Human beings can be awful cruel to one another.

All modern American literature comes from one book by Mark Twain called Huckleberry Finn.

I actually got a crush on Anne Heche when I worked with her on Huckleberry Finn. It didn't work out.

Since 'Huckleberry Finn,' or thereabouts, it seemed that all American literature was about the alienated hero.

You know that Yogi and Huckleberry didn't just belong to the kids. Grownups know all about our animal friends.

We tend to regard history as true and 'The Adventures of Huckleberry Finn' as untrue. That's always puzzled me.

It's so wrong when I pick up a new edition of Huckleberry Finn and I look at the last page and it doesn't say, Yours truly, at the end.

If Mark Twain had had Twitter, he would have been amazing at it. But he probably wouldn't have gotten around to writing Huckleberry Finn.

Like every child growing up in America, I read 'The Adventures of Tom Sawyer' and 'Huckleberry Finn.' I liked them well enough, but I didn't love them.

In many ways, being honest about 'Huckleberry Finn' goes right to the heart of whether we can be honest about our heritage and our identity as Americans.

I lived an idyllic 'Huckleberry Finn' life in a tiny town. Climbing trees. Tagging after brothers. Happy. Barefoot on my pony. It was 'To Kill a Mockingbird'-esque.

I liked Huckleberry Finn and Tom Sawyer, and that is the kind of character that I would like to have played. That would have been more in tune with who I really was.

In 'Huckleberry Finn,' I have drawn Tom Blankenship exactly as he was. He was ignorant, unwashed, insufficiently fed; but he had as good a heart as ever any boy had.

By reading Huckleberry Finn I felt I was able to justify my act of going into the mountain forest at night and sleeping among the trees with a sense of security which I could never find indoors.

I was a full-blown tomboy; I was very mischievous and got into a lot of trouble. Everybody in my family smoked, and I started smoking probably when I was nine. My friends used to call me Huckleberry Tig.

Madeleine L'Engle's 'A Wrinkle in Time' has been targeted by censors for promoting New Ageism, and Mark Twain's 'Adventures of Huckleberry Finn' for promoting racism. Gee, where does that leave the kids?

I lived somewhat of a nomadic life, even when I lived in Ohio. We spent time in rural areas, in suburban areas, never really city areas. We rode four-wheelers. We had pigs and ferrets. And creeks. We had a creek in my backyard. It was like 'Huckleberry Finn.'

It is a huckleberry above my persimmon to cipher out how it is, with six months' schooling only, I, David Crockett, find myself the most popular bookmaker of the day, and such is the demand for my works that I cannot write them half fast enough, no how I can fix it.

'Suttree' is a fat one, a book with rude, startling power and a flood of talk. Much of it takes place on the Tennessee River, and Cormac McCarthy, who has written 'The Orchard Keeper' and other novels, gives us a sense of river life that reads like a doomed 'Huckleberry Finn.'

In the end, censoring a comedian's jokes is on par with censoring 'Huckleberry Finn.' Now, I'm not comparing myself to Mark Twain - he had much wavier hair and a slightly thicker mustache. But when you deny an artist the chance to explore his art, you're forcing your beliefs on him.

Why are we reading a Shakespeare play or 'Huckleberry Finn?' Well, because these works are great, but they also tell us something about the times in which they were created. Unfortunately, previous eras and dead authors often used language or accepted as normal sentiments that we now find unacceptable.

You will most appreciate 'Freddy and Fredericka' if you are familiar with the story of the Fall, the Good Hermit, 'Tom Jones,' 'Huckleberry Finn,' 'Paradise Lost,' 'Henry V,' and 'My Cousin Vinny.' That doesn't mean that you can't enjoy or understand it on an emotional level, free of all allusion, which is the test of any book of fiction.

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