I'm trying to write poems that involve beginning at a known place, and ending up at a slightly different place. I'm trying to take a little journey from one place to another, and it's usually from a realistic place, to a place in the imagination.

Literature as a whole is not an aggregate of exhibits with red and blue ribbons attached to them, like a cat-show, but the range of articulate human imagination as it extends from the height of imaginative heaven to the depth of imaginative hell.

Don't let your imagination to be crushed by life as a whole. Don't try to pictures everything bad that could possibly happen. Stick with the situation at hand. ...Then remind yourself that past and present have no power over you. Only the present.

To be willing to live within the imagination is to commit oneself to the gathering together of the pieces that might begin to form a self. To avoid this territory is to avoid the encounters that might validate, inform, or enhance one's experience.

The whole, though it be long, stands almost complete and finished in my mind so that I can survey it at a glance. Nor do I hear in my imagination the parts successively, but I hear them, as it were, all at once. What delight this is I cannot tell!

Ellis Peters's historical detail is very accurate and very minute, and therefore is not only interesting to read but good for an actor to acquire a sense of the period. And the other thing I think is that an actor lives in the land of imagination.

In The Touch, the love scenes are the same as they were in The Thorn Birds or anything else Ive ever written. I find a way of saying that either it was heaven or hell but in a way that still leaves room for the reader to use their own imagination.

To endure the pain of living, we all drug ourselves more or less with gin, with literature, with superstitions, with romance, with idealism, political, sentimental, and moral, with every possible preparation of that universal hashish: imagination.

The curve of imagination, the curve of brilliance and the curve of sanity are identical curves or at least similar curves... The more imagination a person has, why, the more intelligence, the more knowingness he has and the saner he's going to be.

The human spirit is itself the most wonderful fairy tale that can possibly be. What a magnificent world lies enclosed within our bosoms! No solar orbit hems it in, the inexhaustible wealth of the total visible creation is outweighed by its riches!

It is more than likely that the brain itself is, in origin and development, only a sort of great clot of genital fluid held in suspense or reserved. This hypothesis would explain the enormous content of the brain as a maker or presenter of images.

The inner life of the [imagination], and not the personal and tiny experiential resources of the actor, should be elaborated on the stage and shown to the audience. This life is rich and revealing for the audience as well as for the actor himself.

Imagination is the supreme endowment of the poet and romanticist. It is a kind of second sight, which conveys the owner of it to places he has never seen, and surrounds him with strange circumstances of which he is merely the spiritual eyewitness.

The in­dividual exists only in your imagination. It is just an illusion. When the Atma is one without a sec­ond, when the Atma is everywhere, where is the individual? Only in your imagination. The Atma alone is real. Realize it through meditation.

In The Touch, the love scenes are the same as they were in The Thorn Birds or anything else I've ever written. I find a way of saying that either it was heaven or hell but in a way that still leaves room for the reader to use their own imagination.

...So please, be tolerant of those who describe a sporting moment as their best ever. We do not lack imagination, nor have we had sad and barren lives; it is just that real life is paler, duller, and contains less potential for unexpected delirium.

Gradually, very gradually, we saw the great mountain sides and glaciers and aretes, now one fragment and now another through the floating rifts, until far higher in the sky than imagination had dared to suggest the white summit of Everest appeared.

My problem is that my imagination won't turn off. I wake up so excited I can't eat breakfast. I've never run out of energy. It's not like OPEC oil; I don't worry about a premium going on my energy. It's just always been there. I got it from my mom.

In the sphere of natural investigation, as in poetry and painting, the delineation of that which appeals most strongly to the imagination, derives its collective interest from the vivid truthfulness with which the individual features are portrayed.

Macbeth's self-justifications were feeble - and his conscience devoured him. Yes, even Iago was a little lamb too. The imagination and the spiritual strength of Shakespeare's evildoers stopped short at a dozen corpses. Because they had no ideology.

There is required for the composition of a great commander not only massive common sense and reasoning power, not only imagination, but also an element of legerdemain, an original and sinister touch, which leaves the enemy puzzled as well as beaten.

What acts as a far more effective circumstance for generating compassion and what, in fact, rouses us from our comfortable meditation seat is actually seeing or hearing others - encountering others directly, not just conceptually in our imagination.

In order to become soundly virtuous, it is advisable to make good practical resolutions concerning particular acts of the virtues and to be faithful in carrying the out afterwards. Without doing that, one is often virtuous only in one's imagination.

Those who are seeking the true religion will never find it outside the Catholic Church alone, because, in every other religion, if they trace it up to the author, they will find some impostor whose imagination furnished a mass of sophisms and errors

Not only is hair a part of the body, but because it continues to grow for a time after death, it was considered a symbol of life and spiritual power. Likewise, hair to me is an element of mystery and an intriguing subject that rouses my imagination.

