Quotes of All Topics . Occasions . Authors
For a scientist must indeed be freely imaginative and yet skeptical, creative and yet a critic. There is a sense in which he must be free, but another in which his thought must be very preceisely regimented; there is poetry in science, but also a lot of bookkeeping.
To shut your mind, heart, imagination to the sufferings of others is to begin slowly but inexorably to die. It is to cease by inches from being human, to become in the end capable of nothing, generous or unselfish; or sometimes capable of anything, however terrible.
But the average person doesnt have that much imagination. They just want to be entertained. They want to have the tableau presented for them. They dont want to participate beyond a certain point. They want the safety of the herd, to be catered to, sit back and enjoy.
Once you realize that it is impossible to capture the character of the various manifestations of nature by pictorial means, and that an interpretation based on imagination is equally erroneous, you will not find yourself facing a gaping void as you might have feared.
We are still a pioneer culture in some ways. A pioneer culture has to put all of its muscle into surviving on the frontier and pushing back the wilderness. So when you start to talk about imagination, inner space, and the structures of the psyche, that becomes scary.
Self-reliance - that's a dirty word to Democrats. They want people to believe that self-reliance means you don't do anything with anybody. They don't want it thought of as accepting responsibility for one's life. Enterprise. Imagination. Independence. Entrepreneurism.
Much of a poet's experience takes place in imagination only; the life he tells is oftenest the life that he strongly desires to live, and the power, the purity and height of his utterance may not seldom be the greater because experience here uses the voices of desire.
Imagination should give wings to our thoughts but we always need decisive experimental proof, and when the moment comes to draw conclusions and to interpret the gathered observations, imagination must be checked and documented by the factual results of the experiment.
I guess there's only two possible places ideas can come from. One is the outside: everything that happens to you and everything that you do in life. And the other is the inside part: your own personality and imagination, and no two people are alike, like fingerprints.
The Eucharist has been preempted and redefined in dualistic thinking that leaves the status quo of the world untouched, so congregations can take the meal without raising questions of violence; the outcome is a "colonized imagination" that is drained of dangerous hope.
Worry is the product of feverish imagination working under the stimulus of desires... It is a necessary resultant of attachment to the past or to the anticipated future, and it always persists in some form or other until the mind is completely detached from everything.
My main point here is that if you are the child of God and God is a part of you, the in your imagination God suppose to look like you. And when you accept a picture of the deity assigned to you by another people, you become the spiritual prisoners of that other people.
One of the biggest mistakes people make is to think that what you need to write a novel is imagination, creativity and a facility with words. Yes, you need all those things, but a novel is a highly complex organism that needs to be dealt with in quite a logical manner.
The imaginary is not formed in opposition to reality as its denial or compensation; it grows among signs, from book to book, in the interstice of repetitions and commentaries; it is born and takes shape in the interval between books. It is the phenomena of the library.
It has, moreover, been proven that horror, nastiness, and the frightful are what give pleasure when one fornicates. Beauty is a simple thing; ugliness is the exceptional thing. And fiery imaginations, no doubt, always prefer the extraordinary thing to the simple thing.
I'm not really a guy who draws on things from my own past. I think if you're a competent actor with a good imagination, and if it's on the page, it makes your job a lot easier. If it's well written, it allows your imagination to run wild and draw inspiration from that.
Since I write the lyrics, I don't want to be pigeonholed into a person who's out there preaching these songs. If you read the lyrics, there isn't a story being set up for you. You have to use your imagination to get the best out of the songs - if you choose to do that.
'Super 8' was a lot of fun. It was a lot of fun working with J.J. Abrams, who I think is a kid in a grown man's body, which is a great ingredient for any artist in our business. You have to be a kid at heart to be able to make believe, and his imagination is phenomenal.
The greatest experience I've ever had in a movie theater was watching "Star Wars." It shaped how I look at the world. My imagination was so small before I went in that theater and there was an explosion in my head. I just couldn't figure out how someone came up with it.
My imagination completely controls me, and forever feeds the fire that burns with dark red light in my heart by bringing me the best dreams. I've always had a wild imagination, a big heart and a tortured soul so I feel that dark fantasy, love and horror are in my blood.
I would describe myself as having a healthy income, but I sure wouldn't describe the son of a postmaster and an encyclopedia saleswoman as upper class, by any stretch of the imagination. I would describe myself as decidedly middle class. I think I'm extremely fortunate.
To feel beauty is a better thing than to understand how we come to feel it. To have imagination and taste, to love the best, to be carried by the contemplation of nature to a vivid faith in the ideal, all this is more, a great deal more, than any science can hope to be.
He has fantastic powers. He can be imperious, abrupt, impatient with sloppy procedures, but he is also poetic, visionary, romantic. He is possessed by two geniuses: dry-eyed, rigorous exactitude, and generous leaps of imagination - non-rigid, non-uniform and innovative.
A stock certificate is not a tool, like a shovel, or a commodity, like a pound of cheese. What we sell a customer is not a share in a business, but a view of the Elysian Fields. A financier is a creative artist. Our function is to stimulate the imagination. We are poets!
It is not hard to live through a day, if you can live through a moment. What creates despair is the imagination, which pretends there is a future, and insists on predicting millions of moments, thousands of days, and so drains you that you cannot live the moment at hand.
