My dream role would probably be a psycho killer, because the whole thing I love about movies is that you get to do things you could never do in real life, and that would be my way of vicariously experiencing being a psycho killer. Also, it's incredibly romantic.

I think that designers have an incredibly broad creative repertoire. They solve. They create images of perfection for any number of clients. I could never do that. I'm my client. That's the difference between an artist and a designer; it's a client relationship.

When you play a lead role, you're in pretty much every scene. It's incredibly tiring. You really have to disappear into the film because you have no time to do anything else. You are either awake and playing the character, or you are trying to catch up on sleep.

Similar to the telescope or the telephone, television enables us to see or hear things we never dreamed of. When you look at the details, a concrete scene between people is really something incredibly unlikely, something subtle that requires extended description.

I've got children and it's still this one thing that I feel incredibly proud about, when my children are in the playground with their friends and they know about 'Doctor Who'. It's a great feeling. I can sit down with them and watch the new 'Doctor' with my kids.

Making films can be absolutely fantastic, but it can also be incredibly dull. You spend the whole day sitting by yourself in your trailer and then you get called to deliver one sentence - then you're told to come back and do it again at 5:30 the following morning.

Looking back is a way to sharpen the focus on the things you want to change in your life. I think there's something about nostalgia that really puts a fine point on the here-and-now, and that can be incredibly fascinating and interesting and engaging for the mind.

Shortly after the 2004 Indonesian earthquake, I read that the earthquake had affected the rotation of the earth, shortening the length of our 24-hour day. Even though the change was extremely slight - only a few microseconds - I found the idea incredibly haunting.

Touch is incredibly important as part of the human experience. Our ancestors relied on human touch to form and strengthen bonds with each other. Touch can accelerate a feeling of connection and releases hormones in our body that engender trust and build connection.

Not everybody is created equal, and it's important for companies to identify those high potentials and treat them differently, accelerate their development and pay them more. That process is so incredibly important to developing first-class leadership in a company.

I think the filmmakers that I love are ones that cross genres and do different thinks, the way that David O. Russell can do something like 'Flirting With Disaster' but then go do 'Three Kings' which is like an incredibly visual film - that's a huge reference point.

Each kid has a different level of expertise and some of them are very raw and inexperienced and some are incredibly mature and experienced. So you just have to go with what they are rather than have some abstract technique that you're going to try to apply to them.

I always enjoy conversation more if there is some substance to it - which is a just incredibly hilarious thing for me to say because for many, many years I was the guy whose only contribution to any conversation was, 'There was a funny 'Simpson's' joke about that.'

Where we are as a nation is due to having an openness to the people of the world. It's incredibly important. I firmly believe that we cannot shut our borders to immigrants. I think a fair and just immigration policy is good for our country and good for our society.

You are carving out a story. You and your colleagues are trying to make something that is bigger than yourself. Although it can be a scary experience because you're putting your work out on the line, it's also incredibly rewarding because a lot of it comes from you.

To say I have played through four World Cups, two Lions tours, 91 international games and a ridiculous number of injuries and other setbacks gives me an incredibly special feeling of fulfilment. I know myself well enough to know that I will never truly be satisfied.

I've been in this business for a long time at my age, I've just turned 30, and I feel like my wife's career is going incredibly well, my kids are happy and healthy in schools, we've both been able to buy a house for our parents, respectively, in the places they live.

Being a firearms officer is incredibly highly scrutinised now, and I think it is one of the things that puts off quite a lot of people. And if you think that you are more visible in that role as a woman, you might feel slightly less inclined to go into it than a man.

I guess something people wouldn't expect me to listen to are artists like Alicia Keys. But she is so incredibly talented. She has this huge voice and great work ethic, which I really respect in an artist. She is also very humble and gracious and devoted to her skill.

The Depression was an incredibly dramatic episode - an era of stock-market crashes, breadlines, bank runs and wild currency speculation, with the storm clouds of war gathering ominously in the background... For my money, few periods are so replete with human interest.

Sergei Magnitsky was an incredibly intelligent, principled and idealistic man who was this sort of positive face of the new Russia. He was in jail, really, as my proxy, and so it was impossible for me to sleep. I felt guilty taking a shower because I knew he couldn't.

I think publishing's strength is also its weakness. It's got such a rich and celebrated history as an industry. For the most part, publishing people are incredibly creative, business is done based on the strength of relationships, and the product being peddled is books.

I once bought some enormous fireworks that were literally the size of sticks of dynamite. We would go into the field behind our house, slide them into the biggest cow pats we could find, and blow them sky high. It was exhilarating and, for the cows, incredibly confusing.

Reading international law at the School of Oriental and African Studies in London was a wonderful experience. With its incredibly diverse student population, I began to immerse myself in the ways social, legal and political forces contribute to human rights and freedoms.

Ah, there's a director. Astonishing, Spike Lee. A feisty guy, but a guy who's, I think, incredibly misunderstood. I think people review his politics or his color as opposed to his filmmaking sometimes. Because he's a wonderful, wonderful filmmaker and a lover of the art.

I think the takeaway is 'The Guest Book' is incredibly unexpected in every way. I know, when I was reading the script, I was surprised with every page turn. It's kind of an anthology, and it really pushed the envelope. It's a risk-taking show, and it's just a lot of fun.

