I love John Hughes films.

I like John Hughes movies.

I'm a huge Glenn Hughes fan.

John Hughes loved improvisers.

I wanted to be Langston Hughes.

I so related to John Hughes movies.

Chuck Hughes is one of my very good friends.

John Hughes had such a huge impact on filmmaking.

From a vocal standpoint, Glenn Hughes is just a god.

I respect Mark Hughes, and I respect what he has done for me.

I didn't know who Langston Hughes was till he met me backstage.

I think Mark Hughes is the type of manager people want to play for.

An entire empire built on teenage angst, yes? Thank you, John Hughes!

The Howard Hughes I knew began to change after his plane crash in 1941.

Growing up, I supported Manchester United, and my hero was Mark Hughes.

At City I went back there on the basis of playing for manager Mark Hughes.

There are no legends about the Duponts; the legends are about Howard Hughes.

There was a policy at Hughes against drinking at lunch, but the men ignored it.

I love all the movies by director John Hughes. I also love John Landis's movies.

For years, Warner Bros. was trying to get me to make a movie about Howard Hughes.

The second Hughes fight was a huge reality check. But it didn't hit me right away.

If you watch any John Hughes film of the eighties, that was my childhood experience.

I'm excited about working with Mark Hughes and building a good relationship with him.

Mark Hughes really believes in me, he makes me feel as though I'm a great footballer.

Adding a player like Jack Hughes, a lot of teams in the NHL would dream of that talent.

I'm only doing my job, and if I score against Mark Hughes' team, it's nothing personal.

I was born in 1942, so I was mainly aware of Howard Hughes' name on RKO Radio Pictures.

I am only doing my job, and if I score against Mark Hughes' team, it is nothing personal.

Mark Hughes played until he was nearly 40 at a decent level, and I think I can do the same.

I was just after Generation X. I missed the John Hughes movies; I had to watch them on TBS.

You can talk about Michael Jackson all you want, but John Hughes was the soundtrack to my 1980s life.

I wanted to make a movie that was kind of a tribute to the way I feel when I watch a John Hughes movie.

I'd seen all of John Hughes's movies. All the Spielberg stuff. A bunch of '80s horror, like 'Evil Dead.'

Mark Hughes convinced me to come to Stoke, he has helped me and showed his trust in me from the beginning.

There are so many great John Hughes movies covering so many different genres. You can pull so much from him.

You know, no one's ever gonna be like, 'We need to do a movie about Howard Hughes. Time to cast Idris Elba!'

We don't have a monopoly. Anyone who wants to dig a well without a Hughes bit can always use a pick and shovel.

Howard Hughes was obsessed with me. But at first it seemed as if he were offering me a superb career opportunity.

The first writer I developed a script with was John Hughes, and that was 'Mr. Mom.' That was my first feature film.

After a year or so I really thought I was Howard Hughes. Here I was at eighteen years old, getting all these checks.

Fulham wanted me when I was 16. They were in the Premier League at the time with Mark Hughes, and I was close to going.

If I were to pick the life of someone whom I professionally mimic in many ways, it would be Howard Hughes, surprisingly.

I think my best spell in terms of personal performance was in 2004 - but the best team was under Mark Hughes with Elano.

I don't know specifically what scenes I'd like to see violence in - I crave violence when I'm watching a John Hughes movie.

If I had to name one book that has had the most lasting influence on my work, I would pick 'The Big Sea' by Langston Hughes.

Howard Hughes was this visionary who was obsessed with speed and flying like a god... I loved his idea of what filmmaking was.

I know it didn't always go so well under Mark Hughes but it wasn't as if he didn't give me a chance or anything. He really did.

I respect Mark Hughes and what he's done for me but I heard some things when he was talking about me and they were not good things.

Howard Hughes was able to afford the luxury of madness, like a man who not only thinks he is Napoleon but hires an army to prove it.

They held up 'The Outlaw' for five years. And Howard Hughes had me doing publicity for it every day, five days a week for five years.

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