Quotes of All Topics . Occasions . Authors
Hugo Boss is my kind of label.
'Hugo' is made in the classical style of the 1940s.
Hugo Boss is one of those brands that fits me perfectly.
Doing 3D on 'Hugo' was a big learning curve for me, but fun!
Anything I learned about the fine art of acting I learned from Hugo.
I was 36 when I had my first son, Thomas, and 39 when I had Hugo, my second.
All praise to the masters indeed, but we too could produce a Kant or a Hugo.
One of my biggest inspirations is President Hugo Chavez of Venezuela. Yea, President Hugo.
We wanted 'Hugo' to be a cornucopia of cinema, a celebration of everything we do in movies.
It was Venezuelan strongman Hugo Chavez who benefited most from the World Social Forum's enthusiasms.
Where I am they can smell out a hurricane. My house survived Hurricane Hazel, but it didn't get past Hugo.
I'm a Joseph Abboud fan. I'm a Hugo Boss fan. I'm a Brooks Brothers fan. As far as suits go, those are my go-tos.
I like to be comfortable. If I go out, if it's a premiere, I'll put on a suit and look nice. I like Hugo Boss for that.
When I was a kid, I watched Hugo Sanchez videos. The backflip I sometimes do when I score is actually an homage to him.
The two books I've re-read more than any others are Guenter Grass's 'The Tin Drum' and Victor Hugo's 'Notre-Dame de Paris'.
Everything about 'Hugo' to me is poignant, from the broken orphan to the old man losing his past to the fragility of film itself.
When I wear Hugo Boss 'The Scent For Her', I feel more confident, attractive, and seductive - it's the perfect fragrance for a date.
I was in middle school when Hurricane Hugo hit in 1989. I still remember the sounds from that night and the challenges of recovering.
My greatest regret at the passing of America-hating strongman Hugo Chavez is that he didn't live long enough to party with Dennis Rodman.
In college, I was a huge fan of 'Les Miserables.' I seem to remember that people who were into French literature preferred Hugo's poetry.
I have interviewed Hugo Chavez, Tim McVeigh, and hundreds of fascinating characters in South America, where I have lived for the past 15 years.
I watched films growing up, but no more than the next guy, really. Working on 'Hugo' made me appreciate cinema and the art of cinema a lot more.
For fiction, I'm not particularly nationalistic. I'm not like the Hugo Chavez of Latin American letters, you know? I want people to read good work.
My inners are not organs. They're actually mechanics, so I have a hole in my back, wind me up like the movie 'Hugo,' and then just say, 'Act,' you know?
I met Heinlein after 'The Forever War' had won the Hugo and Nebula Awards. He shook my hand and said he loved the book so much, he'd read it three times.
When I do my own wardrobe, I try to wear a designer from each of the countries I'm visiting: Tom Ford for New York, Hugo Boss for Germany, Burberry for England.
He was just always Uncle Hugo. He still is. I remember the first time I was watching 'Priscilla: Queen Of The Desert,' and I was like, 'Oh that's what he does!'
I'm not going to pretend that I never fantasized about winning the Hugo. Or the Nebula, for that matter. I just never thought it was an actual real possibility.
The Kitchen, which my wife and I opened with our friend and amazing chef Hugo Matheson, was quickly recognized as the pioneer in 'green' restaurants across the country.
It wasn't until I did 'Hugo' where I sort of started to think that this could be something that I do for a long time - not necessarily the rest of my life, but we'll see.
I think I am very lucky to meet so many people and go to cool places and nice events. I am lucky to be in partnership with Hugo Boss and the team so I enjoy doing these events.
I like All Saints. They make great leathers. I love Hugo Boss, especially the suits. I like James Perse for T-shirts, and Supra and Radii for sneakers. And God Is in the Details.
I hadn't given much thought to the prospect of a Hugo nomination at the time it happened, but obviously once you're nominated, winning one seems a bit less far-fetched than before.
Can you imagine what Bush would say if someone like Hugo Chavez asked him for a little piece of land to install a military base, and he only wanted to plant a Venezuelan flag there?
Richard Hugo taught me that anyone with a desire to write, an ear for language and a bit of imagination could become a writer. He also, in a way, gave me permission to write about northern Montana.
Any adaptation - and I've done three in my career. I did 'Sweeney Todd' and 'Hugo' and 'Coriolanus.' It's important to find what makes it a movie as opposed to just a film presentation of a stage play.
I went to the Sorbonne in Paris for two years and read all the classics by authors like Victor Hugo and Guy de Maupassant. I was supposed to read them in French but I cheated and used the English versions instead.
I can imagine the writers of China, England and France, crippled and unsure of themselves when they feel that the ghosts of Confucius, Mencius, Chaucer and Shakespeare and Victor Hugo are looking over their shoulders.
The war broke out, and for a number of years I lived in darkness, with the memory of the lakes, the trees and the skies of Sweden, until I returned in 1946 to spend two unforgettable years in the laboratory of Hugo Theorell.
I barely need to reiterate what you already know: the close links that exist between our people and the people of Venezuela and Hugo Chavez, the promoter of the Bolivarian Revolution and the United Socialist Party he founded.
Tom Hooper did an amazing job in capturing the feel of Victor Hugo's book. I thought some of the performances were incredible. I thought the Bishop would be a nice part to play, and they all made such a fuss of me being there.
I often find myself quoting from Victor Hugo after one of my theatrical ventures. 'Now that my play is a failure,' he once said, 'I find I love it all the more.' I first quoted that after 'Square Rounds' at the Olivier in 1992.
And, as I have said, it's made me think twice about the imagination. If the spirits aren't external, how astonishing the mediums become! Victor Hugo said of his voices that they were like his own mental powers multiplied by five.
I guess I see a part of myself in everyone I write about. I tend to write about kids who are obsessed with something, and even though I have never been good with machines the way Hugo is, I did love miniature things when I was a kid.
I've been asking my partner for a dog for a while and she kept saying no. She was obviously keeping it for a birthday surprise, and when I came home from Rotherham, Hugo was sat on the sofa waiting for me. It was a really nice surprise.
Hugo Strange is interesting in the sense that he's a master manipulator. He doesn't really engage Batman in any sort of physical way. His weapon is his mind, and he's very incisive and clever: he reads people and sizes them up almost instantly.
Sure, 'Les Miserables' can be melodramatic. And seeing the musical instead of reading the novel will save you some time and spare you the long part where Hugo goes on and on about the Parisian sewer system. But I would hate for the novel to lose that.
I really gravitate toward having all different styles in my closet because I feel like I always want to dress to fit my mood or where I am going. I do love Jason Wu; he is also a really good friend of mine, and I love what he is doing for Hugo Boss these days.
I had always been fascinated with Napoleon because he was a self-made emperor; Victor Hugo said, 'Napoleon's will to power,' and it was the title of my paper. And I submitted it to my teacher, and he didn't think I had written it. And he wanted me to explain it to him.
I don't think I win most interviews. For instance, with Fidel Castro, I only spoke with him one minute and three seconds. But I think he won because I couldn't get anything from him. With the former president of Venezuela, Hugo Chavez, it happened exactly the same thing.