Quotes of All Topics . Occasions . Authors
The 16th-century theatre witnessed the particularly English manifestation of 'the history play.' There can be no doubt that Shakespeare's presentations of 'Henry V' and 'Richard III' have been incalculably more influential than any more sober historical study.
I've written on public matters, but I don't understand how anyone could tout me as a possible poet laureate when I wrote a poem on the abdication of King Charles III or about the sex life of the Royals... anybody who knew my work would know I'm not a contender.
In 1559, Duke Frederick III was summoned before the Emperor Ferdinand I at Breslau to answer the accusations of extravagance and oppression brought against him by the Silesian Estates and was deposed, imprisoned, and his son Henry XI given the Ducal crown instead.
Compared with my brother, I always felt like Richard III, some clever humpbacked thing who surpassed him in the end. He was the one who read books, but I became the writer. He painted and drew, but I was the one who got accepted by the High School of Music and Art.
The Stamp Act was a direct tax imposed on the colonies by King George III. This act inevitably led to the American Revolution. Just as the Stamp Act did in 1765, Obamacare should act as a wake-up call. Chief Justice Roberts provides us with a similar call to action.
Once, in a magazine interview, I said the difference between shoe ladies and bag ladies is that shoe ladies are just a bit classier. Finished! That started World War III among all the women I knew. I only meant that shoes do more for your look and body than bags do!
The main concept of 'Dark Souls III' is the first flame and its successors; the world has been in this cycle of reigniting the flame since the first game, but now it seems to be disappearing, almost dying. We're trying to draw out the aspects of this withering flame.
In 1999, I was in St. Louis with Martin Luther King III as we led protests against the state's failure to hire minority contractors for highway construction projects. We went at dawn on a summer day with over a thousand people and performed acts of civil disobedience.
When Czar Ivan III took a liking to the Judaizers, they were invited to Moscow, where they managed to convert so much of the court nobility in the last decades of the fifteenth century that traditionalists felt the need to counter the trend through selective burnings at the stake.
I've always held the view that great states need strategic space. I mean, George Washington took his space from George III. Britain took it from just about everybody. Russia took all of Eastern Europe. Germany's taken it from everywhere they can, and China will want its space too.
One of the things about George III is that he was aware that the monarchy was slipping away. There was revolution in the air all over Europe. Because of the unpopularity of his predecessors, one of the things he wanted to do was to establish some sort of credibility to the monarchy.
The public has every right to see Robert S. Mueller III's conclusions. Absolutely nothing in the law or the regulations prevents the report from becoming public. Indeed, the relevant sources of law give Attorney General P. William Barr all the latitude in the world to make it public.
Sometimes I become attached to a character because I've gotten to explore him for so long, like in the case of Ben, but sometimes I fall in love with a throwaway character who exists for only one scene in a video game like The Drunken Villager in 'Diablo III' or Sandal in 'Dragon Age.'
I grew up on film sets and I had a ball. It wouldn't have had nearly as much fun if my dad had been working behind a desk somewhere. I remember being on the set of 'The Godfather: Part III,' and all the kids were running around and doing crazy things, and Francis Ford Coppola just embraced that.
You get Don King's point of view in what is almost a Shakespearean, classical technique. He comes across almost like a lovable rogue, like Iago in 'Othello' or Richard III. He's doing all these bad things, but I kind of like him. It's like 'Pulp Fiction': Everybody's a bad guy, yet you like them.
Under the leaden sway of Alexander III's government, the silence of the graveyard prevailed. Russian society, equally discouraged by the collapse of all hopes for peaceful reforms and by the apparent ineffectiveness of the revolutionary movement, was in the grip of a mood of depression and resignation.
Most of my recognition comes from us winning that championship. The words may not come out - 'Super Bowl III' - because a lot of the folks at the grocery store, gas station or mall weren't even born when we won the Super Bowl. But they're aware of it. It has had a tremendous impact on my life since then.
I really enjoy playing villains, whether they're realistic like Switchblade Sam or whether they're a bit more over-the-top like Kruge in 'Star Trek III' or Judge Doom in 'Who Framed Roger Rabbit.' It's sort of a license just to be as bad as the script allows you to be - you can just go for it and have fun.
God bless America - what other civilization would give Patrick Dempsey another shot to rule as a sex symbol, twenty years after 'Meatballs III: Summer Job?' His reign as Dr. McDreamy on 'Grey's Anatomy' is proof that there's nothing we love more than giving Eighties celebs a heartwarming second stab at life.
Like everyone else, I can barely take the waves of embarrassment that come with watching someone do something so badly. Roseanne Barr singing the national anthem, Sofia Coppola acting in 'The Godfather: Part III,' Sarah Palin talking about Russia - they all create the same level of eyeball-squinching discomfort.
I've got 8 and 10 year old kids telling me about the match I had with Savage at WrestleMania III and that was 30 years before they were even born. But with the magic of the Internet, their dad tells them to watch a little bit of what they used to watch... It amazes me that we're passing it on from generation to generation.
I remember the early 1980s, when I first got one of these fabulous film critic jobs. The downside was sitting through 'Splatteria III: The Dismembering of the Clampett Clan' or 'The Oklahoma Meatgrinder Massacre' or some such. The headaches unleashed by watching attractive kids die week after week after week cannot be imagined.
If you're a classical actor, every Shakespearean part you play, you then say, 'McKellen did it this way,' and, 'Jacobi did it this way.' There's a whole list of Oliviers and people, whether you play Hamlet or Richard II or Richard III, any of those roles. And I found that a bit when I did 'La Cage.' It didn't bother me one bit.
It took a while to decide I wanted to do Hamlet. It wasn't that I was daunted - I'd been acting professionally since my mid-20s and had some pretty big Shakespearean roles under my belt by that stage, at 32: Petruchio in 'The Taming of the Shrew,' Edgar in 'King Lear,' Antony, Richard III. But when it came to Hamlet, I hesitated.
