Quotes of All Topics . Occasions . Authors
When I was a kid, I played sports a lot. My mom and dad were divorced, but I hung out in the neighborhood a lot, and it was all about sports. I would be out all day on the sand lot or on the hockey rink. My dad would take me to baseball games, but he worked so hard, and he would always fall asleep.
There's a rich family culture in South Central. The block that I grew up on, all the kids were best friends. They hung out at each other's houses. I can knock on the person's house two doors down and grab some food and just hang out or go into the backyard and play basketball when they're not there.
My grandmother always used to wear this English perfume called Tuberose and then she died and then I dated this girl who wore the same thing. Every time I hung out with her, I could only think of my recently deceased grandmother. So sometimes a signature scent can be good and sometimes it can be bad.
My little boy, West, and my wife, they're my rock and that's the thing that keeps driving me to do better at what I do professionally. There was a time in my career where I had been on this huge roller coaster ride and I'd really got in the spot where I could've hung up it and just been a songwriter.
The think that we hung the film version all on was 'Hedwig' on tour. On stage, it's one theatre, one show. It just seemed natural to change it. In the film, we were able to go to flashback rather than have her talk to the audience. And we had the play to practice and to see where we had made mistakes.
Bob Smith from Brooklyn is a guy who sometimes gets hung with problems and fears. Wolfman Jack is a happy-go-lucky guy who knows how to party. The challenge of my life has been letting more and more of Bob Smith go, becoming the Wolfman on an almost full-time basis, while still taking care of business.
My faith was undermined by the same sort of things that make people skeptics of religion in general. Part of it was, there was no real place for me in Judaism. Maybe if there was I would've hung in there, but I was attracted to the social-justice aspects of Judaism, and I was attracted to the prophets.
So I called and said, 'Mommy, I'm doing a political film with Jean-Luc Godard. You have to come and sign the contract.' She thought I was lying, so she hung up the phone. But then she came the next day, even though she had never taken an airplane in her life. She came to Paris and she signed my contract.
I was an athlete, so I hung out with the jocks. I was smart, so I hung out with the nerdy kids. I was also into theater, so I hung out with the misfits... So I was always in different groups, and those groups never quite overlapped. The racial part of it was just another one of those groups, in one sense.
What's important at the grocery store is just as important in engines or medical systems. If the customer isn't satisfied, if the stuff is getting stale, if the shelf isn't right, or if the offerings aren't right, it's the same thing. You manage it like a small organization. You don't get hung up on zeros.
I did a film in Nairobi, Kenya called 'The Last Elephant,' with John Lithgow, Isabella Rosallini, and James Earl Jones. So I was in seventh heaven, alright? About a year later I get a call from my agent and he says they want to see you for this project called Candyman. I thought he was joking so I hung up.
It took Cianfrance 12 years to bring 'Blue Valentine' to the screen after he first conceived it. He found Gosling and Williams early on, and they hung in there with him. The film finally premiered at Sundance 2010, then screened at Cannes and the Toronto Film Festival before landing in theaters in December.
I love my dad and respect him and miss him, but I never hung around my father that much because my dad was a lawyer and engineer, and he really didn't understand what I was about. I was supposed to go to law school at UCLA - I was admitted - and instead of going to law school, I went on the road with a band.
There's something about seeing somebody who thinks they're great and is so wrapped up in their moves, voice, and performance that makes it so wonderfully charming that you can't take your eyes off. That's why we all remember William Hung from those first years of 'American Idol. It's the William Hung effect.
All of these really strong females making names for themselves in what were traditionally male-dominated spaces. And I'm not usually one to get too hung up on the male-vs.-female side of things, but it is interesting to see the dynamic shifting and it's happening across the board. It's cool to be a part of that.
It's the idea that when you say 'actress', people think of an airy, floaty, no-brain person, which of course you can't be if you are an actor. It is an unfortunate word, which is why, for a time, I hung on to 'actor', because it just seemed more workmanlike, you know, like you say 'woman doctor' not 'doctoress'.
As a teen-ager I played cards, shot craps, played pool, went to the track, hung around social clubs. I knew that some card and crap games were run by the mob, and some social clubs were mob social clubs. Even as a kid I knew guys that were here today, gone tomorrow, never seen again, and I knew what had happened.
Our culture is hung up on and overemphasises what can be derived from material objects. I think this is something quite new, over the past 200 or 300 years - that life has become about accumulating material wealth. The 21st century is not about accumulating material wealth like the 20th century. It's already eroding.
I was in college when tens of thousands of people marched on Washington for the first Earth Day. Raw sewage floated in rivers and clouds of smog hung over cities. But then something amazing happened. People spoke out. Thousands of students, workers, and ordinary citizens used their voices to say, 'This has to change.'
The great thing about Nashville back in the day was that the old guys hung out where the young guys were. The established writers like Harlan Howard and Jack Clement gave us encouragement and passed the guitar, you know? Chet Atkins let me sit in on his sessions. Everybody was good to us, and everybody loved the music.
