Quotes of All Topics . Occasions . Authors
Rex is 60 years old with 13 million images and 10 million in archive. It's the first time we've had a historic archive to work with, which is super interesting.
Museums are western inventions where the rich and the powerful or the government and the state tend to exhibit the signs and symbol and images of their culture.
Watching television in those days was not the same experience as it is today. After years of listening to radio, we found the black-and-white images mesmerizing.
We suffer primarily not from our vices or our weaknesses, but from our illusions. We are haunted, not by reality, but by those images we have put in their place.
I'm attracted to images that come from a personal exploration of a subject matter. When they have a personal stamp to them, then I think it becomes identifiable.
I don't meditate in any formal way, but I often lie in bed or find myself in nature and enter into that state of quiet where I get images, feelings, or melodies.
I knew what it was to be uncomfortable in a movie theater watching unfolding on the screen images of myself - not me, but black people - that were uncomfortable.
My fascination with letting images repeat and repeat - or in film's case 'run on' - manifests my belief that we spend much of our lives seeing without observing.
I'm not fearful for myself, because I've seen adversity, and I can see it again. But I feel very upset and anguished when I see images of young lawyers beaten up.
Warhol's images made sense to me, although I knew nothing at the time of his background in commercial art. To be honest, I didn't think about him a hell of a lot.
I have become intrigued with the combining of seemingly unrelated ideas or images, or the drawing upon the many, sometimes dissimilar, meanings a word might have.
I can't tell you the deluge of images that were sent to me through all the different social media platforms of families partying together... enjoying 'Sharknado.'
My experience as a pastor is lots of people have really toxic, dangerous, psychologically devastating images of God in their head, images of a God who's not good.
Women have been late-in-the-game deciders. They weigh all of the issues, all of the images, and all of the information and make a choice almost at the last minute.
I began to despise Lenin, even when I was in the first grade, not so much because of his political philosophy or practice... but because of his omnipresent images.
My own personal conviction is that if I were writing without thinking about how images or how journalism is creating a world for us, I would not be happy about it.
The sizes and shapes of the panels have never been important to my stories. It has always been the words and images that drew me in, kind of like watching a movie.
As a cameraman, I am interested in images and truth. Today, people are conditioned to accept lies if they are commercial lies. What we don't see anymore is ethics.
It's funny, because what happens to me when I read a script, when something grabs hold of me, I start getting these flashes of people or places or things or images.
I can tell you what images are in your head. I can tell what music you're thinking of. I can tell if you're listening to me or not. That's possible with an MRI now.
I really like conducting my music in concerts because I'm convinced it's not just for films; it has its own life. It can live far away from the images of the movie.
I think Ingmar Bergman, Francoise Truffaut - all these people created images in my mind, beautiful pictures, I loved what was known at that time as the foreign film.
As a photographer, I'm interested in how dramatically photography has changed. Most images are not real or are composites, and most of us don't even know it anymore.
If you're a white male growing up in this society, you're constantly receiving encouragement to go on in science in the form of all the images that you're receiving.
I believe women need to hear stories and see images that they can identify with, not media-fabricated ideals that even the 'role models' themselves can't live up to.
I want more images onscreen because when I was growing up, I think, like, that one kiss in 'The Color Purple' was the one thing that I had. Or 'The Watermelon Woman.'
I am an intelligent river which has reflected successively all the banks before which it has flowed by meditating only on the images offered by those changing shores.
I have taken taking my music to labels for years, and everyone just thought it was creepy. They thought the images with the music were weird and verging on psychotic.
I don't want to talk about negative, dark things. The only thing I've got against stuff like Marilyn Manson is, they make unbelievable videos and unbelievable images.
I started Shutterstock out of my own need. I'd previously created a few software companies, and each time, I struggled to find affordable images to use on my websites.
Some people will never take Madonna seriously - just as many never took Marilyn Monroe seriously. Novelty images - especially that of a sex symbol - are hard to erase.
Despite all the silver of Diana and Mercury, their images will be found on the lake. For the sculptor looking for new clay, he and his people will be flooded with gold.
I'm impressed by the way some illustrators develop their images on computers, but it's too late for me to start, and I'm still in love with paper and paint and pencils.
I always collect a bunch of images for every film that I do, that reminds me of an essence of the character, or the time that they live in, or what they're experiencing.
Murnau is neck to neck with Bergman as my favorite director. He's responsible for some of the best images in cinema of all time, from 'Nosferatu' to 'Faust' to 'Sunset.'
Seeing is no longer believing. The very notion of truth has been put into crisis. In a world bloated with images, we are finally learning that photographs do indeed lie.
Rome - the city of visible history, where the past of a whole hemisphere seems moving in funeral procession with strange ancestral images and trophies gathered from afar.
Arthur Young's Reflexive Universe - fascinating but too schematic to fit into my scheme. The most I could hope for was a sense of the vocabulary and some possible images.
We are carrying these images out into the world, and we can't control how people contextualize those images no matter how virtuous our aspirations and our intentions are.
I've been a fascinated observer of grand public funerals since I was a kid, starting with the life-altering black-and-white images of President John F. Kennedy's funeral.
In the end, what I'm trying to say as a person who does all this travel and fashions these images is that you arrive at an approximate location but never one destination.
Salman is a very relaxed and chilled out guy with no pretentions. What you see is what you get. That's great in an industry which survives on creating images and personas.
Real talent is mixing realism with bluff. Every great artist I really respect has a certain amount of bluff; sooner or later you have to be a conjurer, and conjure images.
I will not be just a tourist in the world of images, just watching images passing by which I cannot live in, make love to, possess as permanent sources of joy and ecstasy.
I look at the film as an opportunity to see some bountifully creative minds do something that I could not do - tell the story with images. I can't wait to see what they do.
I think I was driven to paint portraits to commit images of friends and family to memory. I have face blindness, and once a face is flattened out, I can remember it better.
Moreover, photography has made it possible to fix these images and now provides us with a permanent record of each observed spectrum, which can be measured out at any time.
I think it's more important to make a lot of different things and keep coming up with new images and things that were never made before, than to do one thing and do it well.
When you give an artist a canvas, you shouldn't tell him exactly how much paint to put on it, or exactly how sharp the images should be. You should let the artist get going.
I just dreamed about living in Paris and being French. I always loved the visual arts, film and theatre, and I hoped to be involved in creating beautiful products and images.