Quotes of All Topics . Occasions . Authors
I have observed dreams and visions very carefully, and am now certain that the imagination has some way of lighting on the truth that the reason has not, and that its commandments, delivered when the body is still and the reason silent, are the most binding we can ever know.
I'm just trying to write a good story, strictly from imagination. People just think it's random, they don't see the rewriting, phrasing of characters, choosing the words, bringing the world to light in which the characters live in. That creates an illusion that this is real.
I feel that directors at times are like the janitors on the set. I am the secretary, I am the organizer, I am the maid, and I ask if they have eaten or rested. The best things are always out of your control. It's those moments that surpass the imagination that are thrilling.
Today mythical thinking has fallen into disrepute; we often dismiss it as irrational and self-indulgent. But the imagination is also the faculty that has enabled scientists to bring new knowledge to light and to invent technology that has made us immeasurably more effective.
Fear is implanted in us as a preservative from evil but its duty, like that of other passions, is not to overbear reason, but to assist it. It should not be suffered to tyrannize in the imagination, to raise phantoms of horror, or to beset life with supernumerary distresses.
When the universe is ephemeral, one can easily feel that human existence is meaningless. Why should I do anything at all? On the other hand it is tempting to try and make the best of it. I'm here, anyway. The imagination won't cope if I try to picture where I'd otherwise be.
So it is with minds. Unless you keep them busy with some definite subject that will bridle and control them, they throw themselves in disorder hither and yon in the vague field of imagination... And there is no mad or idle fancy that they do not bring forth in the agitation.
No one knows very much about the life of another. This ignorance becomes vivid, if you love another. Love sets the imagination on fire, and, also, eventually, chars the imagination into a harder element: imagination cannot match love, cannot plunge so deep, or range so wide.
As I see it, life is an effort to grip before they slip through one's fingers and slide into oblivion, the startling, the ghastly or the blindingly exquisite fish of the imagination before they whip away on the endless current and are lost for ever in oblivion's black ocean.
The pilasters reaching down were adorned with a glistering substance (I know not what) under glass (as it seemed), resembling - a homely fancy, but I judged it to be sugar-candy; yet to my raised imagination, divested of its homelier qualities, it appeared a glorified candy.
You can't make money without selling something real. You can't make something real without first imagination manifesting itself in your head. You can't have imagination without surrendering yourself to an idea that you want to create something of value to other human beings.
The arts of speech are rhetoric and poetry. Rhetoric is the art of transacting a serious business of the understanding as if it were a free play of the imagination; poetry that of conducting a free play of the imagination as if it were a serious business of the understanding.
'Perfect Sense' is a film about love and catastrophe, which I hope is a powerfully romantic and emotional take on the apocalyptic sub-genre. Its aim is to be a minimalist concept movie - where seismic events occur in simple ways that ask the audience to use their imagination.
I'm not claiming that football is the nation's salvation in this area, but it's one of them, one little thing that apparently has captured the imagination of a large sector of our society. But when football can't be a relatively pure outlet, a fun thing, then it hurts itself.
When we talk about novels, we don't often talk about imagination. Why not? Does it seem too first grade? In reviews, you read about limpid prose, about the faithful reproduction of consciousness, about moral heft, but rarely about the power of pure, unadulterated imagination.
A library is a home filled with our stories. On every shelf, we see ourselves, experience our collective conscious, describe our dreams and our great longing for times that have passed, the sterling moment of the present and the glorious future known only in our imaginations.
I think human beings will always still really enjoy using our imaginations, and Fringe allows you to do that. It's slightly scary and believable. There just might be an alternate universe. There just might be people on the other side that are like us, living a different life.
A novel, for me, relies on my imagination to inspire your (the reader's) imagination. It is not all there for you. My novels or my stories come to me visually. I use words to translate the novel I see inside my head into words that I hope will create a movie inside your head.
In general, when the imagination is at all noble, it is irresistible, and therefore those who can at all resist it ought to resist it. Be a plain topographer if you possibly can; if Nature meant you to be anything else, she will force you to it; but never try to be a prophet.
It's a great excuse and luxury, having a job and blaming it for your inability to do your own art. When you don't have to work, you are left with the horror of facing your own lack of imagination and your own emptiness. A devastating possibility when finally time is your own.
Gaston was not only a fierce lover, with endless wisdom and imagination, but he was also, perhaps, the first man in the history of the species who had made an emergency landing and had come close to killing himself and his sweetheart simply to make love in a field of violets.
The Jewish festival of freedom is the oldest continuously observed religious ritual in the world. Across the centuries, Passover has never lost its power to inspire the imagination of successive generations of Jews with its annually re-enacted drama of slavery and liberation.
I think Direct Cinema's trying to be insightful by looking at reality in a very close way while, in fact, much more is staged than we like to think. In cinema verite, it's about trying to make something invisible visible - the role of fantasy and imagination in everyday life.
The face of nature and civilization in this our country is to a certain point a very sufficient literary field. But it will yield its secrets only to a really grasping imagination. To write well and worthily of American things one need even more than elsewhere to be a master.
I learnt so much wit, really, from the Globe audiences. If you can make a circle, even in a proscenium theater, if you can get a circular energy going, so that all these people are involved with it and present, then there is something curious that happens with the imagination.
