Quotes of All Topics . Occasions . Authors
I got an English degree in college and then went to law school because I didn't know what else to do. I was a lawyer in Houston, Texas. I started writing plays and screenplays, and after about three years of practicing, I decided I would move to Los Angeles and give it a shot.
I’m a sucker for this stuff. The @ is called chiocciola (snail) in Italian! The & was once taught as a letter of the alphabet! The manicule has been with us for a millennium! Thank you, Keith Houston, for bringing these little mysteries out of the shadows of typographic history.
I think if you follow anyone home, whether they live in Houston or London, and you sit at their dinner table and talk to them about their mother who has cancer or their child who is struggling in school, and their fears about watching their lives go by, I think we're all the same.
I would love to play, perhaps not exactly Mimi in 'Rent,' but someone like her. Perhaps not on Broadway, but I think I feel like a musical is in my future. I sing, although I'm not Whitney Houston up in here. I'm a little bit shy about my singing, but I did it in school at Juilliard.
Whether looking at pop music, hip-hop or R&B, it's rare to find an artist who hasn't been touched or affected by the power and soul of gospel music. In fact, many of today's popular artists such as Whitney Houston, John Legend, and Katy Perry started their careers in the church choir.
I went to a school called Chapman University, which is a wonderful film school. It was a great program, but it was very white, and it was a culture shock for me because I grew up in Houston, Texas, and I went through what they call magnet schools, so my friends were like a Benetton ad.
Some years ago, I was invited to speak in Houston, Texas. They said I was a founder of 'postmodern theatre'. So I said to my office, 'This is ridiculous for me to go and speak about postmodern theatre when I don't know what it means, but... they're paying me a lot of money, so I'll go.'
When I was a little bitty kid, I was listening to the stuff my parents were listening to. My mom was a huge Whitney Houston, Mariah Carey, Mary J. Blige fan. My dad had a cover band that I sang with, and he loved Parliament, Prince, Jimi Hendrix, and Eric Clapton, the blues, James Brown.
We will do whatever it takes to keep Tom Herman at the University of Houston. We're not going to lose Tom Herman because of money. If Tom Herman wants to go to LSU or Texas or Oregon or Baylor or wherever else, we cannot stop him from doing that. But it's not going to be because of money.
I went down for a week with the Houston Marshals. I didn't know that they hated paperwork as much as I hated it. They loathe it, man. They want to be in their cars catching the bad guys. They don't want to be filling out paperwork about the bad guys, you know, and the ones they've caught.
My way of connecting to the community that I imagined was out there somewhere for me, but wasn't there right now was to download tons and tons of discographies of famed divas. So I had Christina Aguilera's discography, Whitney Houston's discography, Mariah Carey's discography, all of that.
Whitney Houston came in. Someone dared me to do "the Gap act" on her. You know, the Gap act. So I went up to her like I didn't know who she was, and I said, 'Hi, I just wanted to let you know about our sale items and make sure to check out our new colors'. She looked at me like I was crazy.
I've been training super hard at the Lopez Taekwondo Academy in Houston, which belongs to my brother Jean. For me, I think confidence is the biggest thing; it's all mental. I train with the best of the best, including my brother Steven, a five-time world champion who won Olympic gold medals.
One of the things, one of the things that really got to me was the thing in Houston where you had the government, the mayor actually, trying to get the sermons of ministers. When the government tries to invade the church to enforce its own opinion on marriage, that's when it's time to resist.
I wanted to be the best street fighter in Houston, Texas. And I thought if I got a trophy or two, I'd go back home, and everyone would be afraid of me. I had one fight in '67, the first one. In '68 of October, I was an Olympic gold-medalist, a dream come true, with a total of 25 boxing matches.
I never worked hard until I got to the Howard Law School and met Charlie Houston... I saw this man's dedication, his vision, his willingness to sacrifice, and I told myself, 'You either shape up or ship out.' When you are being challenged by a great human being, you know that you can't ship out.
