Human experience is infinite. Lives are infinite. Stories are infinite. Just because one story has gravity in it doesn't mean you can't write a different one with gravity in it.

I'm never trying to preach to anybody with my music, but I'm aware of the universal nature of the human experience and I try to reach out and connect with people in that manner.

It's exciting that you've got an entire season to experience 24 hours of highly dramatically charged human experience. It allows for the close inspection of minutiae in behaviour.

'Mission: Impossible' is fun. But for myself as an artist, I'm really more concerned with the human condition, the human experience, especially from an African American point of view.

We've always lived in dark times. There has always been a range of human experience from the sublime to the brutal, and stories reflect it. It's no less brutal now; each age has its horrors.

For me, as an activist and a storyteller, I'm very centered in ensuring that we show the complicatedness of the human experience that happens to be rooted in my community's trans experiences.

What irritates me about sci-fi is that it got hijacked by video games and also became so high-concept it was all about ideas and gadgets and technology and nothing about the human experience.

It is the recognition of history as a record of human experience which has inevitably resulted in the inclusion of this conquest of civilization within the framework of a complete human history.

There's always something more to be accomplished with a character. Theater is a human experience. There's nothing shellacked or finished off about it. I guess that's why it always draws me back.

The emotions that sustain religious belief are all, in fact, deeply ordinary and deeply recognisable to anybody who has ever made their way across the common ground of human experience as an adult.

There is only one thing which can master the perplexed stuff of epic material into unity; and that is, an ability to see in particular human experience some significant symbolism of man's general destiny.

I realise that there's something about fantasy, whether it's written by the Grimm Brothers or J. K. Rowling or Thorne or J. M. Barrie, that it gets closer to the human experience than realism every could.

Most of our history in space has been communicated in terms of action - what people do, a chronological list of events which have transpired - as opposed to the human experience of having done those things.

As an actor, every opportunity, every role, everything that I do is an opportunity to have someone have a human experience with my work. I don't just want it to be about a cute wardrobe and a high paycheck.

All the early Facebook employees have their story of the moment when they saw the light and realized that Facebook wasn't some measly social network like MySpace but a dream of a different human experience.

Human experience resembles the battered moon that tracks us in cycles of light and darkness, of life and death, now seeking out and now stealing away from the sun that gives it light and symbolizes eternity.

Doing a space walk. It is one of the most rare human experiences. To leave your spaceship and go outside, so that you are alone in the universe with Earth distant and the universe around you. That is amazing.

I think that music, being an expression of the human heart, or of the human being itself, does express just what is happening - the whole of human experience at the particular time that it is being expressed.

The marvelous richness of human experience would lose something of rewarding joy if there were no limitations to overcome. The hilltop hour would not be half so wonderful if there were no dark valleys to traverse.

Keep reiterating, again and again, that depression is not something you 'admit to.' It is not something you have to blush about; it is a human experience. It is not you. It is simply something that happens to you.

When I started really writing fantasy, one of the things I noticed was a real absence of sexuality in the genre at all. And it's such a profound part of the human experience that it's a really big thing to leave out.

The great fact of individual difference and variability (that is, inequality) is evident from the long record of human experience: hence, the general recognition of the antihuman nature of a world of coerced uniformity.

Throughout the human experience people have read history because they felt that it was a pleasure and that it was in some way instructive. The profession of professor of history has taken it in a very different direction.

I feel as though there are things that I'm trying to do - you know, capturing truthfully some aspect of human experience - and I'm trying really hard not to be fake. And in writing, as in life, it's harder than you think.

It seems to me that one of the most basic human experiences, one that is genuinely universal and unites-or, more precisely, could unite-all of humanity, is the experience of transcendence in the broadest sense of the word.

When your focus is franchises and brands, that limits the kinds of stories you can tell. That kind of thing can be good for the bottom line but they're not particularly good for showcasing the diversity of human experience.

Everything's borne out of human experience, of course - rejection, humiliation, poverty, whatever. People aren't born bad, no matter how harsh the circumstances. There is a person in there, and that person is not made of ice.

