If geography is prose, maps are iconography.

The Grateful Dead always had their iconography down pat.

I was trying to do like a spaghetti western but using World War II iconography.

The whole iconography of ancient science is simply the fruit of wishful thinking.

Oh my God, you look at all the uniforms in Star Wars, and it's all Nazi iconography.

I am interested in circulating past iconography in the present in order to get to the future.

There is something very unique in American iconography about this notion of the pursuit of happiness.

The dragon is a very consistent symbol of secret satellite iconography and signals intelligence satellites.

I've always been interested in Catholic iconography. My dad's from Naples and I was brought up in a Roman Catholic school.

It's very hard to transgress; we have the furniture of transgression without the imagery and iconography to actually do it.

One cannot set out to make a work that's spiritual. What is a contemporary iconography for the spiritual? Is it some fuzzy space?

Book-jacket design may become a lost art, like album-cover design, without which late-20th-century iconography would have been pauperized.

I think that for a lot of us gay people, we do feel that pop is our music. We identify with it and its iconography, and that's been a tradition.

Men who define themselves as breadwinners are going to have to leave the traditional iconography of masculinity behind if they want to be breadwinners.

How do you make any sense of history, art or literature without knowing the stories and iconography of your own culture and all the world's main religions?

People have a very proprietary relationship with Superman. It's important to respect the iconography and the canon, but at the same time, you have to tell a story.

Like 'Twin Peaks,' '24,' 'Mad Men,' and 'The Sopranos' before it, 'Downton Abbey' enriches the iconography and collective lore of pop culture. It replenishes the stream.

I'm a closet Catholic. I love the iconography of the saints. There was a point in my life when I was going to convert to Catholicism, but I didn't want my grandmother spinning around in her grave like a rotisserie chicken.

I would say that 'Schindler's List,' as powerful as it was, seemed to have continued with a particular iconography of victimization and passivity. That was the iconography with which I had grown up and to which I had grown accustomed.

When something is iconic, if you're very careful and delicate, you can add onto that iconography. It can expand. People have attached so much to it themselves, and connected to it, so the risks are big, but the potential is enormous, at the same time.

People have a very proprietary relationship with Superman. It's important to respect the iconography and the canon, but at the same time, you have to tell a story. Once you land on who you think the character is and what his conflicts are, you have to let that lead you.

We were all inspired by him as an actor and his iconography and thought, if we get somebody like Laurence Fishburne, we can tell a much more sophisticated, complicated version of Jack Crawford than we'd seen before as this large and in-charge and in-control guy, who is unflappable.

If you look at the history of Wonder Woman, you look at the iconography, the images that have kept her alive - they're not dark. The thing I think is so important to always keep in mind about her is how positive and bright and shiny she is - very much in the same way that Superman has been.

Between the theme parks and the movies, the Disney iconography was probably the first set of archetypes that I was exposed to. Walt was able to expose me as a child to the full array of emotions, including fear and sorrow. Those movies and attractions haunted my dreams and made a deep impression on me as a child.

My obsessions stay the same - historical memory and historical erasure. I am particularly interested in the Americas and how a history that is rooted in colonialism, the language and iconography of empire, disenfranchisement, the enslavement of peoples, and the way that people were sectioned off because of blood.

The role that blood plays in Christian iconography is huge - the washing of the blood, the shedding of blood, the blood of the cross, the crucifixion, the violence of that imagery. These are horrific, and yet they are at the center of the Christian faith. There is a place where beauty and terror merge, and it's at the cross.

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