There's no map to human behaviour.

Cigarettes are not a part of human behaviour, they are a habit.

All the great writers root their characters in true human behaviour.

I'm simply trying to tell the truth about human behaviour as I see it.

The really courageous and bold thing is to make movies about human behaviour.

Mixing humour and harsh reality is a very human behaviour, it's the way people stay sane in their daily lives.

Being home secretary involves having to face some of the worst of human behaviour and challenges of modern society.

We live in this miraculous technological environment, and yet our human behaviour is still governed by basic impulses from prehistoric times.

When I was tiny, I was a real observer of human behaviour, and I knew I wanted to tell the human story, but I felt shy and unattractive and awkward.

What's exciting about theatre is observing human behaviour. You're constantly making judgments about body language, the physical, the emotional, the intellectual.

Change is vital to any actor. If you keep playing lead after lead, you're really gonna dry up. Because all those vehicles wean you away from the truths of human behaviour.

Fear is a far more dominant force in human behaviour than euphoria - I would never have expected that or given it a moment's thought before, but it shows up in the data in so many ways.

I'm an academic. I did my PhD in fluid dynamics and now I work at the University College London in an interdisciplinary department looking at patterns of human behaviour in urban settings.

It's been well documented how we start to believe in our virtual or digital selves more than our real selves, but it's strange to think that human behaviour hasn't really changed at all since that legend was created.

Ethologists are often accused of drawing false analogies between animal and human behaviour. However, no such thing as a false analogy exists: an analogy can be more or less detailed and, hence, more or less informative.

My dad was always interested in characters he didn't understand - he was such a great bad guy in movies. And that is really the thing that calls me to the material often: something I struggle to understand in human behaviour.

Listen, acting is not surgery, it's entertainment. You're doing something to hopefully move people, to make them laugh, to transport them. But actors are vulnerable, and the reason we're vulnerable is that we're always trying to recreate human behaviour.

I think, with TG, in our own ways, we have been committed to the idea of evolution on some level and change on some level - that human behaviour may not be changeable, but one has to try and be optimistic and work towards content that might signify change.

If there were a clear prospect that such evils were part of a barbarian past, then at least we might find a small crumb of comfort. No such prospect exists: no scientific analysis can even remotely answer or account for past and present horrors of human behaviour.

There's still a lot I'm angry about, a lot of human behaviour that's appalling and despicable, but you choose what you can fight against. I always thought if I could just put something in words perfectly enough, people would get the idea and it would change things.

I'm not a fan of Dr. Seuss's better-known work, but his fables leave me awe-struck. 'Ten Tall Tales' is a collection of stories where his trademark anarchy is combined with a tautness of writing that shines an affectionate yet uncompromising spotlight on some of the absurdities of human behaviour.

The first rule of world-building is available physics, which basically means that if you want it to feel real, it has to follow the same rules as this world, from gravity to how human behaviour works. If you have a fantasy element that doesn't obey the laws of physics, make sure that it has a fantasy explanation.

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