Quotes of All Topics . Occasions . Authors
There are so many images pushed at women and so many ideas of what you're supposed to be. I think there's too much of this superwoman, this woman with a bottom like two billiard balls. There's no real celebration of just being a person.
When Thomas and John Knoll launched Photoshop 1.0 in 1990, the software couldn't even handle color images. But their offerings got the startup noticed by Apple and Adobe, both of whom became key to the fledgling company's later success.
We've fallen down on our responsibility to our children by somehow creating this world where they're surrounded by images of sexuality; and yet, we as adults struggle to talk to kids honestly about sex, the rules of dignity and consent.
I have wanted to be a fine artist painter, and I reached the point in art schools were I'd like to understand more about images and how images communicate information to people. And I was not getting very far in that from my professors.
But my estimates, for instance, based upon book information, were simply ridiculous, fanciful images of African attractions were soon dissipated, anticipated pleasures vanished, and all crude ideas began to resolve themselves into shape.
I grew up falling in love with music videos and those images: Hype Williams and Mark Romanek, David Fincher and Diane Martel and Paul Hunter, just from the video side. I grew up also watching a lot of independent films and foreign films.
History does influence our lives - every moment. We never sort of live our lives in a linear fashion. We always have these memories and these images from our past that sometimes we're not even aware of, and they sort of shape who we are.
I grew up under the politics of my size and my skin. I grew up under the politics of the sound of my voice and a lack of agency, or a feeling of a lack of agency, and not always being able to find myself in images that were in the media.
Looking back, fire images have been constant in my poetry. As a boy, it was my job to light the fire each morning, and I remember the celebratory bonfires at the end of the war. It was from staring into fire that I began my first poetry.
I think that the benefit of playing someone like Queen Elizabeth is that so much has been written about her, and there's so much speculation about her - was she a hermaphrodite? She's so mythologised, and there are a lot of images of her.
In Egypt, I do survey work on the ground. That's really the most important part of using satellite images. You know, it helps us to find potential locations for sites, and then we get to go there on the ground and confirm what we've seen.
As computers have become more powerful, computer graphics have advanced to the point where it's possible to create photo-realistic images. The bottleneck wasn't, 'How do we make pixels prettier?' It was, 'How do we engage with them more?'
My memory is basically visual: that's what I remember, rooms and landscapes. What I do not remember are what the people in these room were telling me. I never see letters or sentences when I write or read, but only the images they produce.
The images you see in media are vital to impacting not just what the world sees in terms of who can be a computer scientist, who can be techie, who can be a geek or who can be a creator; it also impacts the girls and what they internalize.
It's about storytelling. The story is told through images. So with the cast, I had to make sure that the emotions were readable without sound... I know some great actors, if you turn off the sound, you don't really know what they're saying.
I work a lot; I love to compose, ponder, and take notes when preparing for a role. I cut all the scenes, collate the images, form the character and shape its personality, then I make meticulous notes and transcribe each scene on my notebook.
Let come what comes, and accommodate yourself to that, whatever it is. If good mental images arise, that is fine. If bad mental images arise, that is fine, too. Look on all of it as equal, and make yourself comfortable with whatever happens.
When the government takes video of people in public places, the images should only be kept as long as they may reasonably be needed to investigate a crime. After a few days, if there has not been a report of a crime, they should be destroyed.
I have been so great in boxing they had to create an image like Rocky, a white image on the screen, to counteract my image in the ring. America has to have its white images, no matter where it gets them. Jesus, Wonder Woman, Tarzan and Rocky.
Graphic novels are not traditional literature, but that does not mean they are second-rate. Images are a way of writing. When you have the talent to be able to write and to draw, it seems a shame to choose one. I think it's better to do both.
Art to me means lot of things - images and words. I may be no artist myself, but I recognise the pleasure you get from a new proverb or a new painting. It puts you in a particular frame of mind. Visually I like art, philosophically I like art.
If publications want to publish images and stories from a certain person, they should put that person on assignment, cover his or her expenses, make sure they have access to security briefings and experts, someone to administer first aid, etc.
A romantic novel is an adult fairy story, repeating the recurring symbols and images which can explain life to a woman and satisfy a powerful need within her. The need to love and be loved is vital to all human beings, but especially to women.
We do not merely perceive objects and hold thoughts in our minds: all our perceptions and thought processes are felt. All have a distinctive component that announces an unequivocal link between images and the existence of life in our organism.
I've seen so many photographers rush to do books the minute they start shooting, but one great thing about photography is that the images don't go away, so the more I sit with these images, the more I learn which ones have had the most impact.
