Quotes of All Topics . Occasions . Authors
I happen to believe in the human condition so strongly that I don't have to make up games to play with people. Here's what I think: If it's good, let's go for it. If it needs work to be better, let's work on it.
The misogyny that is in every culture is not a true part of the human condition. It is life out of balance, and that imbalance is sucking something out of the soul of every man and woman who's confronted with it.
Almost every month, I have a day where I get stuck in the mud of me. I used to blame hormones and PMS. After I hit 50, I blamed the lack of hormones. But men get stuck, too, so it must simply be the human condition.
You can learn all about the human condition from covering the crime beat in a big city - you don't need to go to Beirut for that - but a foreign correspondent begins to understand poverty from a different perspective.
Much as there are things about our own life stories that we can learn only from the systematic study of our dreams, there are things about the human condition that we can learn only from a systematic study of literature.
I look for characters that offer me opportunities to explore some aspect of the human condition. I think a lot of actors would say that and would look for that. I've been lucky enough to find projects that let me do that.
'Man Down' is not a serious study of the human condition: it is a balls-out attempt at making people laugh. So nobody in the show can afford to cling on to any vanity, because we're always going to push the humiliation levels.
As authors, most - most authors, our art is portraying the human condition. Trying to show you what it's like to be somebody else, trying to make you feel for somebody else. That means you have to have a high degree of empathy.
I had never heard anyone doing what my show does, which is put the focus on the human condition - whatever you're going through, good or bad, right or wrong, straight or gay, whatever. That human experience is the meat of the show.
American computer science grads often have very little exposure to the human condition. They've rarely had manual labor or service jobs. They grow up in a bubble of privilege lulled into thinking this country is a true meritocracy.
'Revolutionary Road' is a fascinating study of the human condition of a fragmenting marriage and the torment that these two people put themselves through in their efforts to try and find happiness and try and stay together, actually.
Those of us engaged in the practice of science come to feel a certain reverence for it, engendered by its demonstrable power to dissect, clarify, and explain what previously was unexplainable, and thus to improve the human condition.
My stories often begin with a situation or character rather than an insight about the human condition. It's always been difficult for me to write from an abstract idea, no matter how interesting or compelling I feel the idea might be.
'The Human Condition' is me exploring some ideas and thoughts that I have that don't fit one sound. I'm giving emotions a sound - it's a fusion of genres. There are four EPs in 'The Human Condition'; each title is a different emotion.
Anybody who dedicates himself to exploring the human condition, there's always a detached eye that's watching. In any situation, a little part of me is observing it, to see if there are any raw materials to create something else later.
Bradbury would have said his plots are myths and metaphors that tell stories about the human condition. That's what sets him apart from other science-fiction writers: He doesn't write about technology, but about the human heart and psyche.
There was a time when events that define the human condition were subject to very limited and time-delayed analysis. In the 21st Century and beyond, however, the human condition is subject to real-time, overwhelming analysis and dissection.
No society has been able to abolish human sadness, no political system can deliver us from the pain of living, from our fear of death, our thirst for the absolute. It is the human condition that directs the social condition, not vice versa.
At the end of the day, we need to realize that segregation is not the human condition at its best. Which isn't to say we need to all be the same. It simply means we need to embrace each other's differences to help tell our stories together.
How do you cut off the human side and just maintain being professional? So what I've done is I've incorporated that with Kojak - there's times when he allows the human condition, the human experience, to integrate into him as a professional.
My horizon on humanity is enlarged by reading the writers of poems, seeing a painting, listening to some music, some opera, which has nothing at all to do with a volatile human condition or struggle or whatever. It enriches me as a human being.
One has the responsibility to oneself, to the writer, director and the people who put up the money, to put out the best of what one has experienced and understood about the human condition as it relates to the role one has been hired to portray.
Healthy people are those who live in healthy homes on a healthy diet; in an environment equally fit for birth, growth work, healing, and dying... Healthy people need no bureaucratic interference to mate, give birth, share the human condition and die.
On a film set, everything's done for you. You get to a stage where you can't even remember the last time you made yourself a sandwich. The crazy thing is that, as actors, we're trying to portray the human condition, but we're often not living in reality.
If I laugh a couple of times a day, I'm doing good. People think it's their God-given right to be happy, and it's just not. It's something you've got to work at. I like to paint the human condition, and the human condition is not smiles and happy people.
Improving the Internet is just one means, albeit an important one, by which to improve the human condition. It must be done with an appreciation for the civil and human rights that deserve protection - without pretending that access itself is such a right.
I think every revolutionary act is an act of love. Every song that I've written, it is because of my desire to use music as a way to empower and re-humanize people who are living in a dehumanizing setting. The song is in order to better the human condition.
