Quotes of All Topics . Occasions . Authors
My family has never understood why I play crazy, angry, depressed people because that is not the way they think of me. They see me as a totally messy, klutzy goofball - kind of weird and hyper.
I find significance in all kinds of small details when I run; I'm hyper aware of my surroundings, the sensations in my body, and the thoughts running through my mind. Everything is clearer, heightened.
The very definition of the real becomes: that of which it is possible to give an equivalent reproduction. The real is not only what can be reproduced, but that which is always already reproduced. The hyper real.
I am someone that is very hard to handle. I'm very picante, intense... Sometimes I'm very outgoing and spontaneous and super hyper. Latinas, we love to touch each other - like, cuddle. That's why a lot of people are intimidated.
A rap dude has his rap persona, his hyper version of himself. Do you know Method Man's real name? Or Elton John, Marylin Monroe? You make up this character. That's kind of what we have done with Die Antwoord, playing with characters.
When you think of bike couriers, you think of hyper speed. They get paid by how fast they can drop stuff off. The faster you go, the more chances you take. And the more chances you take, the greater the war between cyclists and cars.
Doing something like 'Damages,' I played a character with post-traumatic stress. I was playing with sleep deprivation. I was not sleeping; I stayed up for three days at a time, drinking Red Bull. I would get shaky and tired and hyper.
In the real world, I kind of, like, thrived a little bit. The things that were awkward about me at school, like being hyper passionate... I realized, 'Oh I'm my own person, and I have my own idiosyncrasies and nuances that I don't mind.'
The basic idea of a hyper instrument is where the technology is built right into the instrument so that the instrument knows how it's being played - literally what the expression is, what the meaning is, what the direction of the music is.
If it's a very emotional scene, you're kind of relieved when you've done it, kind of spent. And there are times when you can be rattled, certain characters if they're hyper, that can carry over, the residue of that. But I try to leave it on the set.
I think people who are artists, actors, singers, great songwriters, they tend to have a hyper state of emotion where they feel things very, very deeply, probably more deeply than the average person walking down the street where it may affect them, but not to the same extent.
Everybody is continuously connected to everybody else on Twitter, on Facebook, on Instagram, on Reddit, e-mailing, texting, faster and faster, with the flood of information jeopardizing meaning. Everybody's talking at once in a hypnotic, hyper din: the cocktail party from hell.
I'm totally active. I am just this side of hyper. I jog and go to the gym every day. When I'm on the computer, I'm reading, I'm writing, I'm never quiet. My brain is very rarely not engaged. Every now and again I will fall asleep under the parasol in the sun, but that's a rarity.
People failed to realize that when you're living such a hyper, super reality of a life, where you're just doing shows and you're on TV and you're talking to this magazine, that doesn't bode well for trying to talk about everyday stuff that hopefully you'll connect with people on.
Society has a hyper emphasis on thin, and that trend comes from the consumers - it does not come from the fashion industry. The fashion industry needs to make money; that's what we do. If people said, 'We want a 300 pound purple person,' the first industry to do it would be fashion.
When I try to be funny, it always makes me more nervous that I'm trying too hard, and then my brain that already thinks too much jumps into hyper drive, and I light-speed start talking 'Star Trek' to someone who's talking 'Star Wars.' Anyway, it doesn't work out usually when I 'try' to be funny.
My own personal aesthetic is all to do with real actors and real locations and a kind of almost hyper reality and actuality to things. But the digital world, I explore that through other mediums, with music videos and commercials. Even 'The Road' was a real learning curve for me with digital effects.
I actually think acting is a form of self-hypnosis. You have to be hyper, hyper aware of what's going on around you. You have to know where the lens is, what the shot is, and where you're moving. And then you have to trick yourself into an emotional state where you believe this stuff is actually happening.