'Empire' deals with the black experience, the human experience, sibling rivalry, what it feels like to be ignored or doted upon by a parent, illness, death. There are so many things that I think the audience can identify with.

I'm trying to use myself and my own flawedness as a metaphor for general human experience. I'm trying to 'stand next to' a subject, whether it's Bobby Knight or Vince Carter, and use that subject to meditate on both him and me.

A lot of people think they should be happy all the time. But the writer understands you need both. You need the whole piano: the richness of the whole human experience. Depression, suffering and anger are all part of being human.

And these two elements are at odds with one another because Freud is utterly adversary to almost all the ways of structuring the human experience found in Western religions. No Western religion can countenance Freud's view of man.

I had never heard anyone doing what my show does, which is put the focus on the human condition - whatever you're going through, good or bad, right or wrong, straight or gay, whatever. That human experience is the meat of the show.

We seem to forget that innovation doesn't just come from equations or new kinds of chemicals, it comes from a human place. Innovation in the sciences is always linked in some way, either directly or indirectly, to a human experience.

The essential lesson I've learned in life is to just be yourself. Treasure the magnificent being that you are and recognize first and foremost you're not here as a human being only. You're a spiritual being having a human experience.

There's a Danish architecture firm called BIG. I love architecture, and I always check out their work; they're very good at reimagining the way we live. They put the human experience as the focus, with access to air and outdoor space.

One thing that sticks in my mind is that jazz means freedom and openness. It's a music that, although it developed out of the African American experience, speaks more about the human experience than the experience of a particular people.

I needed to let go of the idea of a God who was mad at me for feeling how I was feeling. Now, I bask in an understanding of the divine that delights in truth and the complexities of the human experience - even when it's not very 'clean.'

You don't have to say something directly to affect someone. You can make a piece of music without words that can capture a feeling of tragedy or struggle or anger or triumph. It's the translation of the human experience into another form.

I know that I'm just a spirit. I'm just a soul living a human experience. You come here for a purpose. So, once you acknowledge that and acknowledge that God put you here for a reason, I feel like you gotta fulfill that as much as possible.

I am of the international upper class, the Swedish petit bourgeoisie of Jewish extraction with poor language skills, a conveyor of a few expressions and faces, with some intonation that combines ancient human experience with timely coquetry.

How do you cut off the human side and just maintain being professional? So what I've done is I've incorporated that with Kojak - there's times when he allows the human condition, the human experience, to integrate into him as a professional.

My varied listening palette is all-inclusive of all walks of life. No one individual is exempt from the human experience, so it is that intangible that is a universal truth. In that regard, I've had success in encapsulating something cosmic.

I didn't have that many black people in my life, so I had to sort of search them out. And I didn't grow up in America, but I identified as much with their writing about the black experience as I did with their writing about the human experience.

And what's fascinating in The Ten Thousand Things is that although there's time, an inexorable time of the three generations of lives, actively present, but place is the time, time doesn't really have to do with simply the human experience of it.

Poetry is that sentiment of the soul, or faculty of the mind, which enables its possessor to appreciate and realize the heights and depths of human experience. It is the power to feel pleasure or suffer pain in all its exquisiteness and intensity.

When I hear other people's stories, I like to believe that they contribute to my 'Encyclopedia of Human Experience.' The stories I hear help me expand my definition of what love is, what pain feels like, what sacrifice means, what laughter can do.

There's something really magical about trying to see things in new ways that go beyond, in some sense, the biological human experience. Light-field photography, too, goes beyond the human experience because our eyes work like conventional cameras.

With BSG, sci-fi is the human experience taken beyond the envelope. When I first became involved with the project, I knew that I would be able to play a human being for many years, exploring and reflecting on issues that would impact people's lives.

The marriage of a man and woman is the most enduring human institution, honored in all cultures and by every religious faith. It's in this institution that children are meant to be nurtured. We know this after thousands of years of human experience.

Fiction seeks to represent human experience as it is lived and as it reverberates in our hopes, fears, dreams, and memories. So much of our lives are internal. The art of fiction has claimed - more than anything else - this internal ground as its own.

Share This Page