I've taken on impossible fights before and won and I've done it not by taking on the tactics and techniques of demagogues and bullies but by calling people to our higher angels, calling to the moral imagination of communities about what we can be and what we can achieve together.

Growing up in a suburban home, the world seems so massive to you. It seems like cities are so big and so far away, and there's so much in them. So your imagination runs wild, instead of when you are born in the middle of Manhattan, you'd know, like, that this is the biggest city.

The termination is not based on innocence or guilt, but on biology. The sociopath personality is fraudulent. They are impostors within the human species. Killing a sociopath is equivalent to killing God. Neither exists in reality. They are empty shells of imagination, said Chiron

[Mathematics] unceasingly calls forth the faculties of observation and comparison; one of its principal weapons is induction: it has frequent recourse to trial and verification; and it affords a boundless scope for the exercise of the highest efforts of imagination and invention.

I'm one of those people. I can be sold by the candy in life, and then it can be stripped away within a split second and I feel like I've seen too much. And that's the way, I've been like that most of my life, so I could never say I was there yet in any stretch of the imagination.

My anxiety about disasters is lower. The more you know, the less scary any of this stuff is. And that's my hope for the book. I want to get people's attention and tell them very valuable and ultimately hopeful information, and you find out nothing is as scary as your imagination.

We are all tattooed in our cradles with the beliefs of our tribe; the record may seem superficial, but it is indelible. You cannot educate a man wholly out of the superstitious fears which were early implanted in his imagination; no matter how utterly his reason may reject them...

If freedom in the imagination is a privilege, it's one I believe everyone should have, as a basic human right. I also believe that poems not only make meaning, but are more often than not engaged in some way with our deepest human issues, be they personal or societal or political.

Perhaps the most terrible (or wonderful) thing that can happen to an imaginative youth, aside from the curse (or blessing) of imagination itself, is to be exposed without preparation to the life outside his or her own sphere - the sudden revelation that there is a there out there.

When I get an idea I start at once building it up in my imagination. I change the construction, make improvements and operate the device in my mind. It is absolutely immaterial to me whether I run my turbine in my thought or test it in my shop. I even note if it is out of balance.

Acknowledging our love for the living world does something that a library full of papers on sustainable development and ecosystem services cannot: it engages the imagination as well as the intellect. It inspires belief; and this is essential to the lasting success of any movement.

Imagination, which is a quality writers must have, does not mean the ability to weave pretty stories out of nothing. In the right sense, imagination is a response to what is going on — a sensitiveness to which outside things appeal. It is a composition of sympathy and observation.

Many scientists think that philosophy has no place, so for me it's a sad time because the role of reflection, contemplation, meditation, self inquiry, insight, intuition, imagination, creativity, free will, is in a way not given any importance, which is the domain of philosophers.

An essay is a thing of the imagination. If there is information in an essay, it is by-the-by, and if there is an opinion, one need not trust it for the long run. A genuine essay rarely has an educational, polemical, or sociopolitical use; it is the movement of a free mind at play.

Instead of focusing on the amount of money lacking in your budget, focus on what you DO have: a willing spirit, an imagination filled with bright ideas, people who care about you and can perhaps help you in some way. These are the things that will enable you to do almost anything.

Films are dreams. Many, many critics say to me that my films are not good because they are too unbelievable, but this is my style. I tell stories like they are dreams. This is my imagination. For me, it would be impossible to do a film that is so precise, that resembles real life.

I became a novelist because of 'Gone With the Wind,' or more precisely, my mother raised me up to be a 'Southern' novelist, with a strong emphasis on the word 'Southern' because 'Gone With the Wind' set my mother's imagination ablaze when she was a young girl growing up in Atlanta.

Coincidences always happen if you keep your mind open, while storyboards remain the instruments of cowards who do not trust in their own imagination and who are slaves of a matrix If you get used to planning your shots based solely on aesthetics, you are never that far from kitsch.

Doc Brown had a feverous imagination. He was constantly coming up with new ways and solutions to various issues, and time travel was one of them. I was just very inspired by being able to portray somebody of that sort. He's a man of tremendous energy and excitement about discovery.

My role models came in my imagination, from what I'd heard on the radio or on record... Vera Lynn I loved, but I'd only ever heard her on the radio. Gospel singers, Bessie Smith, Mahalia Jackson. So it was in my head that I visualised the emotion but no way to see how people do it.

There is no place in the Humanist worldview for either immortality or God in the valid meanings of those terms. Humanism contends that instead of the gods creating the cosmos, the cosmos, in the individualized form of human beings giving rein to their imagination, created the gods.

What makes life worthwhile is having a big enough objective, something which catches our imagination and lays hold of our allegiance, and this the Christian has in a way that no other person has. For what higher, more exalted, and more compelling goal can there be than to know God?

The fine gifts of temperament and imagination which are essential to the production of true poetry are often accompanied by morbid sensibility. The soul capable of ecstasy and transport must pay its price in suffering; he who walks upon the heights must sometimes grovel in the dust.

I think we have to stand up against what is unacceptable, and to push the boundaries and reclaim a more humane way of being in the world, so that we can extend our compassionate intelligence and begin to work with a strengthened will and imagination that can take us into the future.

Imagination is a danger thus every totalitarian regime is frightened of the artist. It is the vocation of the prophet to keep alive the ministry of imagination to keep on conjouring and proposing alternative futures to the single one the king wants to urge as the only thinkable one.