Havin' fun while freedom fightin' must be one of those lunatic Texas traits we get from the water - which is known to have lithium in it - because it goes all the way back to Sam Houston, surely the most lovable, the most human, and the funniest of all the great men this country has ever produced.
What Whitney Houston has accomplished will never be accomplished. She's the most famous person on the planet as far as vocaling and her songs. So I'm very happy that I can sit here and say I had a chance to know her. And I'm still dazed that she's gone. But she lives because her music is so powerful.
It's easy to forget, given her scandal-tinged life and tragic death, how incredibly talented Whitney Houston was. She holds the world record as the most-awarded female act of all time, with over 415 major recognitions during her career. She is the only artist to chart seven consecutive number one songs.
I started a youth center in Houston. The kids would come in and want to learn to box; they wanted to tear up the world, beat up the world. And I'd try to show them they didn't need anger. They didn't need all that killing instinct they'd read about. You can be a human being and pursue boxing as a sport.
I was born in the '80s, so I don't really remember it very strongly, but the music is so iconic. And so those artists - Madonna, Prince, Janet Jackson, Whitney Houston - you still hear those songs all the time. And there's such a distinctive style - the clothes, the shoulder pads, the big hair, the perm.
I was heavily influenced by big voices when I was younger. People like Whitney Houston, Aretha Franklin, and Patti Labelle really spoke to me. When I got older, I was into Erykah Badu, Jill Scott, and Lauryn Hill, but it wasn't until I started working with a voice coach that I really dove into jazz music.
For the first time in my life, in my mid-20s, I started to question things. Had I been deceived? I thought I had been destined for something great - to be Whitney Houston or Jennifer Holliday or Phylicia Rashad. I started to realize that a lot of people think that, and it doesn't happen for almost everyone.
Numerous things that go on such as the way Houston interacts with my family; we're treated in a first-class way. They helped us when my wife lost our baby daughter in a miscarriage. They help with anything you ask of them because they are a very caring organization with positive attitudes about its players.
Covering the civil-rights movement was a mind- and eye-opener for me. Houston was a segregated society, as was Texas as a whole - some of it by law, a lot of it by fear and tradition. But there was no violence where I lived, and if there was hate, it was either concealed from me or I just didn't recognize it.
One of the nice things about the United States is that, wherever you go, people speak the same language. So native New Yorkers can move to San Francisco, Houston, or Milwaukee and still understand and be understood by everyone they meet. Right? Well, not exactly. Or, as a native New Yorker might put it, 'Wrong!'
We have jokingly said if you've got good hair, can sing and know three chords, you can lead worship at First Baptist Houston or wherever. But that's kind of scary, putting somebody on stage just because they have a good voice. Do they know theologically and spiritually what they're saying and why they're doing it?
Nobody talks about how Puffy went to Howard University or about Lil Wayne attending the University of Houston. All the young kids know is what they see on the videos. They don't realize that these guys have taken managerial and business courses, and know how to brand and how to market themselves. They're very smart.
When I first was trying to play the clubs around Houston to start playing my own songs, songwriters like Eric Taylor and Vince Bell and Townes Van Zandt and Don Sanders were just really encouraging to me and would let me sit in with them during their sets and introduce me to the person that owned and booked the club.
We opened the first Men's Wearhouse in Houston in August 1973, then a store a year for 10 years in Texas. In the early 1980s I opened a store in the San Francisco Bay Area. Within the year, the Texas economy was in total disarray. We were facing Chapter 11, and if not for the California store, we might not have survived.
I attended public school in Houston. I took piano lessons for several years, and in high school, I played trombone in the marching band. I remember especially enjoying two seasonal activities: ice skating with the Houston Figure Skating Club in the winter and visiting an aunt and uncle's farm in West Texas in the summer.
I had never heard this term before - gente-fication - which is also happening in Portland, Houston; it's happening in a lot of cities. It's upwardly mobile Latinx who want to come back to their neighborhoods where they grew up - or it's Latinx moving to L.A. and looking for a Latinx neighborhood to live or open a business.