I love that I live a creative life. It is in the work that I do - acting, writing, and directing. It's also in the mindfulness of every part of my life, from a meal that I prepare for family and friends to putting my imagination to work in a garden.

Even tiny children looking at a picture book are using their imaginations, gleaning clues from the images to understand what is happening, and perhaps using the throwaway details which the illustrator includes to add their own elements to the story.

In order to execute the idea, you need a certain material that is going to allow you to do what you're challenged to do in your imagination. You should use whatever you can and it's amazing how even if you change the medium, your work is still yours.

Now the power of the imagination is a unifying power, hence the force of metaphor; and the poet is the supreme manipulator of metaphor... the world needs the unifying power of the imagination. The two things that give it best are poetry and religion.

Not everyone is fortunate enough to earn their living playing. But what draws people to art and artists is a desire to enjoy the propinquity of play. For it is the very freedom of the imagination. And what else were we born to do, but imagine freely?

Reality is the richest thing there is, the most important thing there is. Our imagination allows us to live an artificial life that is wonderful, extremely rich, but I don't believe any artist would dare to say that artifice is better than real life.

Reading asks that you bring your whole life experience and your ability to decode the written word and your creative imagination to the page and be a co-author with the writer, because the story is just squiggles on the page unless you have a reader.

It's usually easier to rouse stupidity to action than to arouse wisdom to effort, for wisdom sees alternatives while stupidity lacks the imagination to do this. All sinister interests in a country can depend ultimately upon the strength of stupidity.

The ability to recognize opportunities and move in new - and sometimes unexpected - directions will benefit you no matter your interests or aspirations. A liberal arts education is designed to equip students for just such flexibility and imagination.

Our imagination and reasoning powers facilitate anxiety; the anxious feeling is precipitated not by an absolute impending threat-such as the worry about an examination, a speech, travel-but rather by the symbolic and often unconscious representations.

Everyone knows that time is Death, that Death hides in clocks. Imposing another time powered by the Clock of the Imagination, however, can refuse his law. Here, freed of the Grim Reaper's scythe, we learn that pain is knowledge and all knowledge pain.

At one time I used to keep notebooks with outlines for stories. But I found doing this somehow deadened the idea in my imagination. If the notion is good enough, if it truly belongs to you, then you can't forget it-it will haunt you till it's written.

Without question it may be said of Vancouver that her position, geographically, is Imperial to a degree, that her possibilities are enormous, and that with but a feeble stretch of the imagination those possibilities might wisely be deemed certainties.

Emo is pathetic. It's a tired attempt at making bad music cool, all while rocking dumb haircuts and unisexual belts. Furthermore, adding the suffix '-core' to a description doesn't make it innovative. It makes you look like a tool with no imagination.

The future exists only in our imagination it is a collective story waiting for our voices to express that can only happen when you and I are willing to enter the emptiness listening in the silence until we can begin to create a future we can befriend.

The Grateful Dead, they're my best friends. Their message of hope, peace, love, teamwork, creativity, imagination, celebration, the dance, the vision, the purpose, the passion all of the things I believe in makes me the luckiest Deadhead in the world.

A sophistical rhetorician, inebriated with the exuberance of his own verbosity, and gifted with an egotistical imagination that can at all times command an interminable and inconsistent series of arguments to malign an opponent and to glorify himself.

I always ask the booksellers to look at me and recommend a book; 9 out of 10, they get it right; it’s usually a book about someone dysfunctional. To me bookstores are like brothels of imagination, each book is luring me over going, 'Read me, read me'.

Hilbert once had a student in mathematics who stopped coming to his lectures, and he was finally told the young man had gone off to become a poet. Hilbert is reported to have remarked: 'I never thought he had enough imagination to be a mathematician.'

Nothing more powerfully excites any affection than to conceal some part of its object, by throwing it into a kind of shade, whichat the same time that it shows enough to prepossess us in favour of the object, leaves still some work for the imagination.

While about one-third of Americans believe in ghosts, you won't find many exhibits on these spooky beings down at the local science museum. Why? Well, one explanation that you might consider, ghosts are just figments of our highly fertile imaginations!

The domestic lives we live - which may be accidental, or not entirely of our making - help to make possible our writing lives; our imaginations are freed, or stimulated, by the very prospect of companionship, quiet, a predictable and consoling routine.

The nearest we approach God ...is as creative beings. The poet, by echoing the primary imagination, recreates. Through his work he forces those who read him to do the same, thus bringing them... nearer to the actual being of God as displayed in action.

When I start a picture, I always have a script, but I change it every day. I put in what occurs to me that day out of my imagination. You start on a voyage; you know where you will end up but not what will occur along the way. You want to be surprised.

You can have 10 bucks to 10 million bucks and if you got a crew, imagination and a lot of people willing to turn in some work next to nothing, you going to have a feature. But you can't get beyond how expensive marketing the movie is, it's so crushing.

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