If worldviews or metanarratives can be compared to lenses, which of them brings things into the sharpest focus? This is not an irrational retreat from reason. Rather, it is about grasping a deeper order of things which is more easily accessed by the imagination than by reason.
Our spiritual life is a life in which we wait, actively present to the moment, expecting that new things will happen to us, new things that are far beyond our own imagination or prediction. This, indeed, is a very radical stance toward life in a world preoccupied with control.
No disease of the imagination is so difficult to cure, as that which is complicated with the dread of guilt : fancy and conscience then act interchangeably upon us, and so often shift their places, that the illusions of one are not distinguished from the dictates of the other.
Americans rightly, but sometimes excessively, celebrate every person in uniform as a hero, but seldom honor the difficult and often dangerous work being done day after day by members of our diplomatic corps. Warriors capture the popular imagination more easily than peacemakers.
When we come down into the distant village, visible from the mountain-top, the nobler inhabitants with whom we peopled it have departed, and left only vermin in its desolate streets. It is the imagination of poets which puts those brave speeches into the mouths of their heroes.
[While voicing] you have to create a feeling for what happened before a scene, what's going to happen after a scene, and what you are doing in a scene. You need to use your imagination even more and once your emotions are up, then your voice and expressions will go accordingly.
Generally, youth is like the first cogitations, not so wise as the second. For there is a youth in thoughts, as well as in ages. And yet the invention of young men, is more lively than that of old; and imaginations stream into their minds better, and, as it were, more divinely.
The great task demanded of man is reproduction. He is urged by passion to perform this task. Passion, working through the imagination, produces love. Passion is the impelling factor, imagination the disturbing factor; and the disturbance of passion by imagination produces love.
“Cherie, did the table do something I did not see or were you just attempting to teach it a lesson?” “I was imagining it was Evor.” “Strange, they do not greatly resemble each other.” “I have a good imagination.” “In that case, I do not suppose you are imagining I'm Brad Pitt?”
For the writer, the serial killer is, abstractly, an analogue of the imagination's caprices and amorality; the sense that, no matter the dictates and even the wishes of the conscious social self, the life or will or purpose of the imagination is incomprehensible, unpredictable.
Visualization - it's been huge for me. Your mind doesn't know the difference between imagination and reality. You can't always practice perfectly - my fingers will play a little bit out of tune, or my dance moves might not be as sharp - but in my mind, I can practice perfectly.
Close your senses and the imagination comes alive. It's inside us all, dulled by endless television reruns and by a society that reins in fantasy as something not to be trusted, something to be purged. But it's in there, deep inside, a spark waiting to set a touch-paper alight.
Between films you try to fill your life with hobbies; acting is really so satisfying when you're doing it, and definitely feeds your imagination and creativity to a great degree, but you can't really take much away from it to show for it. I try to fill my time with other things.
Voiceover work definitely requires it's own specific muscle. And because you're not seeing what you're recording, and all these things are going on, you really have to use your imagination and stay focused and kind of be able to tap your head and rub your belly at the same time.
Fear cannot be without hope nor hope without fear. [They are the two sides of a coin, so learning how to manage fear through learning, understanding, rationality, controlled imagination, preparation, mental focus (including distraction) and a gratitude attitude is very helpful.]
Some of us are interested in directors, but really the vast majority of us are interested in actors. You experience the films through the actors, so they're all locked into your imagination in some kind of layer of fantasy or hatred or wherever they settle into your imagination.
The absence of fossil evidence for intermediary stages between major transitions in organic design, indeed our inability, even in our imagination, to construct functional intermediates in many cases, has been a persistent and nagging problem for gradualist accounts of evolution.
If you paint the leaf on a tree without using a model, your imagination will only supply you with a few leaves; but Nature offers you millions, all on the same tree. No two leaves are exactly the same. The artist who paints only what is in his mind must very soon repeat himself.
Imagination is more important than information. Einstein said that, and he should know. And they come. And they look. And we push. And they fly. We to stay and die on our beds. They to go and die howsoever, yet inspiring those who come after them to find their own edge. And fly.
As a little girl, my destiny was stamped onto the canvas of my imagination at 5 years old. I was watching soaps with my grandmother... The most gorgeous black women I had ever seen in my life came out, and I knew that that is what I wanted to do - be fabulous and black and on TV.
My argument against the set-up picture is that it leaves the matter of content to the imagination of the photographer, a faculty that, in my experience, is generally deficient compared to the mad swirling possibilities that our dear common world kicks up at us on a regular basis.
No matter how much experience we may gather in life, we can never in life get the dimension of experience that the imagination gives us. Only the arts and sciences can do that, and of these, only literature gives us the whole sweep and range of human imagination as it sees itself
There is an arc of spontaneous revolts, beautiful in their creative beginnings, which traverses boundaries and borders and creates new solidarities and imaginations but which under the whip of the forces of order and strategies to buy-off sectors of the revolt becomes fragmented.
I think humans have always felt watched back by whatever is out there flickering in the distance. What excites me is what the imagination creates, not simply in explanation of what is there but also to explain or justify the feeling of awe and attachment that the heavens inspire.
He was a thorough good sort; a bit limited; a bit thick in the head; yes; but a thorough good sort. Whatever he took up he did in the same matter-of-fact sensible way; without a touch of imagination, without a sparkle of brilliancy, but with the inexplicable niceness of his type.