People are always asking if I was mad at Houston. Honestly, I'm not. The truth of the matter is that when I was there, I didn't perform and they actually did me a favor by cutting me loose. They could have really held me there, not let me leave, bury me in Triple-A, put me behind some prospects and I would never even play.
My formative years were in Houston. I was in middle school, and everyone was dropping the last half of their names and adding an 'o' to the end. My little crew that I had, we were an all-female rap group, and everyone had an 'o' at the end of their name. I was Lisso. Then this dude started getting lazy with it, saying Lizzo.
I was a teenager in the '80s, and I was always a bit dismissive of Houston, as I think a lot of people who considered themselves 'cool music fans' were. She was poppy, bubble gum, making music not considered very cool. But you can't help but dance to some of those songs or feel emotionally affected by 'I Will Always Love You.'
Houston is my team, always and forever. But with the new TV packages, it's so easy to watch every league in the world, and my overseas fandom is driven by the American guys. If Sunderland's on TV, I'll watch Jozy Altidore. I try to watch Geoff Cameron at Stoke. When Clint Dempsey was at Tottenham, I watched a lot of his games.
I'm very proud of my love for Whitney Houston. She really changed my life. She made my life a better life. She was so beautiful in her love for God, her love for her family and her love for music. She truly loved her music. She could do everything! She had flawless rhythm, flawless pitch, flawless feeling, and flawless beauty.
My father was a San Francisco firefighter. He also was an amateur artist. Art ran deep on his side of the family, which originated in Spain. He painted our portraits. My mom, Jacqueline, was Scots-Irish. They met in 1947 when dad played for the Houston Buffalos, a minor league baseball team affiliated with the St. Louis Cardinals.
I think a great idea would be involving our various military services along the border all the way from San Diego to Houston. We've got military bases all over the country. We can just move some people down there and let those cartels who are doing a lot of hurt to the youth of America, let those cartels fight against the Marine Corps.
There's no concession to the fact that Dylan might be a more sophisticated singer than Whitney Houston, that he's probably the most sophisticated singer we've had in a generation. Nobody is identifying our popular singers like a Matisse or Picasso. Dylan's a Picasso - that exuberance, range, and assimilation of the whole history of music.
When Whitney Houston died, I felt great sadness. My sadness, of course, was about our collective loss - when you listened to this nightingale sing, your body would drop into a chair, your head would tilt up, a small smile would creep across your face, and inside you knew that there was a higher power somewhere: gifted, beautiful, spiritual.
After earning my university degrees and working for a few years, I wrote to NASA to request an application package. Seven months later, after I applied, I received a call inviting me to Houston to interview. That itself was thrilling; it meant that I was one of the 100 or so who would be interviewed, chosen from several thousand applicants.
When my kids were young, we used to go to a place called The Shrine of the Black Madonna in Houston. It was an African-American bookstore where they sold paintings, but they also had a room that was an all-purpose center. If you wanted to have a dance recital or anything that was related to the community activities, you could have it there.
In 2010, Strikeforce came to Houston, and DC was something like 5-0 or 6-0, and I'd seen him at the expo. I seen him walking around and I seen he had a pink cast on his hand, and I was like, this guy is way too fat... because he looked shorter and fatter. Because back then I was slim, I was like 235. So, I was like, man, I could take this guy.
I left school my senior year to do a play at the Alley Theatre in Houston, Texas. Then while I was doing a play, I auditioned for Juilliard. I got in over the summer, and they told me, 'You have to graduate high school to come here. You don't need the SATs, but you do need to graduate high school.' I finished over the summer through correspondence.
My music is just fresh. Everybody say it's a breath of fresh air because it's not like the normal Houston sound you would hear. I am from Houston and I use that same slang and I carry myself the same way as a Houstonian and I'm a Houston dude born and raised, but the music is a lil bit different due to the things I've seen and the things I've learned and put that into my music.