Quotes of All Topics . Occasions . Authors
The attentions of others matter to us because we are afflicted by a congenital uncertainty as to our own value, as a result of which affliction we tend to allow others' appraisals to play a determining role in how we see ourselves. Our sense of identity is held captive by the judgements of those we live among.
My husband and I grew up with parents who supported our passion, and we're grateful to them for that. It really helps you find your identity when you're younger. It helps you become a really well-rounded person, the more you can show from different perspectives. The arts show us empathy, which is so important.
We never know who we are going to be until we are tested, but perhaps we can test ourselves without going to the extremes of war. Perhaps we can be kinder now, live with less now, reach out to others now - and build an inner reserve of a strong identity that will hold us up even when everything else falls away.
I think there's something really painful about your identity being entirely composed of ghosts. For me, I didn't want to be this kid whose Dominicanness was something caught utterly in the past, is an abstraction, the thing that I write about. Instead I wanted it to be, first and foremost, a thing that I lived.
When a stranger comes into our presence, then, first appearances are likely to enable us to anticipate his category and attributes, his 'social identity' - to use a term that is better than 'social status' because personal attributes such as 'honesty' are involved, as well as structural ones, like 'occupation.'
In fact, to me it's liberating to not think of identity as some organic property that we have to find and stick to, but actually something that is constructed, or that's imposed, that we can then counter by taking a different route and re-dressing it, and then re-dressing it again, and then re-dressing it again.
In the '30s and '40s, the search for Hungarian national identity led famously to an alliance with Hitler and the destruction of more than a half million of the nation's Jews. And here we are now, more than 70 years later, witnessing a resurgence of xenophobia and authoritarianism, and not just in Eastern Europe.
My forms are not abstractions of things in the real world. They're also not symbols. I would say that my job is to invent these forms and to put them together in a way that keeps your interest, to give the forms a quirky identity so you can engage with them, so you realize there's an inner intelligence or logic.
It's hard enough to be a middle-school kid, because you're dealing with so many facets of your identity - you're changing socially, you're changing physically, you're changing emotionally, everything is in flux, and to put race on top of that as well and have to figure out your racial identity is extremely hard.
My identity was a big issue when I was a teenager, and I had a lot of questions, like: 'Who am I?' 'Who do I belong to?' But when I was still quite young, I decided that belonging is a tough process in life, and I'd better say I belonged to myself and the world rather than belonging to one nationality or another.
As others have recently suggested, the term 'gamer' is no longer useful as an identity because games are for everyone. These days, even my mom spends an inordinate amount of time gaming on her iPad. So I'll take a cue from my younger self and say I don't care about being a 'gamer,' but I sure do love video games.
When desire for a certain person's attention becomes an "I have to have" kind of grasping, then identity gets organized around needing that and it becomes very solid and sticky. That causes suffering because we're not inhabiting the fullness of who we are, we're fixated and contracted on life being a certain way.
I didn't read much SF as a kid - I was a total Tolkien geek - but I started reading Samuel Delany and Angela Carter and Ursula LeGuin in high school, and I was definitely taken with the notion that here was a literature that could explore various notions of gender identity and how it affects the culture at large.
Actually I'm more culturally Muslim than religiously but being Muslim is an important part of my identity. As Muslim, I feel it's important to counter any form of bigotry, be it anti-Semitism, homophobia, racism, etc. These forms of hate share a common denominator of misinformation and intentional fear mongering.
I would say that everyone that you see who is successful in the mainstream, at the top of Billboard, who has a Top 40 hit... at some point, unless they're a complete fabrication of the industry with no identity of their own and a carbon copy clone of someone else, they in themselves started out being underground.
Part of me always felt like the other, the outsider, the observer. My father had two sons with his second wife, who I didn't meet until my late 20s. I was always on the periphery. In Madrid, I was the only Turk in a very international school, so I had to start thinking about identity. All these things affected me.
When I get on the internet and hide behind a false identity, and then allow that hiding to free me from the standards of decency, to begin to use language I would never use in front of my mother, all of a sudden, there's nothing between me and you, but worse than that, there's nothing between me and my worst self.