I don't know how I didn't kill any one of my sisters. For this one horror film we were making, I made my own harness for my sister. I wrapped her in all these ropes, but then also put a noose around her neck and hung her from a tree. Now I think, 'What if my harness didn't work?' I'm so lucky that nothing ever happened.
I'm telling you, man, after I did 'Land of the Dead,' which Mark Canton produced, Universal picked it up, and I had to use stars. I didn't think I needed stars - Dennis Hopper was in it. I loved him. We hung out. I loved him, but his cigar budget was more than we paid for the entire budget of 'Night of the Living Dead.'
I remember Geauga Lake. I remember Six Flags. I remember going to the mall. I hung out there. These big, grand places that served as pinnacles of the community were not only institutions or places of commerce. They were communal spaces where a lot of people went and shared good memories. These are very nostalgic places.
The great fear that hung over the business community in the 1970s was death by regulation, and the great goal of the conservative movement, as it rose to triumph in the 1980s, was to remove that threat - to keep OSHA, the EPA, and the FTC from choking off entrepreneurship with their infernal meddling in the marketplace.
I cherish the memory of being a friend of Frank Sinatra on a friendship level to the point where we really hung out. We worked in Vegas, we'd talk on the phone, and if I wasn't doing anything, I'd fly out, and I spent time in Palm Springs at his house - on a level the way friends would be, not with a whole crowd of people.
As an actor you are supposed to do some kind of action in case it is required. I remember this sequence where I was pulled up by a wire 100 ft above the ground. This was my first time that I was hung with a wire and I was a bit scared. But I must say it was a very beautiful experience looking down at everybody from a height.
Lucasfilm called me out of the blue, and I almost hung up because I thought it was a practical joke. This was right before 'Revenge Of The Sith' came out. Here you are, a big 'Star Wars' fan, talking about 'Star Wars' all the time, and you have your master replica lightsaber, and then you get a call from Lucasfilm for a job?
The first 'Saturday Night Live' season I was heavily interested in was the one with Martin Short, Billy Crystal, and Christopher Guest. There was just something about Martin Short in particular. I really related to him and hung on his every word and mannerism, so I started impersonating all of his characters as an 8th grader.
Yes. I did more research than I ever wanted to and saw some things I wish I didn't. I went on ride-alongs, spent time with Homicide, Cold Case, and SVU detectives, hung out in subways learning how to spot pervs and pick-pockets, viewed an autopsy, went to a police firing range, and witnessed court cases and I read, read, read.
I've always wanted to see what Egypt was like when they were building the pyramids or Rome at the height of the empire or Greece - more specifically, Crete before it was destroyed. Why? Because I'm curious how we all hung out on a day to day basis, what was the chit chat, etc. Reading things in a book never gives you the feel.
It was the '50s, and the card catalog and the Dewey Decimal System were in fashion. I hung out in the 812 section - American theater and plays. This is where I first read Arthur Miller's 'Death of a Salesman' and was transfixed. I remember staring into space for what seemed an eternity after reading Linda Loman's final speech.
For some reason, Superman seems to be held to higher standards on the subject of secret/super identities than other superheroes. No one ever says, 'Peter Parker was a nerdy kid. He can't possibly be Spider-Man, attract a good-looking gal, work in a newspaper, etc.' And no one gets hung up on whether his nerdiness is a disguise.
When I was coaching at Kentucky - I was a grad assistant and I just got through playing and we won the NCAA Championship in 1978, so I stayed after I got through playing - we had Japan's national team coach Mototaka Kohama come to Lexington to spend the year and study basketball. He and I became great friends, so we hung out together.
I was doing a show at the Comedy Store which Eddie Izzard saw, and we chatted for a bit afterwards. I didn't really know he was; we just hung out as comedians together, and when he heard my story, he said, 'Why don't you tell that on stage?' I didn't really want to burden people with all that, but he said that I could have fun with it.
My grandfather milked several cows twice a day and supplied the neighbours with dairy products. He liked to go visiting around the county on Saturdays, and he also enjoyed the neighbours when they came by once a week with their empty milk jars. He walked them out to their cars and hung over the driver's side window until they drove off.
I anticipated we would go to college, and then we would fade out - that was kind of what we wanted at the time - but social media hung onto my brother and I, and thankfully, fans hung onto my brother and I, and I think it's one of the reasons that this reemergence can come back with a little more strength, and I'm very thankful for that.
There's no way I would have got to see so much of the world, with my humble background, without modelling. We were penniless and hungry for most of my youth. I washed the sheets in the bathtub in my bedroom and hung them out of the window on the clothes line, which in winter was difficult as the sheets would freeze and get stuck to the line.
Are you not moved to tears and bitter compassion, when you behold the only Son of God seized by the most impious, dragged away, mocked, scourged, buffeted, spit upon, crowned with thorns, hung upon the infamous cross between two thieves, finally in such a horrible and execrable manner suffering death, for your salvation and that of the world?
