 2004. The way cricket is played has changed. The kind of players that are coming in the Indian team are drastically different than what we were used to. My role is quite the same. You only evolve with time, and that's what I am trying to do.
The Indian economy grew at 5.5 percent, but if you look at the last 30 years - for example, 1960 to 1985 - the progress made by East Asian countries was phenomenal. In a single generation they had been able to transform the character of their economy. They were able to get rid of chronic poverty.
I remember, in my first show in New York, they asked, 'Where is the Indian-ness in your work?'... Now, the same people, after having watched the body of my work, say, 'There is too much Indian philosophy in your work.' They're looking for a superficial skin-level Indian-ness, which I'm not about.
Lots are written about how 'she shows up at board meetings in the saree.' My God, I have never worn a saree to board meetings; people play it out in different ways. I think I have never shied away from the fact that I am an Indian, and I don't intend to, but you can be at home with both cultures.
When a certain swathe of India's population considers the country's ancient past, it doesn't see a country fragmented into kingdoms, savaged by caste divisions, and mired in poverty; rather, what's envisioned is a vast, unified Hindu empire stretching from Kashmir to the Indian tip at Kanyakumari.
The idea that you can dress up in some kind of a fake Indian outfit and get on stage is somehow acceptable in this country. That has to do with the fact that you have the Redskins, the Braves, you have people who dress up like Indians, people dress up like Indians on Halloween. That is acceptable.
By the grace of God, my parents were fantastic. We were a very normal family, and we have had a very middle-class Indian upbringing. We were never made to realise who we were or that my father and mother were huge stars - it was a very normal house, and I'd like my daughter to have the same thing.
I was raised in an Indian household - singing classical music and eating south Indian food. But the second I went to school, it was a different world. I'd be listening to Destiny's Child, Usher and the Backstreet Boys. It wasn't until college that I really found the balance between the two worlds.
My mother was born in Burma, but my grandfather on her side was Indian-Spanish. So I have this quite exotic mix, which is reflected in my earliest memories, in our Wiltshire country kitchen, of gran, and aunts, cooking spicy stewy, casseroley curries, a version of Indian food with a Burmese twist.
The grass is always greener on the other side. We are busy applying fairness creams while people in the West go bare-bodied on the beach to get a tan. Indian girls have ruled the roost when it comes to beauty pageants. I flaunt my complexion, and I am proud to be noticed as an Indian wherever I go.
November is Native American Heritage month, and a good time to honor the legacy of our ancestors, but every day we should stop to think about our country's beginning and that the United States would not exist if not for a great deal of sacrifice, blood, and tears by Indian Tribes across the country.
I have dark skin. My nickname is El Negro. They call me El Negro in Mexico because even in my country, the dark skin is evidence of Indian blood, a sign that one technically belongs to a third class. Even my grandmother had some kind of differentiation with me, because I was darker than my siblings.
I'm very loyal to my south fans and the industry there. So, it's hard for me leave all the love, respect, and admiration and shift base here. I'm a Mumbai girl and have lived here for most of my life. At the same time, I've spent 10 years of my life in the South and feel like a south Indian at heart.
Indian actors, because of the format of our stories, need to be good actors, and be able to perform emotional sequences, do a bit of comedy, dance and singing, action, because all of this forms just one film. In many ways I'd say there are greater demands on Indian actors than there are on Hollywood.
When I was sixteen I started acting, and I also started to embrace my tradition and culture. I had a young medicine man interpret for me what it is to be an Indian. He really caught me at a good time because I was really vulnerable after the loss of my parents with all of the feelings of abandonment.
I'm free to see things objectively because I don't consider myself American, and I don't consider myself British or Indian. I'm kind of an amalgam or mongrel of a lot of different places and experiences. In a lot of ways it's been a good thing for me. It's enabled me to do what I do on 'The Daily Show.'
When I first became captain of the Indian cricket team in 2000, many well-wishers and journalist friends gifted me the classic Mike Brearley book, 'The Art of Captaincy.' I mean no disrespect to the book or Mr, Brearley, who I admire a great deal, but books or team meetings don't make you good captains.