I look around and pay attention to what around me is not being talked about, and then I talk about it with as much humour and honesty as I can. All my books have been that way.

I think that Liverpool's particular modern history lends itself to the cinema better than London in many ways. When you go to Liverpool, you absorb that whole sound and humour.

Even today, people tell me that the slapstick humour in 'Friends' is the most viewed comedy track on television. Siddique knows the art of mixing slapstick with genuine humour.

I grew up watching 'Corrie,' and I still watch it whenever I can. It's got everything - drama, humour, and great characters. I used to watch it even when I was living in Dubai.

Some people don't seem to be able to distinguish between humour and what you really feel. They forget that there's a difference between what's real and what's a fantasy or joke.

Everything I've tried to do at Laika, searching for an artful blend of darkness and light, intensity and warmth, humour and heart, I wanted to bring to the Transformers franchise.

The real problem you get with humour is that you only have so many kinds of jokes within you, and you mine that vein a lot. This isn't just common to me; it's anybody who's funny.

I remember just sitting down one day and going, 'I should have friends.' And then I developed a sense of humour. By the end of high school, I would say I was the most popular girl.

The English probably do that wordplay kind of humour and whimsy better than anyone, and I've always felt that my writing goes more to that than what I did when I came to Australia.

I think comedy can be a way of sugar-coating a pill that needs to be taken, and whatever I complain about onstage, I hope I justify the negativity by using humour to make the point.

When I was younger, I used humour as a tool to avoid getting too serious with people - if there was deep emotional stuff going on, then I would crack a joke to defuse the situation.

I think of myself as a writer with a sense of humour rather than a comedy writer. Happy to tell a story with lots of jokes in it - I wouldn't know how to do jokes without the story.

I was nominated 13 times during my 15-week stay in 'Bigg Boss' but they couldn't get me out. That is because I was truthful and entertained the audience with my good sense of humour.

I'm just an actor. If it's drama, I add as much humour as the part will stand. And if it's a comedy, add as much drama as you can, so it balances out; you don't wanna be too serious.

Comedy films never die, all they need is a good script instead of merely relying on humour. That said, I would love to portray more characters like the one I play in 'Perariyathavar.'

I would love to make a sarcastic film; I am so sarcastic that even my kids are now getting used to my sarcasm. You see it a lot in British comedy because that's their sense of humour.

I identify with this guy's frustration and inability to control his fury at moments. I even identify with the way that this guy covers up a lot with humour. So yeah, it's interesting.

My face hasn't matured as I've grown up, and neither has my sense of humour. In the mirror, I see an older version of myself as a child, although I do have more wrinkles and freckles.

I always try to lace my work with just a teensy-weensy bit of humour. It's rather like putting a sprig of feathery stuff in a flower arrangement: I believe humour is a great balancer.

I identify my humour quotient with that of my father's. He used to love British comedies. Also, when it comes to fitness, my father was a sportsman and I too was into sports as a child.

My mother taught me what it is to have a sense of humour; my dad, who was a headmaster, everything you need to know about hard work. My dad is the most decent man you could come across.

If any man, out of an humour, should turn all his Estate into Money, and keep it dead, he would soon be sensible of Poverty growing upon him, whilst he is eating out of the quick stock.

I realised one day that men are emotional cripples. We can't express ourselves emotionally, we can only do it with anger and humour. Emotional stability and expression comes from women.

I grew up as a Muslim: it was quite a conservative upbringing; I didn't wear mini-skirts. But my mum and dad had a good sense of humour and were creative. I guess all of that shaped me.

My turn on 'Letterman' turned out to be a blast. The audience were delightful, and they lapped up my silly Kiwi humour. Even the big man himself came over to shake my hand after my set.

'50/50' is a comedy. I shouldn't say it's a buddy comedy because it's not farcical, and it's based on a true story, but it's viewing that experience through a very truthful lens of humour.

A lot of people view science as dull or boring, and I think the stance we take, using humour, not taking ourselves too seriously... I think people enjoy that. I think it's quite refreshing.

The English reputation for humour is a way by which people avoid revealing themselves and have superficial relationships, so that you can engage in banter without making yourself vulnerable.

So many more people recognise you and want to take up a moment of your time for a photo or a hello. You try to deal with it with grace and a degree of humour, because what's the alternative?

There is a lot of rubbish written about toilet humour - people saying it is childish and pretending it is beneath them - but there is no doubting the effectiveness of a really good willy gag.

I'm a massive Roald Dahl fan. I grew up reading his work and see a recurring theme - I have continued to love stuff that mixes the gruesome with a sort of humour. I'm drawn to that in my work.

I used to be a columnist for 'Golf Monthly' and have contributed articles for national newspapers based on the humour that is in abundance in the game, which is more than can be said of tennis.

Honestly, trolls don't affect me anymore. In fact, I want to use social media for the benefit of my genuine followers - I pick up one or two tweets and use my sense of humour to entertain them.

But I think our humour is exactly the same today. Only, we've made rules now. We've said we are not going to do prosthetic make-up scenes, because when they take it off half your face comes off.

I spent the first 16 years of my life in Scotland. My whole family is there. It's in my blood and informs my sense of humour, my point of view, the people I choose to spend time with, everything.

Some designers retain a sense of humour about what they do, but others are deathly serious and have no life outside of it; they're lying awake night after night constructing dresses in their heads.

The interesting thing is that you don't often meet a poet who doesn't have a sense of humour, and some of them do keep it out of their poems because they're afraid of being seen as light versifiers.

The way people do an impression of me is they use the phrase, 'Who are these people who do this... ?' Then they do some not-quite-good-enough observational humour, which is the most offensive thing.

I think any kind of comic sequence is as easy and as difficult as it is written. So, if it is written well, then it becomes easy. Sometimes you find it difficult because the humour is not coming out.

The quality of my songs will get through to people. They are good songs. Lyrically, some of them are interesting: there's stories, a bit of humour. I'm very confident about the music I play, you know.

Now the point of comedy is not just looking funny, it's use of language. We have at our disposal a great language... and the imaginative, creative use of that language can be at the service of humour.

Tod laughed. He was always able to find the humour in even the creepiest situations. I'd thought that it was an undead thing, until I became a member of the undead. Then I realized it was a Tod-thing.

People think that I can just walk into a room and get a job, but of the 200 interviews and auditions I go through a year, I may get three yeses. I just have to use my sense of humour to get me through.

When Stephen was first diagnosed, we weren't actually going out together, but I was already falling in love with him. He had beautiful eyes and this amazing sense of humour, so we were always laughing.

As voiceover artistes, we don't transcribe; we translate. One has to communicate what the character is feeling, and introduce humour where needed with a regional flavour that the audience can relate to.

Men who are not given any voice in this because of the secret nature of the courts, what they're left with is dressing up ridiculously, but at least using humour to try and draw attention to their kids.

It's difficult to say what attracts one person to another. It's always a combination, isn't it? I've always found people interesting because of the way they think, and a sense of humour is irresistible.

Well, he doesn't make me laugh. I think I've got a fair sense of humour but I can't really see it in him. I've listened to his show on the radio on a Saturday morning, and that's a load of mince as well.

'Dear White People' started a conversation about race. It's such a difficult thing to talk about, especially in America because of our history. I love that you can confront it with humour and with satire.

I'd always wanted to do costume drama, but period dramas often become very wooden. Just because they're born in the 1400s, all of a sudden people start losing their sense of humour or their personalities.

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