Things change all the time, and they'll probably never be the same again. It's just the natural evolution of the human condition. Things change, and whatever it is is what it is. I mean, you try to start second guessing that, you either get rich or die broke.
I tell myself I write because I want to say something true and original about the nature of evil. That is very ambitious - to say something about the human condition that hasn't been written before. Probably I will never succeed but that is what I strive to do.
I'm a computer scientist by training. I'm also the author of three books, all of which endorse the use of biotechnology to improve the human condition. In the most recent of these, 'The Infinite Resource,' I talk about the power of innovation to save the world.
I think that if there's one key insight science can bring to fiction, it's that fiction - the study of the human condition - needs to broaden its definition of the human condition. Because the human condition isn't immutable and doomed to remain uniform forever.
I think anything that increases your understanding of the human condition... I think age and life, if you're lucky, makes you think deeper, and the other thing it makes you realize is that you never stop learning, and you never lose your fear of getting it wrong.
TV has taken reflection out of the human condition. People didn't use to have a ready answer for everything, whether they knew something about it or not. People think they have to have an answer for everything because the guys on TV have an answer for everything.
When you're just a breath away from North Korea, it boggles your mind that that exists, or that something like the Khmer Rouge ever existed. You wonder how we allow that to happen as human beings; how we allow the human condition to get so depraved and desperate.
Many science fiction writers are literary autodidacts who focus on the genre primarily as a literature of ideas rather than as a pure art form or a tool for the introspective examination of the human condition. I'm not entirely at ease with that self-description.
It's a joyful, humbling feeling to be in different places around the planet, and people have seen shows that I'm proud of being a part of, that do have things to say about the human condition, the planet, and who we are and where we've come from, that will sustain.
I utterly reject the view that the Third World is doomed to poverty and starvation. Not only is this wrong, I think this attitude verges on the immoral, like thinking that slavery is an unalterable facet of the human condition so why bother doing anything about it?
You may be guided by the unending effort of poets and artists, biologists and psychiatrists to describe that irreplaceable and still mysterious emotion so essential to the human condition, but all the search engines in the universe cannot compete with the first kiss.
We kid ourselves that we're trying to be empathetic with the human condition from a distance, but I don't think that is it at all. It's stupid; it's a waste of time. But when the earth flexes its muscles, that's rather different. That's a powerful reminder of where we are.
Being transgender, like being gay, tall, short, white, black, male, or female, is another part of the human condition that makes each individual unique, and something over which we have no control. We are who we are in the deepest recesses of our minds, hearts and identities.
The guitar for me is a translation device. It's not a goal. And in some ways, jazz isn't a destination for me. For me, jazz is a vehicle that takes you to the true destination - a musical one that describes all kinds of stuff about the human condition and the way music works.
People ask what are my intentions with my films - my aims. It is a difficult and dangerous question, and I usually give an evasive answer: I try to tell the truth about the human condition, the truth as I see it. This answer seems to satisfy everyone, but it is not quite correct.
Degas was obsessed by the art of classical ballet, because to him it said something about the human condition. He was not a balletomane looking for an alternative world to escape into. Dance offered him a display in which he could find, after much searching, certain human secrets.
Keep in mind that if you take a tour through a hospital and look at every machine with on and off switch that is brought into the service of diagnosing the human condition, that machine is based on principles of physics discovered by a physicist in a machine designed by an engineer.
I realise that I had the best of serious picture journalism. There was an innocence in our approach, especially in the 1950s and 1960s when we naively believed that by holding a mirror up to the world we could help - no matter how little - to make people aware of the human condition.
All nonmimetic fiction is a balancing act between 'reality' and the obviously unreal, with no attempt by the author to make the latter seem like the former. Sometimes it's not an easy tightrope to walk. But when it succeeds, such fiction can brilliantly illuminate the human condition.
Being a cop is often seeing the worst of the human condition and behavior. With all of that said, there is no reason that Mike Brown and also Eric Garner are dead today - except bad policing, excessive force, and the hunt-and-capture-prey mentality many thrill-seeking cops have adapted.
Vladimir Nabokov liked to examine cruelty and the human condition. That didn't mean he was cruel; there's no evidence he kicked puppies just for the fun of it. Similarly, 'Black Mirror' likes to examine possible dystopias, but that doesn't mean the show is cynical enough to endorse them.
Apart from the intrinsic interest of the complex system of beliefs the Puritans carried with them, their lives give a clue to what it meant at the beginning to be American. And the level of scholarship dealing with them has reached a point where it can address the human condition itself.
When I look at jobs, one of the most relevant questions I ask is, 'Is this something I've done before, or is it a chance to experience a new context, tone and relationship?' I also ask if it's a story worth telling and a character with a reason to exist... someone who reflects the human condition.