Quotes of All Topics . Occasions . Authors
A return to first principles in a republic is sometimes caused by the simple virtues of one man. His good example has such an influence that the good men strive to imitate him, and the wicked are ashamed to lead a life so contrary to his example.
Occasionally, especially on video games and with a lot of the fighting stuff, to get what you feel is the proper sound, you have to imitate what you're doing, and occasionally I've gotten carried away and kicked over mic stands or punched things.
Acting and performing music is exactly the same. Therefore, an actor, for instance, who is very impressive, he's not simply imitating or trying to imitate, but he must dominate this kind of feeling, and then he transmits it in a much stronger way.
Well, I mean there are so many producers that inspire me. I used to try to imitate production by certain people. And now I'm only interested in doing the opposite of that. I'm only interested in doing production that like no one's ever done before.
When I was a kid, I loved all the silent comedians - Buster Keaton, Laurel and Hardy, Chaplin. And I used to imitate them. I'd go to see a Buster Keaton movie and come home and try things out I'd seen. I learned to do pratfalls when I was very young.
Just as the slave master required the slaves to imitate the image he had of them, so women, who live in a relatively powerless position, politically and economically, feel obliged by a kind of implicit force to live up to culture's image of what is female.
I took some lessons as a kid but trained myself by ear. I did it the way jazz musicians used to learn years ago, which is to play records and slow them down to figure out the notes. At first I tried to imitate Red Garland, who was my favorite jazz pianist.
I think sometimes I write to impress my influences. Whether they're actually acquaintances of mine, people that I think will hear the record or not, I still write - not to imitate my influences - but to write something that would live up to their standards.
I come from the world of theater, and I know Noel Coward's writing well. He has such a specific voice, and was one of the wittiest writers who ever lived, and you think of him in the same category as someone like Shakespeare who's just impossible to imitate.
I was causing trouble in high school, and in order to get me to stop and to pass, they put me into theater, and I ended up winning a Shakespeare competition. All I had to do was imitate people properly, and I ended up going to the finals when I was about 16.
I propose not our enemies as an example for our general imitation, yet, as their navy is the best regulated of any in the world, we must, in some degree, imitate them and aim at such farther improvement as may one day make ours vie with - and exceed - theirs.
When you draw or paint a tree, you do not imitate the tree; you do not copy it exactly as it is, which would be mere photography. To be free to paint a tree or a flower or a sunset, you have to feel what it conveys to you: the significance, the meaning of it.
It is much easier to imitate something else that you know is accepted and loved than it is to look inside and follow your own compass, because you have no idea if you'll be accepted, if you'll be right, if your ideas are good, if your way is a path to success.
I don't like to analyze what I do too much, but I certainly never meet a single person and say, 'You're the next character.' People think that's what I do. They also think that I sit down and observe and try to imitate random people. I've never done that at all.
What happens is young girls see images of women being objectified, and the more the woman becomes an object the more followers and likes she has - they see that as a role model and try to imitate these women, but they're not old enough to know what they're doing.
In college, I went to school for acting; we had to learn phonetics just to be able to do dialects and all that stuff. I'm somebody who does better just hearing it. I'll just imitate it, and I get it better that way. When I know too much information, I'm not great.
Young players try and imitate the best players like Ronaldo. They try to imitate the hair, the clothes, the cars, the tricks. I try to tell them how hard Cristiano Ronaldo trained in training and after training. He only wanted to be the best. Everything else came after.
It's really cool to see how many people try to imitate me or wear my stuff. I get a lot of Instagram videos of people doing my entrance. I think that's so cool. To see the variety of people, little girls, guys, doing it. I never really thought that would happen. It's amazing.
You cannot be an educator or a teacher without relating to children with full insight. Their urge to imitate has been transformed into a receptivity based on a natural and uncontested relationship of authority, and you must take this into account in the broadest possible sense.
When I sing along with Britney Spears I will sing in an American accent. But eventually I found my own voice. My songs are so brutally honest, it would be alien to sing in any accent other than my own. Don't get me wrong - I can imitate singers. I can do bar mitzvahs and weddings.
Our best selves tell us that 'there but for the grace of God... ' and that, in the end, there is no distance, really, between us and them. It is just us. Our best and noble hope is to imitate the God we believe in. The God who has abundant room in God's grief and heart for us all.
Novels are political because in them, we try to identify with people who are not like us. And, in that sense, I like the first-person singular because I have to imitate accurately the voice of someone who is not like me. The third-person singular gives me an authority over a character.
When I was offered 'Hawkeye,' it was very intimidating at first because that book is so loved and so successful, commercially and critically. The worst thing you could do is try to imitate what they did because, in the end, you're just going to get a watered-down version of what they did.
I've been telling my students, 'Imitate, imitate.' And they say, 'Well, what if I plagiarize, or what if I'm not original? I want to be myself.' And I always tell them, 'Your self will shine through'... If you allow yourself to feel deeply and honestly, what you say won't be like anyone else.
When violence is real and you flinch away from it, violence does not push people to try and imitate that. Often, we shun the violence that makes us flinch, because it disturbs us. And what makes us uncomfortable and disturbs us is not often bad. What disturbs us will not make us imitate that.
I would write down the lyrics to 'C.R.E.A.M.' in Korean - not translating it, but phonetically writing out each word. I didn't know what they were saying, so I would just write everything down as I heard it. I would recite it and imitate it like that. That's how I started to write my own raps.