Everything I do, it's a bit painterly. I like being surrounded by objects, mostly on paper. I like the images. I like the painting. I like good photography. It's something that makes me an emotional connection, and I feel comfortable around it.
I'm always building images. Even when I go out and put a look together, it's in my head the whole day, like, how I'm going to create this whole story. But I'm never satisfied; it's always a work in progress no matter what. Every day is working.
Seeing 'The Gospel According to St. Matthew' was an extraordinary experience because it made me realise that all the biblical stories and images I'd ignored as a child had sunk in by osmosis. I saw that my childhood was deeply rooted inside me.
Phones were created as social tools. Smartphones are especially good at being social, integrating text, voice, video and images in an endless number of apps that can serve a user's needs, and all without the need for a web-based social network.
One of the great things about 'Jericho' that is a parallel with 'Over There' is, in this country, we tend to forget the news we don't want to know about. We're so oversaturated with media and other images that we can turn our head a little bit.
Some things can be perfectly expressed by sound alone and images would only be disturbing. Other times, sound would be possible, but visuals are much stronger and closer to what I want to express and then again, they sometimes overlap perfectly.
There are some images that I will only use once, and not use again because they don't seem to really hit the nail right on the head, but there are some which are so strong they have to be reduced; sometimes just reusing them makes them stronger.
It's pretty strange because you have images of people in your head when you left, then you just think they're going to be the same when you come back, like time freezes. I have sisters and from the ages of 11 to 13 - it's a big change for girls.
Most of my images have been done in-studio, under very controlled lighting conditions. There have been a few that have been shot in nature, but even then they were shot almost exclusively at night, and again, under controlled lighting conditions.
I think a lot of times, especially for certain stories, photographers travel together for safety reasons, and they also invariably cross paths. But you could have 10 photographers shooting together in the same spot but capturing different images.
A lot of the surreal filmmakers, like David Lynch, Alejandro Jodorowsky, or countless other underground filmmakers... Their sense of explosive images have always dominated their films. It's a way to shock the senses, to make them open themselves.
I'm trying to make perfect moments. And those generate meaning. If you go deep enough in how to make a moment, very quickly you come to how narrative works - to what we are as a species, how we've come up with telling stories in scenes and images.
The musician writes for the orchestra what his inner voice sings to him; the painter rarely relies without disadvantage solely upon the images which his inner eye presents to him; nature gives him his forms, study governs his combinations of them.
The images that we see of Africa are so... that are so engrained in our minds are of this place that is terrible - like hell on earth. And that doesn't acknowledge the positive things - the many, many, many positive things - that people are doing.
Quite often, I will do something and think, 'Oh, no, she looks a little too much like me.' I have tried to learn not to be afraid of that when that happens. I am not trying to obliterate myself and completely hide within the images like I used to.
I don't sell anything. So, I have a personal image, but I think that's because I'm from an art background, and I'm an artist, and I think most artists do have personal images. I consider myself more in that category of the way an artist had a look.
These days, I like to think of sentences as workers. Only one of their jobs is to look and sound good. Sentences are the carriers of plot. They're the conjurers of images, the conveyors of tone and meaning and voice. The best sentences surprise us.
Indeed, it is measure of how little we know about Cleopatra that the only images of her are either the coins she struck, bearing very unflattering official portraits of her, or some doubtful busts, which may be of other women imitating her coiffure.
The American Dream has run out of gas. The car has stopped. It no longer supplies the world with its images, its dreams, its fantasies. No more. It's over. It supplies the world with its nightmares now: the Kennedy assassination, Watergate, Vietnam.
Even tiny children looking at a picture book are using their imaginations, gleaning clues from the images to understand what is happening, and perhaps using the throwaway details which the illustrator includes to add their own elements to the story.
There are a lot of companies - not just Sony and Kodak - that have spent a lot of money trying to make the quality of the digital images comparable with film. But when you're sending these things over the Internet, they don't have to be high quality.
It's the same with visual arts, you have some really cool, wonderful striking images that make you think and then again you have wonderful striking images that just take you away from the existing world for a second. And I like the latter a bit more.
When my editor sent me the first two images of Joker's daughter, I was struck by how confident she looked despite her boney appearance and horribly scarred face. So I starting thinking, how did Duela gain such confidence in a world that prizes beauty?
Music television is all about the media-oriented version of what it is to be a rock star; it's not about what Bob Dylan or Jimi Hendrix were about - which included great images, sure, but they had spiritual and political and revolutionary content, too.
My suggestion is that at each state the proper order of operation of the mind requires an overall grasp of what is generally known, not only in formal logical, mathematical terms, but also intuitively, in images, feelings, poetic usage of language, etc.