The bus ride to the arena... I slipped on my Discman and listened to some of my favourite music, all the while imagining myself on the ice. Visualization and imagery are very important in figure skating, or any sport for that matter. This is where you see yourself in your mind performing in front of an audience and judges. I also imagine how I am going to feel during the performance. During the bus ride, I pictured myself skating a perfect program.

I'm tired of my life, my clothes, the things I say. I'm hacking away at the surface, as at some kind of gray ice, trying to break through to what is underneath or I am dead. I can feel the surface trembling—it seems ready to give but it never does. I am uninterested in current events. How can I justify this? How can I explain it? I don't want to have the same vocabulary I've always had. I want something richer, broader, more penetrating and powerful.

Its so hard to talk when you want to kill yourself. That's above and beyond everything else, and it's not a mental complaint-it's a physical thing, like it's physically hard to open your mouth and make the words come out. They don't come out smooth and in conjunction with your brain the way normal people's words do; they come out in chunks as if from a crushed-ice dispenser; you stumble on them as they gather behind your lower lip. So you just keep quiet.

I've been waiting for you all night and day,' she said. Froi shivered. He realised that the words came from Quintana the ice maiden. Realised, as he felt his face heating up, that the idea of this Quintana waiting for him with excitement spoke to parts of him he believed to be dormant. And then she winked. 'Did I do that right?' she asked. Her smile was lopsided and he saw a glimpse of the teeth. And Froi imagined that he would follow her to the ends of the earth.

Despite the heat in her face, it felt as if cold needles of ice were running up and down her veins. "What are you doing here?" He drew back slightly, looking disappointed. "That isn't really an answer to my question, you know. I was expecting more of a "Hallelujah Chorus.' I mean, it's not every day your boyfriend comes back from the dead." "I already knew you weren't dead." She spoke through numb lips. "I saw you in the library. With--" "Colonel Mustard?" "Sebastian.

Behind us lay the great Antarctic Land; snow peaks rising beyond one another until by distance they dwindled away into insignificancy. The silence and immobility of the scene was impressive; not the slightest animation or vitality anywhere. It was like a mental image of our globe in its primitive state - a spectacle of Chaos. Around is ice and snow and the remnants of internal fires; above, a sinister sky; below the sombre sea; and over all, the silence of the sepulchre!

All the things that we've done as a species have had a limited scope. We're talking about melting the ice caps, raising the level of the seas dramatically, changing the distribution of every other species on Earth, perhaps wiping out one-third or half of them. The changes at work are geologic in scale. The level of change required to deal with it is enormous, too. It will require change in every country. It will require a degree of global cooperation that we haven't seen before.

Is the divine presence a Republican? Or is He/She/It running an inter-galactic fossil fuel conglomerate?...whatever the explanation may be, the Paraclete appears to be as determined as any terrestrial corporate frontman to prevent a successful conclusion to the climate talks. How I know? Because every time anyone gets together to try to prevent global climate breakdown, He swaths the rich, densely habited parts of the world with snow and ice, while leaving obscurer places to cook.

Back in August, I wrote a post about the supposed race to the bottom with ebooks, refuting some nonsense written by an establishment bonehead. This meme won't die. People are still convinced that new ebooks are going to be priced at ten cents, and writers will starve, and this will cause a second Great Depression where banks will close and people will be forced to buy Kindles with food stamps, and then the earth will enter another ice age where all the bunnies will freeze to death.

During my practice sessions, I had walked all around the rink examining each corner. I make a habit of doing this before every major competition, to become familiar with the angles. Then I can envision what it will look and feel like when I am the only one on the ice going into a combination jump, skating backwards or getting ready for my triple Lutz. I know exactly where I will be, and so when it comes time to actually perform my routine, ever step and element will be like deja vu.