'American Idol' is sometimes lumped with reality shows and it has that element - folks-next-door battling it out in a contest. But instead of fighting leeches, bugs, parasites and each other, as on CBS's 'Survivor' and other shows that imitate it, the 'American Idol' contestants, of course, sing.
The music is something outside myself that's also inside myself... Music and a sense of another presence always went hand in hand. Even when I was three, I would improvise music, and my maternal grandfather would act as an audience and used to applaud. I would imitate things like thunder and rain.
Lyndon Johnson is not a comfortable model for President Obama to imitate. He is an all-but-forgotten president - pilloried for the failed war in Vietnam and criticized for grandiose reforms conservatives denounce as the epitome of federal social engineering that costs too much and does too little.
Future's not everybody. The people who are taking my style are like my babies. I've got a tribe of kids that want to be like me... But I understand why people want to imitate the things I do. They're dope. It comes naturally to me. My fans can expect greatness. If I wasn't me, I would want to be me.
Pau has a game that's impossible to imitate. He's so finesse and so skilled, it's impossible to imitate. Honestly, I'm a big fan of the game. I've never seen a player his size who has so many moves, so many counters and it's impossible. His length, his size, his skills - I mean, you can't teach that.
I have kids, so I can understand the image that footballers have. They are fans of some players; I see in their eyes. They admire and try to imitate their gestures, their words, their celebrations. They love Ronaldo and Messi. Since Euro 2016, though, they have no right to pronounce the name of Ronaldo!
Marriage equality is a hustler's feeding frenzy of gold-diggers. I campaigned for marriage equality in Maryland because I believe we should have the right to it, but I personally don't want to get married. I don't want to imitate the traditions of heterosexual people. I hate weddings: they make me uneasy.
The poet, being an imitator like a painter or any other artist, must of necessity imitate one of three objects - things as they were or are, things as they are said or thought to be, or things as they ought to be. The vehicle of expression is language - either current terms or, it may be, rare words or metaphors.
I got this Christmas gift with the entire Beatles catalog. I had fun trying to duplicate what I was hearing on these records, only using the instruments I had at hand - an acoustic guitar, and that's all. It was endlessly amusing to me to try to imitate John Lennon and Paul McCartney's harmonies using the guitar.
Acting as a profession came to me by chance: in 1946, after the war, I was having lunch with my cousin, who was the Italian ambassador, and he asked, 'What are you going to do now you're out of uniform?' I said, 'I'm pretty inventive, and I can imitate people,' and he said, 'Have you thought about being an actor?'
It's a bummer interracial love is still such a big deal. To me, it's quite normal. I grew up seeing couples that were interracial. Who cares if it's a black guy and white girl, or an Asian guy and white girl, etc.? Odds are, every combo exists out there somewhere so why not put it on the screen? Shouldn't art imitate life?
If you were a successful upper-middle-class Negro girl in the 1950s and '60s, you were, in practice and imagination, a white Protestant upper middle-class girl. Young, good-looking white women were the most desirable creatures in the world. It was hard not to want to imitate them; it was highly toxic, too, as we would learn.
In my movies, I'm not trying to erase any old image of myself, really. And also I'm not trying to imitate anyone or follow in their footsteps, because I know, Burt Reynolds was just one of the people that told me this, I know how you can only last in this business if you got something special to offer, just by being yourself.
I definitely try to be myself and not try to imitate other performers. That's why I got my music degree. I wanted to be prepared and not be a 'product.' I want people to know that I'm not only a singer but a musician as well. I studied guitar, piano, and composition. I believe that it's just about being myself on and off stage.
Jordan Peele is famous, in part, for imitations - of rappers and dingbats and the 44th president of the United States. But he would be impossible to imitate. He isn't ribald. He's droll. Sometimes he's not even that. Sometimes he's quiet. Sometimes he's sitting across from you expecting you to hold up your end of a conversation.
With Michael Jackson, when he moved, it looked like a martial artist to me. He was quicker than other dancers, but he didn't have muscles; he was just quicker and looked more in control of gravity. He looked like a martial arts master, so I tried to steal body movement from him; that's why I imitate Michael Jackson a little bit.
You can sort of start to write around 10. You also become a good reader around that time, and you want to imitate the thing that you love. I got praise for it, and then I found that it was a great way of translating my life, so I would write little stories and plays and things. At that point, it was kids' books that I was reading.
I kind of dislike 'For Whom the Bell Tolls,' but most of Hemingway in general, mainly because his stylistic shenanigans ruined so many young writers of my generation who tried to imitate him. I think, for his time, he moved fiction to a different level stylistically, or at least added to the dialogue, but in our time, he's annoying.
I'm sitting at home every time there's a Grammy. It's like, 'What is Sharon doing tonight?' I'm sitting home watching it. But it's OK. But if you go to Europe, there are a lot of young, independent labels that's doing soul music. You might call them retro because they're young and they're trying to imitate somebody. But I ain't retro.
When I was a bad writer, I would consciously imitate other NPR writers who I thought were wonderful. I suppose that everyone's artistic practice is different. But I collaborate and sometimes don't agree at all with my collaborators' opinions. It forces you to understand why you don't agree with something: what's the fight you're picking.
Acting really started for me because I was in a house full of adults. They never shielded their lives from me. They were adults going through this world doing what they had to do. I used to like to watch them and imitate them. They all have their own distinct personalities; even though they're family, we couldn't be more different people.