Branding is not merely about differentiating products; it is about striking emotional chords with consumers. It is about cultivating identity, attachment, and trust to inspire customer loyalty. Chinese brands score low on attributes such as 'sophisticated,' 'desirable,' 'innovative,' 'friendly,' and 'trustworthy.'
At the heart of anti-Semitism lies Moses. He made a catastrophic error, a terrible mistake, and all anti-Semitism for two thousand years stems from his misjudgement. Moses said we Jews could remain a people without having a land. He said we don't need territory to hold onto our Jewish identity. This was a disaster.
The primary metaphor for the Easter season is the church as the resurrected people living a resurrected spirituality. Because of Easter we are in union with Christ and are called to live in our baptismal identity in his resurrection. This essential theme of Easter cannot be communicated in a day. It takes a season.
I think female solitude is a mental condition as well as a physical state. You can be married and a spinster. I think spinster is an identity every woman can claim, if she will... I feel like a lot of women, or a lot of feminists, joke about taking to the sea or living alone in a cottage as this kind of fun freedom.
Think about what people are doing on Facebook today. They're keeping up with their friends and family, but they're also building an image and identity for themselves, which in a sense is their brand. They're connecting with the audience that they want to connect to. It's almost a disadvantage if you're not on it now.
The sense of unhappiness is so much easier to convey than that of happiness. In misery we seem aware of our own existence, even though it may be in the form of a monstrous egotism: this pain of mine is individual, this nerve that winces belongs to me and to no other. But happiness annihilates us: we lose our identity.
All of the agreed-upon pariahs throughout pop-culture history put their identities into the thing we decry. And yet we derive our own identities from the act of hating. We connect on the things we are disappointed in. Some may argue that nothing in history gathers a crowd like complaining about Lady Gaga's meat dress.
I think people crave those meaningful situations, stuff about faith, identity, dilemmas of live paradoxes in our souls. It's going back to a time where lives were really defined by history, and also how you behave in the face of history. It's kind of interesting to go back to that simpler humanity, simpler but deeper.
Wendy Doniger has spent decades collecting not only myths from ancient texts but stories of all kinds from novels, movies, newspapers about an old mystery: what has or hasn't happened in bed for centuries. Rich in insights about sex, lies, and personal identity, the result is entertaining, enthralling, and, yes, sexy.
Looking back, I've learned that everyone is searching for three things: Identity, community, and a sense of individual purpose. These are fundamental, and if a person feels marginalized or disenfranchised, they're likely to turn to something negative, maybe drugs, maybe promiscuity, or maybe a white supremacist group.
Women, in general, will find it difficult to turn from a man and stop demanding that he meets their needs, provides security, and protects their identity, and return to me. Men, in general, find it very hard to turn from the works of their hands, their own quests for power and security and significance, and turn to me.
One of the things that we've got to understand... is that politics of identity has never gone away. And where people have had a strong identity, geographically, culturally, in terms of their employment... if that's gone and not being replaced by something else, then I think the right-of-centre's got to wake up to that.
There are a host of ethnic minorities in China but they often have a weak sense of identity and are relatively small in total number. History has taught the Han that other groups will and should ultimately be absorbed and assimilated as Han. There is a belief that the Han enjoy a superior and far more advanced culture.
There are a host of ethnic minorities in China, but they often have a weak sense of identity and are relatively small in total number. History has taught the Han that other groups will and should ultimately be absorbed and assimilated as Han. There is a belief that the Han enjoy a superior and far more advanced culture.
Practically everyone I know now is from a middle- or upper-middle-class background, and I no longer have the huge chip on my shoulder that I carried around for so many years. I'm not sure it comes out much in the work, but coming from this kind of background is absolutely central to my identity, to my sense of who I am.
Modern art, in particular, seems especially vulnerable to fraud. Its abstractions are sometimes difficult to understand or grasp, and a modern painting is often loved less because of its intrinsic quality - its beauty, as conventionally understood - than because of the identity of the painter, its mark of social status.