I matched my heated tone with one of pure ice. "I believe I did attempt to relate to you the facts of my calls and you interrupted me with a rather magnificent display of temper much as you are doing now. If you do not have all the facts of the case perhaps you have no one but yourself to blame." Brisbane opened his mouth and shut it with a snap. His mouth remained closed but I could hear him muttering under his breath. "What are you saying?" "I am counting. To one hundred. In Cantonese.

We shuffle out of office buildings after being laid-off by draconian bosses; we sit on hold for ten minutes only to be told by a supervisor that the charge on our cable bill can't be removed; we click a crying emoji on Facebook as our last whimper of protest. So rather than end the story ["Ice Age"] with the expected violence and destruction of evil, I wanted to focus on the way the characters end up sabotaging their own community though their attachments to the consumerism of the old world.

Don’t ever leave me again,” I said in a tiny voice. I won’t,” he promised into my hair, sounding most un-Fang-like. “I won’t. Not ever.” And just like that, a cold shard of ice that had been inside my chest ever since we’d split up-well, it just disappeared. I felt myself relax for the first time in I don’t known how long. The wind was chilly, but the sun was bright, and my whole flock was together. Fang and I were together. Excuse me? I’m alive too.” Iggy’s plaintive voice made me pull back.

We've lost half the summer sea ice in the Arctic. We've wiped out an enormous percentage of the world's coral reefs. We see huge changes in the planet's hydrology already, the cycles of drought and flood both amped up because warm air holds more water vapor than cold. These things are happening with a one-degree increase and going to two degrees won't be twice as bad, the increase in damage won't be linear, it most certainly will be exponential. So it was precisely the wrong moment to elect Trump.

We are the owls of the weather chaw. We take it blistering, We take it all. Roiling boiling gusts, We're the owls with the guts. For blizzards our gizzards Dr tremble with joy. An ice storm, a gale, how we love blinding hail. We fly forward and backward, Upside down and flat. Do we flinch? Do we wail? Do we skitter or scutter? No, we yarp one more pellet And fly straight for the gutter! Do we screech? Do we scream? Do we gurgle? Take pause? Not on your life! For we are the best Of the best of the chaws!

Ninety-nine and nine-tenths of the earth’s volume must forever remain invisible and untouchable. Because more than 97 per cent of it is too hot to crystallize, its body is extremely weak. The crust, being so thin, must bend, if, over wide areas, it becomes loaded with glacial ice, ocean water or deposits of sand and mud. It must bend in the opposite sense if widely extended loads of such material be removed. This accounts for … the origin of chains of high mountains … and the rise of lava to the earth’s surface.

When listening to the sound material, we metamorphose the inside into an outside. This notion of metamorphosis is one of the principles that leads the course of the musical suite, reflecting changes (fluidsolid passages: water/ice/fire) or movements (ebb/flow/wave, inspiration/expiration) or inside-outside passages (door/individual/crowd). Thus, the perceived object is not entirely what we would have liked it to be. Our music brings us closer to some while it takes us away from others: each with their own inside.

If I had to catalog all the moronic plot turns in The Day After Tomorrow, we'd be here until the next ice age. It's just so very bad. You can have a pretty good time snickering at it-unless, like me, you think there's something to this global warming thing, and you shudder at the irony of a movie meant to warn people about a dangerous environmental trend that completely discredits it. Is it possible that the film is a plot to make environmental activists look as wacko as anti-environmentalists always claim they are?

A gulf profound as that Serbonian bog Betwixt Damiata and Mount Casius old, Where armies whole have sunk: the parching air Burns frore, and cold performs th' effect of fire. Thither by harpy-footed Furies hal'd, At certain revolutions all the damn'd Are brought, and feel by turns the bitter change Of fierce extremes,-extremes by change more fierce; From beds of raging fire to starve in ice Their soft ethereal warmth, and there to pine Immovable, infix'd, and frozen round, Periods of time; thence hurried back to fire.

