Quotes of All Topics . Occasions . Authors
I was freelance proof-reading, freelance editing, creating illustrated slides for doctors' presentations - just so I'd have enough money to take the time to write. That's how I got by.
I was a subscriber to 'Sports Illustrated' like so many of us, and I was overwhelmed by a toxic mix of naivete and arrogance, and just thought to myself, 'I think I can write like this.'
Like all of my previous work - which I also hope is a bit hard to categorise - 'The Oopsatoreum' is an illustrated book, so a combination of words and pictures that tell a kind of story.
I had started writing for 'Sports Illustrated,' which was really my dream job growing up. But the writing probably read like I was auditioning to write for 'Letterman' or '70s-era Carson.
'Sports Illustrated' decided to have curvy women not only in their magazine but on the cover of their magazine. Now, that means size diversity is here, and it's real, and it's not a trend.
As the 2016 campaign has graphically illustrated, Trump doesn't treat rivals gently. Testifying before a congressional committee in 1993, he began with his rote protestations of friendship.
The first thing they gave me at 'Sports Illustrated' was a first-class air card. 'And oh, by the way, there's the petty cash drawer,' they told me. 'Take a few thousand dollars for expenses.'
If it weren't for the Internet, WWE probably wouldn't even know my name. If I had to rely on 'Pro Wrestling Illustrated' to get my name out there, it would have been a much more difficult road.
I had almost nothing published until I had something published in 'Sports Illustrated.' I started there as a fact-checker two weeks after I got out of college and was there for almost 20 years.
I'm really getting into acting and TV. 'Sports Illustrated' is a big, iconic brand I'd like to work for, too. But TV and acting is really funny and a bit more exciting than shooting all the time.
The thing that makes me happiest about Simpsons Illustrated are all the drawings that we get from readers. I wish we could print them all. They're really imaginative. They show a lot of hard work.
Egypt, the Egypt of antiquity, at a later time, exercised a mysterious fascination over me. I recognized a picture of it immediately, without hesitation and astonishment, in an illustrated magazine.
Confidence is sexy. That's what 'Sports Illustrated Swim' stands for. They have this movement where you can just be beautiful no matter what shape, what size, your height, your body type, your ethnicity.
Everyone who moves to New York City has a book or movie or song that epitomizes the place for them. For me, it's 'The Cricket in Times Square', written by George Selden and illustrated by Garth Williams.
The main thing is healthy eating, exercise, which I do for special events, like if it's Sports Illustrated, or the swim suit catalogue for Victoria's Secret, or my own calendar that I did for the year 2000.
There have been a handful of assignments over the years that I've had to turn down due to time constraints, and I was fairly envious when I saw the finished product, beautifully illustrated by someone else.
I get that it's packaging and it's neat to put a name on what the girls are. But it seems to me that they were making us Sports Illustrated swimsuit models instead of women who wrestle on a pro wrestling program.
As anyone who has read 'Sports Illustrated's Steve Rushin knows, it's quite possible to write an unreadable column without being a TV pundit. But if you want to be a consistently good columnist, you can't be on television.
When there were first rumors of us going after LeBron, some fans wondered how we could do that after all that happened. But after the 'Sports Illustrated' letter, every fan is thrilled to have him back. That was so heartfelt.
The first words Rebecca Lobo ever spoke to me when we met in a Manhattan bar in 2001 were, 'Aren't you the guy who just mocked women's basketball in 'Sports Illustrated'?' I blushed, broke out in a flop sweat and said, 'Yes.'
The 'Sports Illustrated' cover was the last thing I shot. That week, I told my agent, 'You know what, I really... I don't want to be a model anymore. I really want to do movies.' And I think he wanted to wring my neck at the moment.
Emotionally, I have no picture-book illustrated with memories of my first five years, but externally, I have impressions that possess a haunting vividness comparable only to the texture of dreams, when dreams are tumultuously alive.
I've never met any artist who illustrated one of my books, although I've corresponded briefly with one. I have always been impressed by the technical expertise involved in the covers, even if sometimes puzzled by the subject matter.
After my first 'Sports Illustrated' cover, I felt terrible about myself for a solid month. People deal with models like they are children. They think they can pull one over on you. I'm not a toy; I'm a human. I'm not here to be used.
There is a broad cultural current that conveys the idea that a film is like a football team, it represents a nation, it is illustrated literature, filmed radio. These are outdated concepts, totally out of touch with today's realities.
Science, as illustrated by the printing press, the telegraph, the railway, is a double-edged sword. At the same moment that it puts an enormous power in the hands of the good man, it also offers an equal advantage to the evil disposed.
Not to make him blush, but any story illustrated by Mike Mignola does things that prose alone can't accomplish. The illustrations create mood and atmosphere, drawing the reader more deeply into the story than words could do on their own.
I'm 19 now, and I go to The New School in New York, where I study Criminal Psychology. My first week of second semester was during Fashion Week when my first editorials in 'CR Fashion Book' and 'Sports Illustrated' came out. It was crazy!