Kathleen Wynne and her band of radical-left cronies think they have a handle on what constitutes human identity and also what should constitute human morality. And I think that that's being pushed in a manner in schools that's completely reprehensible. It's not education, in my estimation. It's a form of indoctrination.
I was so excited to be able to say that I was a lesbian that I would shake hands with strangers on the street and say, 'Hi! I'm Sally Gearhart and I'm a lesbian.' Once, appearing on a panel program, I began, 'I'm Sally Lesbian and I'm a gearhart!' I realized then that I had put too much of my identity into being lesbian.
Operating-room errors hold a special terror for patients, if only because they seem like the most avoidable kind of complications. The occasional horror stories of patients who have the wrong leg removed or the wrong knee replaced generate the most headlines, as do tales of patients whose identities are mixed up entirely.
We can only query against that which we have collected. And so if someone has never made a ripple in the pond in Syria in a way that would get their identity or their interest reflected in our database, we can query our database until the cows come home, but there will be nothing show up because we have no record of them.
As we see dislocation and disruption in certain parts of the country, from rural areas to my home in the industrial Midwest, and in the economy, this leads to a kind of disorientation and loss of community and identity. That void can be filled through constructive and positive things, like community involvement or family.
My identity has always been confused. Born in Edinburgh of a Scottish/Russian/Jewish mother and an English/Irish/Catholic father, there is no form of guilt to which I was not subjected in my childhood. Members of my immediate family live all over the world - a diaspora of cousins, aunts, uncles and more in a dizzying mix.
Part of the core information that I've been purveying is that identity politics is a sick game. You don't play racial, ethnic, and gender identity games. The Left plays them on behalf of the oppressed, let's say, and the Right tends to play them on behalf of nationalism and ethnic pride. I think they're equally dangerous.
America gave the world the notion of the melting pot - an alchemical cooking device wherein diverse ethnic and religious groups voluntarily mix together, producing a new, American identity. And while critics may argue that the melting pot is a national myth, it has tenaciously informed the America's collective imagination.
We could not have launched Causes without Facebook Platform, providing real identity and real friends. Facebook Platform was created so that experiences that are inherently social in our off-line lives could be brought online as an authentic expression of who we are; Facebook did this best in revolutionizing photo sharing.
Fox News is really two news networks. It's a center right news network that has good, solid, interesting coverage if you're watching Chris Wallace or the panel on 'Special Report' or anything like that. Then, it has what Hannity and others like him do, which is just a sort of tribal identity politics for older white people.
In refugee camps around the world, I met people who were gone. They were still walking around but had lost so much that they were unable to claim any sort of identity. Others I met found who they truly were, and they generally found it through service to others. They became teachers when there was no school, books or pencils.
Ultimate Warrior was a character who made an impression on people. It was his intensity, his colorfulness, but also, Warrior as an identity means something to everyone. Even through all of the grumbling and haphazard approach at the beginning to developing the character's persona, there was something that people connected to.
I chose 'Mr. & Mrs. Smith' specifically 'cause I had just made 'The Bourne Identity' and made a film that glamorized being an action hero, and I wanted to make the exact opposite. I wanted to make a movie that glamorized maintaining a marriage, and that made the action hero part seem easy and made the marriage part seem hard.
Human beings are distinguished by a capacity for experience as well as by their behavior, and homosexuality is as much a matter ofemotion as of genital manipulation.... As we each examine our own sense of identity we realize how much more complex is the question of homosexuality than a mere Kinsey-like computation of orgasms.
What kind of choice is it, really, when motherhood forces you into a delicate balancing act -- not just between work and family, as the equation is typically phrased, but between your premotherhood and postmotherhood identities? What kind of choice is it when you have to choose between becoming a mother and remaining yourself?
I'm so thankful because of my relationship with Jesus Christ and being adopted in the family of God that I don't have to live the highs and the lows and the roller coaster that the rest of the world lives, because I know where my identity lies. My identity lies as a child of God, and that's something that will never be shaken.
There's this really amazing quote from Jim Jarmusch about celebrating your theft that I think has become more and more prominent in music: "It's not where you got it from, it's where you take it." To me, that's just an integral part of why I even bother making music. I don't mind that I've created an identity around what I do.