You named your sword Fire? Fire? What kind of a boring name is that? You might as well name your sword 'Blazing Blade' and be done with it. Fire indeed. Humph. Wouldn't you rather have a sword called Sheepbiter or Chrysanthemum Cleaver or something else with imagination?
The writing is - I'm free of pain. It's the place where I live; it's where I have control; it's where nobody tells me what to do; it's where my imagination is fecund and I am really at my best. Nothing matters more in the world or in my body or anywhere when I'm writing.
These [Arab] youth who have been inspired by universal values are idealistic enough to imagine a magnificent future and, at the same time, realistic enough to balance this kind of imagination and the process leading to it - not using violence, not trying to create chaos.
The Chinese art world does not exist. In a society that restricts individual freedoms and violates human rights, anything that calls itself creative or independent is a pretence. It is impossible for a totalitarian society to create anything with passion and imagination.
The real purveyors of the news are artists, for artists are the ones who infuse fact with perception, emotion, and appreciation...We are beginning to realize that emotions and imagination are more potent in shaping public sentiment and opinion than information and reason.
Achieving goals is a creative process. The first step in the creation of your primary goal takes place in your conscious mind. Through the aid of your senses and/or your imagination, you must form a very clear, concise image of yourself already in possession of your goal.
Just as the plurality of the human soul's life of imagination, feeling, and will has a focus, a center, around which it orders and orientates itself, so also does the multiplicity of the appearances of the world have ONE center, which orders and holds everything together.
In film, if you've got to do a scene in a swimming pool, you do a scene in a swimming pool. If you've got to blow up a car, you blow up a car. In theater, you can't do that, and therefore, you have the opportunity to engage the audience's imagination in a way that's rich.
The designation is useful and necessary and sometimes limiting but it is only limiting to people who think, for example, that African-American literature couldn't possibly be something they could be interested in or relate to. They have limited imaginations, which is sad.
Be what you would seem to be - or, if you'd like it put more simply - never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.
You want to do something that shows some type individuality and talent and imagination - at the same time, you want to be truthful to the predecessors, because obviously the audience liked something about them and you have to replicate that experience to a certain extent.
The ability to discern the thoughts and motives of your heart (especially when experiencing intense emotion) is an essential skill for the believer. Recognizing thoughts and imaginations of the heart is a prerequisite of bringing them 'captive to the obedience of Christ'.
Your reactions, whether positive or negative, are creative of future circumstances. In your imagination, you can hear words congratulating you on getting a wonderful new job. That imaginal act now goes forward and you will encounter this pleasant experience in the future.
When most people said "I'm psychic, you see," they meant "I have an overactive but unoriginal imagination/wear black nail varnish/talk to my budgie;" when Anathema said it, it sounded as though she was admitting to a hereditary disease which she'd much prefer not to have.
Writing for children isn't easy. Kids will abandon a story that doesn't interest, enchant, delight, thrill, or terrify them. But when you can find a way into a young reader's imagination through something as simple as words on paper, well, there's nothing more satisfying.
No one can say 'He jests at scars who never felt a wound' for I have never for one moment been in a state of mind to which even the imagination of serious pain was less than intolerable. If any man is safe from the danger of under-estimating this adversary, I am that man.
I'd like the photographs to potentially be meaningful to a wide range of people. They do not grow out of the reportage mode, this was always clear to me. Personal imaginations blend into each other and create our visual cultures. No one is a neutral observer of this field.
Losing is a habit. So is winning. Now lets work on permanently instilling winning habits into your life. Eliminate sabotaging habits and instill the needed positive habits, and you can take your life in any direction you desire, to the heights of your greatest imagination.
When you're starting off as a young writer, you look at all the stuff that's gone before and the stuff that's influenced you, and you reach the ladle of your imagination into this bubbling stew pot of all of this stuff, and you pour it out. And that's where you start from.
In the beginning, we had a great deal of freedom, and Jerry wrote completely out of his imagination - very, very freely. We even had no editorial supervision to speak of, because they were in such a rush to get the thing in before deadline. But later on we were restricted.
To read in bed is to draw around us invisible, noiseless curtains. Then at last we are in a room of our own and are ready to burrow back, back to that private life of the imagination we all led as a child and to whose secret satisfactions so many of us have mislaid the key.
An island always pleases my imagination, even the smallest, as a small continent and integral portion of the globe. I have a fancyfor building my hut on one. Even a bare, grassy isle, which I can see entirely over at a glance, has some undefined and mysterious charm for me.
Greatness is a transitory experience. It is never consistent. It depends in part upon the myth-making imagination of humankind. The person who experiences greatness must have a feeling for the myth he or she is in. That person must reflect what is projected upon him or her.
Form is burden. Sometimes being part of the system enslaves the mind and greatly limits the imagination by enslaving it to form. Form is a burden to the mind that sees no limits. Form is a prison for the soul who sees possibilities outside the lines and wishes to test them.
Whenever you permit yourself to think what persons, things, conditions, or circumstances may suggest, you are not following what you want to think. You are not following your own desires but borrowed desires. Use your imagination in determining what you want to think or do.