At home I have a copy of the April 21, 1986, issue of 'Sports Illustrated.' I'm on the cover with the blurb, 'Can Lou Do It?' I'd just arrived at Notre Dame, and with spring football underway, I was the focal point of that week's coverage.
Go out and find a copy of 'The Shrinking Of Treehorn' and its sequel, 'Treehorn's Treasure.' Written by Florence Parry Heide and illustrated by the great Edward Gorey, master of the gothic and the macabre, these books are small masterpieces.
I saw no African people in the printed and illustrated Sunday school lessons. I began to suspect at this early age that someone had distorted the image of my people. My long search for the true history of African people the world over began.
I hadn't thought specifically about doing graphic novels until a couple of my friends got contracts for them. Then I started picturing how various of my stories or poems would work in an illustrated format and thinking how cool that would be.
Even when political reporting is not reduced to personality, political photography is. An article might offer depth and complexity, but is illustrated with a photo of one of the 10 politicians whose picture must be attached to every news story.
In the digital future, texts will be annotated visually, animated and illustrated like never before. The austere 'prayer book' paper that permitted the space for Shepard's illustrations to Pepys' diaries is now being recreated in the digital era.
I'm not ashamed of my social media following, my Sports Illustrated swimsuit shoot, or the tough time I had in my LPGA debut, but these small facets of my life are easily manipulated by the Internet to get views, and they don't define me as a person.
Between Scott on the earlier side and Dickens and Thackeray on the other, there was an immense production of novels, illustrated by not a few names which should rank high in the second class, while some would promote more than one of them to the first.
I'm kind of the model that everyone thought would always be the Guess, 'Sports Illustrated' girl. Then, when I started to do high fashion stuff... people were like, 'Oh, so we can have a girl with, like, thighs and a butt in a Tom Ford campaign. Cool.'
When I was young, my favorite picture book was 'Fletcher and Zenobia,' written by Edward Gorey and illustrated by Victoria Chess. It's long out of print now, but its mix of macabre humor and 1960s psychedelia made it a perfect children's book for the times.
I gave birth to my first son in April 1986. I thought it would be a good goal to get back in shape after having a baby if I ran the New York City Marathon. I ran in it November 1986. I had just shot the 'Sports Illustrated' swimsuit issue, so I was in great shape.
Jerry Robinson illustrated some of the defining images of pop culture's greatest icons. As an artist myself, it's impossible not to feel humbled by his body of work. Everyone who loves comics owes Jerry a debt of gratitude for the rich legacy that he leaves behind.
Pictures are very important. I remember at home we had illustrated editions of Rudyard Kipling's 'Just So Stories' and 'The Jungle Book,' which were read to me. Living in Zimbabwe made it very real, especially the 'Just So Stories' with the 'great grey-green greasy Limpopo.'
'Sports Illustrated' has set the standard for what a swimsuit model should be. For a magazine that has that much influence to include models of different body types on their pages shows that they're breaking down old beauty ideals while opening the doors of diversity and inclusivity.
I inhaled books. I loved Classics Illustrated comic books. These were books that I could afford to buy after I turned in pop bottles for change. 'The Prince and the Pauper,' 'Robinson Crusoe,' 'A Journey to the Center of the Earth.' Male narratives filled with adventure and self-discovery.
When I finally discovered the 'Sports Illustrated' swimsuit issue, I browsed through archives and saw a picture of an incredibly stunning model, Damaris Lewis. Her images inspired me, and I imagined being in the magazine myself. Never in a million years did I dream it would actually happen.
John Austin, author of 'Cubicle Warfare,' has outdone himself with 'Mini Weapons of Mass Destruction,' a fully illustrated step-by-step guide to constructing thirty-five pocket-sized war machines, including a Clothespin Shooter, a Hanger Slingshot, a Paper-Clip Trebuchet, and Shoelace Darts.
To compare writing an article for 'Sports Illustrated' to doing a piece for 'Real Sports', the article, it was all me. You know, I'm out there by myself with my pad and pencil. 'Real Sports,' I've got a producer, an assistant producer, and cameramen. It's an individual game versus a team game.
I was never exposed as a kid to any real science. I read the occasional popular science book, and I loved Mechanics Illustrated, which had a lot of pseudo-science in it: It wasn't until I got to college that I began to appreciate what physics is all about, and that was really an accident also.
At Cornell University, my professor of European literature, Vladimir Nabokov, changed the way I read and the way I write. Words could paint pictures, I learned from him. Choosing the right word, and the right word order, he illustrated, could make an enormous difference in conveying an image or an idea.
A supermodel needed to be able to be on 'Sports Illustrated,' to be able to walk runways, to be able to do beauty ads, to be on covers. And the girls now can no longer be on covers and be in the ads because your actresses have taken over all the jobs. I don't know what happened, but we want our jobs back.
My brother, whom I adored, typed out a children's book illustrated by himself... at the age of 14. My sister, with whom I always shared a double bed, had that effortless superiority of someone six years older and anxious to show it. But we were each as shy as voles. It seemed safer to keep to each other's company.