Sadly, semi-consciousness, along with daydreaming, is a capacity that is actively discouraged among children in schools, and our society is much poorer and harsher as a consequence. The value of liminal space and transitional imagination remain personally and culturally undeveloped.

What is freedom of expression? Without the freedom to offend, it ceases to exist. Without the freedom to challenge, even to satirize all orthodoxies, it ceases to exist. Language and the imagination cannot be imprisoned, or art will die, and with it, a little of what makes us human.

Architecture has to be greater than just architecture. It has to address social values, as well as technical and aesthetic values. On top of that, the one true gift that an architect has is his or her imagination. We take something ordinary and elevate it to something extraordinary.

Empathy isn’t just listening, it’s asking the questions whose answers need to be listened to. Empathy requires inquiry as much as imagination. Empathy requires knowing you know nothing. Empathy means acknowledging a horizon of context that extends perpetually beyond what you can see.

Metaphor is our mental root of imagination and language. Arnold Kozak offers fertile metaphors for growing your knowledge of the Buddhadharma. If you contemplate these brief stories, your emotional intelligence and mindfulness will develop effortlessly from the insights they provide.

I have a very strong imagination and have since I was a little kid. That is where a lot of my world comes from. It's like I'm off somewhere else. And I can have a problem in life because of that, because I'm always off in some other world thinking about something else. It's constant.

Criticism must never be sharpened into anatomy. The delicate veins of fancy may be traced, and the rich blood that gives bloom and health to the complexion of thought be resolved into its elements. Stop there. The life of the imagination, as of the body, disappears when we pursue it.

The writer's goal is to try to make it frightening without describing it too much, and yet not making it so grey that you don't know what's going on... Your imagination can imagine all sorts of really horrible things, and if you're able to prolong that feeling, then you've succeeded.

We have dreamt of every woman there is, and dreamt too of the miracle that would bring us the pleasure of being a woman, for women have all the qualities - courage, passion, the capacity to love, cunning - whereas all our imagination can do is naively pile up the illusion of courage.

Oh! this opponent, this collaborator against his will, whose notion of Beauty always differs from yours and whose means (strength, imagination, technique) are often too limited to help you effectively! What torment, to have your thinking and your phantasy tied down by another person!

Fear is not real. The only place that fear can exist is in our thoughts of the future. It is a product of our imagination, causing us to fear things that do not at present and may not ever exist. That is near insanity. Do not misunderstand me danger is very real but fear is a choice.

If we are to love our neighbors, before doing anything else we must see our neighbors. With our imagination as well as our eyes, that is to say like artists, we must see not just their faces but the life behind and within their faces. Here it is love that is the frame we see them in.

By listening to his language of his locality the poet begins to learn his craft. It is his function to lift, by use of imagination and the language he hears, the material conditions and appearances of his environment to the sphere of the intelligence where they will have new currency.

I'm focused on the work. And now I've done 'Morris' and 'Mr. Robot,' my appetite is whet to go deeper. It's fun, and it's challenging, and it stretches me. I'm not saying I'm done with comedy by any stretch of the imagination. I'm saying, yeah, let's see how deep the rabbit hole goes.

When you're even on a regular movie set, you still have to suspend your disbelief. You're working there with only 3 walls of a room, and you're in costume, and you have a camera 6 inches from you and have a crew of 75 watching you. So even there, you have to crank up your imagination.

A writer need not devour a whole sheep in order to know what mutton tastes like, but he must at least eat a chop. Unless he gets his facts right, his imagination will lead him into all kinds of nonsense, and the facts he is most likely to get right are the facts of his own experience.

The mathematician is entirely free, within the limits of his imagination, to construct what worlds he pleases. What he is to imagine is a matter for his own caprice; he is not thereby discovering the fundamental principles of the universe nor becoming acquainted with the ideas of God.

It is generally my thesis then to insist on the importance of imagination in sex, to insist that the practice of sex, as performed among human beings, be accorded the same deliberate and playful application of fancy, imagination and intelligence as any other significant human activity.

Before tomorrow, make a list of your traits. Make YOUR list - who you are and why. Then ask yourself this question: where did it come from? Are you the way you are because it is what you want... or what they want? Are you a product of your imagination or someone else's? Think about it.

Not only does social life demand teaching and learning for its own permanence, but the very process of living together educates. It enlarges and enlightens experience; it stimulates and enriches imagination; it creates responsibility for accuracy and vividness of statement and thought.

My child, you have a flawed grasp of the nature of myth-making. I am a poet and storyteller, a creator of ballads and sagas. Pray do not confuse the exercise of the imagination with mere mendacity. I am a master of the mysteries of words, their meanings and music and mellifluous magic.

I know there's been a lot that's been said about animated voice work, as though it's 'you can do this in your jeans and there's no camera and no pressure there. It's no big deal. It's easy.' The truth is, it's really a great test: how deep is your ability is to access your imagination?

I love the necessary ambiguity of short stories - there simply isn't time to render every detail, so much of the story that orbits the literal prose must happen in the reader's imagination. Who knows, maybe the dwindling attention spans means a lucrative future for short story writers.

In a sense, comic books are frozen movies. If you look at a comic book, you are generally seeing the storyboard for a film. The great advantage of comic books, over the years, has been that, if they are frozen movies, they are not limited by budget. They are only limited by imagination.

I certainly incorporate facts into my fiction. I take the basic facts from the life of my subject and I pick and choose what to use to construct a really interesting novel. I don't let facts get in the way of my imagination and my exploration of the subject's emotions and relationships.

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