Quotes of All Topics . Occasions . Authors
I'm 5'3'', and not often you get to see that in a magazine. I think that what is so cool about 'Sports Illustrated' is it's all different body shapes, all difference sizes. You have actresses, sports figures, musicians, so it's all about skin deep beauty sort of radiating to the outside, and that's what's so special.
When my TV show, 'Sports Jobs with Junior Seau,' assigned me to be a 'Sports Illustrated' reporter for a weekend, I didn't realize I'd have to squeeze it in around another sports job. I had planned to retire from the NFL to enjoy the cushy lifestyle of a full-time reality TV star, but I wound up getting run over by a bull.
'Seize the Story' takes readers all the way through the process of writing fiction, from beginning to end. Every element, from dialogue to setting, plotting to character creation, is laid out and illustrated with examples. But the tone of the book is not that of a dry writing manual - it's definitely written for teenagers.
I have frequently noticed in myself a tendency to a diffuse style; a disposition to push my metaphors too far, employing a multitude of words to heighten the patness of the image, and so making of it a conceit rather than a metaphor, a fault copiously illustrated in the poetry of Cowley, Waller, Donne, and others of that ilk.
In the summer of 1963, my second with 'Sports Illustrated,' Jerry Tax, the basketball editor, got the Celtics' Frank Ramsey, the NBA's first famous sixth man, to do a piece for the magazine revealing some of the devious little tricks of his trade. Things like surreptitiously holding an opponent's shorts - nickel-and-dime stuff.
I remember my first 'Sports Illustrated' shoot was with the photographer Walter Iooss, and Julie Campbell was the editor, and we were at the president of Mexico's private house in Cancun - this was before anything else that's now in Cancun even existed. And they told me to get a tan, so I spent all morning in the sun, and I was burnt.
Luckily for me, my father had impeccable taste. No contemporary collector was he. His treasure trove of comics included gems such as 'Little Lulu,' 'Frontline Combat' and 'Classics Illustrated.' But the works that stood head and shoulders above the rest were Carl Barks's 'Donald Duck' and 'Uncle Scrooge' comics from the 1940s through the 1960s.