Let's not mince words: Everest doesn't attract a whole lot of well-balanced folks. The self-selection process tends to weed out the cautious and the sensible in favor of those who are single-minded and incredibly driven. Which is a big reason the mountain is so dangerous.

Making movies is both entirely ludicrous and incredibly hard. It's a preposterous way to spend your time. You give up a lot for the privilege of doing it, and one of the things you get are relationships of immense trust that you see forged in situations of immense stress.

The '80s to me, more than anything else, represents a time of real criminal activity in the office of the president: an incredibly disparate economy in terms of the class distinctions and whatnot, and a tremendous shallowness - a lot of sort of bank robbery by executives.

Some of my first teachers were incredibly tough. You could never sing more than three words without being stopped and having to do it over 20 times. I loved that - that sort of process of dissecting and trying to figure out and master this incredibly mysterious instrument.

The market is incredibly inefficient and capable on rare occasions of being utterly dysfunctional. And people have a really hard time getting their brain around that fact. They want to believe that it's approximately efficient almost all the time, and it simply isn't true.

Probably my favorite piece of music, as an album taken as a whole, is Bruce Springsteen's 'Greetings from Asbury Park.' I just think it's incredibly pure. It's a sound that sort of broke new ground, and I think it paved the way for a hundred people that sound very similar.

I've seen that phenomenally successful people believe they can learn something from everybody. I call them 'mavericks with mentors.' Richard Branson, for instance, is a total maverick but he surrounds himself with incredibly successful, smart people and he listens to them.

I taught myself to play the guitar by listening to Paul Simon records, working it out note by note. He is an incredibly intelligent musician. He's not someone who has a natural outpouring of melody like McCartney or Dylan, who are just terribly prolific with musical ideas.

It cannot be said often enough that science fiction as a genre is incredibly educational - and I'm speaking the written science fiction, not 'Star Trek.' Science fiction writers tend to fill their books if they're clever with little bits of interesting stuff and real stuff.

I am like a security camera ever on the watch. The furtive quality of vision feels to me like an incredibly valuable weapon. Everything I see gets transformed into a private sketch or painting in my mind, stored away for future reference, future evidence, future ammunition.

At the end of the day, if the guy is going to write the girl a letter, whether it's chicken scratch or scribble or looks like a doctor's note, if he takes the time to put pen to paper and not type something, there's something so incredibly romantic and beautiful about that.

I've had more of an opportunity to work with Katie Holmes, which is incredibly enjoyable. I think she is really one of the best actresses on the market right now. She forces you to bring your best stuff to the table, because if you don't, she just completely overpowers you.

I can be incredibly focused, and I can appear impatient. So I've learned to slow down, get to know people, and provide more context. There's nothing wrong with getting to the point pretty quickly, but it's also helpful to give people an opportunity to talk about their work.

I went to a masterclass with Jonathan Pryce who said that a successful actor is not a famous actor, it's an actor who acts. And I have been incredibly fortunate to have worked constantly from the moment I left drama school, so I achieved what I set out to do. I am an actor.

I love the idea of documentaries. I love seeing documentaries, and I love making them. Documentaries are incredibly easy to shoot. The ease with which you can hear something's going on, somebody's going to be somewhere: That sounds so interesting. Pick up your camera and go.

I feel incredibly lucky to have grown up with creative parents and around creative people, many of whom live with anxiety. My mum would sometimes say that it was a beautiful thing, and that it would come in handy when making music - and it's made me a more empathetic person.

My parents loved each other. I was raised in a house of total love and respect. My dad worked very hard and my mother was incredibly devoted to him. I can unequivocally, without any peradventure of doubt, tell you that I was raised with the kind of love that we only dream of.

I watched Ricki Lake's documentary, 'The Business of Being Born,' and that led me to call a midwife, and not an ob-gyn, when I found out I had conceived. My delivery was not easy - they call it 'labor,' not 'a vacation!' - but I was incredibly grateful that I did it that way.

It's still incredibly hard. Not just honing my craft but kicking down doors, getting my work published. Early on, I could have wallpapered my house with all the rejection letters sent my way. I put thousands of hours and pages into four novels that never saw the light of day.

Baidu's AI is incredibly strong, and the team is stacked up and down with talent; I am confident AI at Baidu will continue to flourish. After Baidu, I am excited to continue working toward the AI transformation of our society and the use of AI to make life better for everyone.

Every opportunity I've had to work and act with incredibly talented directors, like Dean Holland was on 'Love,' and the writers and creators of that show, Judd Apatow, Paul Rust and Leslie Arfin, have been incredible learning experiences that have informed my creative process.

Everything about filmmaking is incredibly weird, and there's nothing natural about watching yourself on the big screen or hearing your voice. It's that same thing that you feel when you watch yourself on a video camera and you hate the sound of your voice - it's that times 800.

I know some of my parents' friends think 'Little Britain' is in incredibly poor taste. But swimming the Channel? You can't really say anything negative about that, can you? There's nothing better than making your parents happy. The glee on my father's face that day was amazing.

It's incredibly fun to play someone that you don't like. It exorcises your own demons in a way. It's cathartic. We all have things that we don't like about ourselves, little things. And I get to amplify those things and put them out there. It's fun and it has a cleansing effect.

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