Quotes of All Topics . Occasions . Authors
When I was in college, I wanted to study film. My first passion was to be a cinematographer. So maybe there's something innate in my music where it partners well with images.
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Realizing that our actions, feelings and behaviour are the result of our own images and beliefs gives us the level that psychology has always needed for changing personality.
Digital imaging allows both groups to rise above the limitations of mess and clutter and mechanics, and apply our talents to creating images limited only by our imaginations.
We're all very fond of a black box in our living room that works on diminishment of images, that spoons somebody up in a very limited way. It can be a reduction at its worst.
We Californians can watch the Weather Channel for images of winter's brutality unleashed upon our fellow Americans and thank our lucky stars we don't have to contend with it.
In almost all my work, I try to re-invent Christian images and stories and themes. You'd be amazed by the letters I get from young Christians who recognise this and enjoy it.
All these old images of me floating across the screen, the terrible chasm of what you were and what you are. I know who I am, but these people who see me as I was then don't.
I suppose subconsciously I was thinking in terms of having the scale of it matching the scale of the images. Hence the sort of string quartet, jazz band and electronic stuff.
There's a great deal of tension between so many kind of distinctive and restrictive female archetypes and images in the world. When you play with the archetypes, you get free.
I watched a lot of silent movies. It's a very specific way of writing, which is more of a challenge than the directing. You have to describe images. It's easier to shoot them.
Traditional news feels quite sanitised, quite statisticky. We're bombarded with images, but often, you don't see the human stories, or if you do, it's only for 60 seconds, max.
Today, children are watching more and more television, and are bombarded over and over with images and content that have the potential to dramatically influence their behavior.
According to tarot historian Gertrude Moakley, the cards' fanciful images - from the Fool to Death - were inspired by the costumed figures who participated in carnival parades.
In the same way I accumulate objects, I also accumulate images, and I find them arranging themselves into categories, too. And some images insist on being painted; others don't.
You can't be a passive recipient of images, you have to engage with images and read their subtexts. These are critical things that will be taught to the students by a film club.
Invention, strictly speaking, is little more than a new combination of those images which have been previously gathered and deposited in the memory; nothing can come of nothing.
Writing is not for me. I completely lose my sense of humor when I write. I become extremely pathetic, very sensational. Images give me possibilities that I don't have with words.
I work in colour sometimes, but I guess the images I most connect to, historically speaking, are in black and white. I see more in black and white - I like the abstraction of it.
My ideal audience is on the young side, eager to mutate and move to a higher level of consciousness. I want my images to turn the viewer's brain into what it is: a flying carpet.
Celebrities do look different in real life from our images of them - there is a big gap. And that is what my work is about: the gap between the image and the celebrity themselves.
When I was 13 years old, I was obsessed with horror films. I even had, like, a binder that I filled with badly copied images from the Internet of, like, 'Pinhead and Basket Case.'
I give the spectator the possibility of participating. The audience completes the film by thinking about it; those who watch must not be just consumers ingesting spoon-fed images.
Imagine the power of surfacing what's happening in the world through images, and potentially other types of media in the future, to each and every person who holds a mobile phone.
The man who has perceived God looks upon all types of men as dream motion-picture images, made of the relativities of the light of Cosmic Consciousness and the shadows of delusion.
I'm a big believer in cinema, you know - what it used to be? Images and sound, and working it out a bit. I find it exciting watching films where I just go into an impressive world.
You've only got to look at a film to see that it has to be collaborative - the images, the performances and all the art direction and the costume, everything shrieks collaboration.
I'm not a lyric writer to make statements. What I enjoy doing is making paintings with lyrics, creating colorful images. I think that's more what entertainment and music should be.
Vivid images are like a beautiful melody that speaks to you on an emotional level. It bypasses your logic centers and even your intellect and goes to a different part of the brain.
I am a great observer of things, and I do it all the time. I store stuff; I use it as an actor; that sort of recall, of emotional memory and images of things, just tastes of things.
First, those images help us understand the general and specific magnitude of disaster caused by the tsunami. The huge outpouring of aid would not have happened without those images.
Others are keen to see if natives other than us live better than we do, without heat in pipes, ice in boxes, sunshine in bulbs, music on disks, or images gliding over a pale screen.
For years, my master had done his utmost to pollute my mind with foul images, and to destroy the pure principles inculcated by my grandmother, and the good mistress of my childhood.
In a media culture, we not only judge strangers by how they look but by the images of how they look. So we want attractive pictures of our heroes and repulsive images of our enemies.
I don't put a lot of description in the books because I write books the way I like to read them, and that is I like to build images and be a creative reader, and so I write that way.
It's important that I'm a role model and that the companies that I associate myself with feel the same way about their own images. Those are companies I'd like to be associated with.
We're constantly being fed images and being told what to like and what is good, and for the most part, I think people enjoy living that way. It takes a lot of the thinking out of it.
I make images from things I find serendipitously. I don't know what it is, but I know it when I see it. It could be from a newspaper, on the street. It could be something I fell over.
If someone feels they have to live up to a certain image, then I can kind of understand that pressure because I'm considered to be one of those images, and I know how unreal they are.
The selfie is revolutionary to me. It is, I think, the only point in history where masses of young girls and women have been able to control, create, and publish images of themselves.
Words to me were magic. You could say a word and it could conjure up all kinds of images or feelings or a chilly sensation or whatever. It was amazing to me that words had this power.
Many Africans succumb to the idea that they can't do things because of what society says. Images of Africa are negative - war, corruption, poverty. We need to be proud of our culture.
I've always been better at informing the audience through images than through words, but I took on a script that was so dialogue-intensive, that the words had to do all the informing.
In 'A Poetics of Optics,' Equi writes that 'all images bank on alchemy.' This idea captures her fundamental sense of poetry as turning common material into something rare and valuable.
With 'The Karate Kid' especially, there's been so many references and visual images from that film, you know? Who knew that 'Wax on, wax off' would become part of the American lexicon?
I just think music is so intrinsically linked with images in the culture that we live in that you'll be hard-pressed to have an experience with the music without a preconceived notion.
The way we have been thinking about brain science is that people show you pretty pictures, pretty images, and you think that that tells you something about how they behave. It doesn't.
I have a store full of thousands and thousands of images in my brain. I've got this terrible feeling I'm like some abattoir boss: I know death; I know the cut pieces of the human body.
One trick, known as the journey method or 'memory palace,' is to conjure up a familiar space in the mind's eye, and then populate it with images of whatever it is you want to remember.
I want more girls to be able to see themselves behind the camera creating images we all enjoy, and I want to call attention to the fact that women directors are here all over the world.