Contrary to what you may have heard from Henry Rollins or/and Ian MacKaye and/or anyone else who joined a band after working in an ice cream shop, you can't really learn much about a person based on what kind of music they happen to like. As a personality test, it doesn't work even half the time. However, there is at least one thing you can learn: The most wretched people in the word are those who tell you they like every kind of music 'except country.' People who say that are boorish and pretentious at the same time.

When I was little, I used to go to the local ice-skating rink. In my mind, I always felt like I could twirl and jump, but when I got out onto the ice, I could barely keep my blades straight. When I got older, that's how it was with people: In my mind, I am bold and forthright, but what comes out always seems to be so meek and polite. Even with Evan, my boyfriend for junior and most of senior year, I never quite managed to be that skating, twirling, leaping person I suspected I could be. But today, apparently, I can skate.

Jack believed in something—he believed in white witches and sleighs pulled by wolves, and in the world the trees obscured. He believed that there were better things in the woods. He believed in palaces of ice and hearts to match. Hazel had, too. Hazel had believed in woodsmen and magic shoes and swanskins and the easy magic of a compass. She had believed that because someone needing saving they were savable. She had believed in these things, but not anymore. And this is why she had to rescue Jack, even though he might not hear what she had to tell him.

What's important is a great set of objective ears, years of experience and a great room with a true sound. Look at this way: If the equipment in a studio is a high performance car, and the mastering engineer is the driver, putting the car on ice and trying to achieve a good lap time is like trying to master music in a bad room, all the equipment in the world wont help you connect with the music and let you hear what's really happening. The room is the environment in which the mix performs to its potential, as the road is to the car. It's hugely important.

As many glaciers are melting and icy tundras are decaying, there's an unprecedented amount of woolly mammoth material that's becoming dislodged from the ice. Not just mammoth, but all kinds of fossils from the past. What occurred to me was, had anyone tried to pinpoint the first case of human-induced extinction? What was the first time we as species pushed another one to oblivion? I would argue that's probably going to be one of the defining moral problems of the century, human-induced extinction. And I really wanted to know, when did we first cross that barrier?

You'll need to do a better job, Annabelle. No more dates like the first one tonight." "Agreed. And no more making me sit through your Power Matches introductions, either. As you so wisely pointed out, helping Portia Powers isn't in my best interests." "Then why are you still trying to talk me into seeing Melanie again?" "Hunger makes me weird." "You got rid of the last one in fourteen minutes. Well done. I'm rewarding you by letting you sit in on all the introductions from now on." She nearly choked on an ice cube. "What are you talking about?" "Exactly what I said.

Each year we pump at least six billion tons of heat-trapping carbon into the innermost layer of our atmosphere, whose outer extent is only about twelve miles overhead. According to an IPCC (United Nations' Intergovernmental Panel on Climate Change) report released this year, atmospheric CO2 will, if the buildup is left unchecked, double from its pre-industrial level within the next century. That doubling of CO2 correlates with an increase in the global temperature of at least three to eight degrees Fahrenheit. The last ice age was just five to nine degrees colder than our current climate.

For nine miles along a submerged ridge, the corals rise in lumpy hillocks that spread out 100 yards or more, resembling heaped scoops of rainbow sherbet and Neapolitan ice cream. The mounds, some 100 feet tall, sprout delicate treelike gorgonians that sift currents for a plankton meal. Fish, worms and other creatures dart or crawl in every crevice. This description could apply to thousands of coral reefs in shallow, sun-streaked tropical waters from Australia to the Bahamas. But this is the Sula Ridge, 1,000 feet down in frigid darkness on the continental shelf 100 miles off Norway's coast.

The climate crisis is the greatest challenge humanity has ever faced. From not only the warming of the earth with higher global temperatures, but also from strengthening storms and expanding droughts to melting ice and rising seas, the costs of carbon pollution are already being felt by governments, corporations, taxpayers and families around the world. The climate crisis will affect everything that we love and alter the course of our future. Now, more than ever, we must come together to solve this global crisis. We must act decisively, rise to the occasion and solve this monumental challenge.

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