I reached Ghazipur three days ago. Here I am putting up in the house of Babu Satish Chandra Mukherji, a friend of my early age. The place is very pleasant. Close by flows the Ganga, but bathing there is troublesome, for there is no regular path, and it is hard work wading through sands.

We have been assured, Sir, in the Sacred Writings, that 'except the Lord build the House, they labor in vain that build it' I firmly believe this; by our partial local interests; our projects will be confounded, and we ourselves shall become a reproach and a by word down to future ages.

It's interesting now that basically a CG set is the same cost as a real set. So like if you're going to build a CG house in the suburbs, it costs you $200,000. And if you were going to build it in a computer, it'll cost you $200,000. It's the same... the relationship is exactly the same.

When Shanthi Ranganathan was the featured turn on 'Hip Hop Saved My Life With Romesh Ranganathan,' we learned she didn't allow him to have a girlfriend until he'd finished university, and she learned - to her unfeigned horror - that he used to sneak girls into the house when she was out.

By the end of the shoot [of Wrestler], my trainer was pushing me up three flights of stairs to my house and holding my arm like I was an old cripple. I had three MRIs in the first two months of working on the film. I felt like it really was over by the time we started shooting the movie.

Now one of the most essential branches of English liberty, is the freedom of one's house. A man's house is his castle; and while he is quiet, he is as well guarded as a prince in his castle. This writ of assistance, if it should be declared legal, would totally annihilate this privilege.

One of the bellwether marks of the growth and vitality of the Church is the construction of temples. We will keep on working to bring the temples to the people, making it more convenient for Latter day Saints everywhere to receive the blessings which can only be had in these holy houses.

The houses [my first project in London] were reactions to the condition of the city and my frustrations with the norms that were being played out. In a way they were slightly subconscious but reactions to that condition and a way to posit new possibilities within certain pervasive norms.

When you look at how much we spend on social programs in our country, it separates us from a lot of countries. In our country, if you're hungry, we'll feed you. If you're homeless, we'll house you. If you're too poor to be sick, we'll pay for your doctor. But all of that comes at a cost.

I'm just fascinated by houses. In another life, I'd have probably trained as an architect. If I had enough money, I'd collect them like other people collect teapots. I don't know why I love them so much. I'm just very interested in the idea of a house as a metaphor for the way one lives.

I like to say that I was raised by sitcoms, and that my personality is comprised of different characters. Darlene from Roseanne, Denise from The Cosby Show, Uncle Jesse from Full House, a little Jessie from Saved By The Bell - but not the episode where she was addicted to sleeping pills.

We learned that President-elect [Donald] Trump intends to keep his executive producer title on Celebrity Apprentice. We know he's going to come out later this week and talk about how he's going to handle the overall conflicts of interests, perhaps, with his businesses in the White House.

The Media are corporations so... It's the concentrations of private power which have an enormous, not total control, but enormous influence over Congress and the White House and that's increasing sharply with sharp concentration of private power and escalating cost of elections and so on.

Great geniuses have the shortest biographies. Their cousins can tell you nothing about them. They lived in their writings, and sotheir house and street life was trivial and commonplace. If you would know their tastes and complexions, the most admiring of their readers most resembles them.

For we have built into all of us, old blueprints of expectation and response, old structures of oppression and these must be altered at the same time that we alter the living condition which are the result of those structures. For the master's tool will never dismantle the master's house.

You can't deny Eros. Eros wills trike, like lightning. Our human defenses are frail, ludicrous. Like plasterboard houses in a hurricane. Your triumph is in perfect submission. And the god of Eros will flow through you, as Lawrence says, in the 'perfect obliteration of blood consciousness.

By early 1943, the Pentagon was complete-a building big enough to house forty thousand people and all their accoutrements, the largest building in the world, conceived, funded, designed and constructed in a little more than a year. And on the day it was finished, it was already too small.

Driving a motorcycle is like flying. All your senses are alive. When I ride through Beverly Hills in the early morning, and all the sprinklers have turned off, the scents that wash over me are just heavenly. Being House is like flying, too. You're free of the gravity of what people think.

The White House again refused to turn over discussions Vice President Cheney had with Enron officials over energy policy. Cheney said if he had to disclose every time some business donated a ton of money then came in to write its own policy to govern itself, he wouldn't get any work done.

I guess like any writer or screenwriter I'm alone in my own world so much of the time that I'm often trying to force myself out of my world. Into more risk. A less controlled kind of inspiration. I'm so keenly aware of how easy it's getting to not leave the house, with Amazon, especially.

When I write an email where I outlined a whole scene, it just came out of my unconscious, it comes from a deeper place. The same thing happens when the actors go, take after take, and just get lost in it. When you're in a house, you don't think about being in the house; you're just there.

If I can get enough signatures, to present an apology to slavery, I will present it to the President. The House of Representatives has already passed the resolution for the apology, but it has to pass the Senate. I think, in spite of all our problems, I think we're in the right direction.

My siblings, along with my parents Chris and Kath, are the reason that I am successful. Whether I wanted to become an elementary school teacher, enter and win Alternative Miss Ireland, enroll to do a Ph.D., or visit the White House to speak about fashion and disability, they supported me.

I find myself wanting to make music at the dining room table or in the bedroom - I'm kind of a mobile writer, so I sort of move around the house. But the attic is definitely where I can make the most noise. While everyone on the lower floors screams 'Earthquake!' But no! It's just my bass!

Once we got signed, I moved out of my house because I was having teenage issues with my mom. It really wasn't my fault, looking back. You know, I'm gay; it's weird. It was one of the things. She has no problem with me being gay, but she had a problem with me dressing the way I do at first.

The food in the House of Commons is fairly good. The cafe in Portcullis House is really very high quality, and you also have a choice of eating in the more traditional restaurants, the Churchill Room or the Members' Dining Room. I don't often eat in them, though, as I'm usually on the run.

It was like a frat house for film geeks, the Pad O' Guys. That's what being at UCLA afforded me. So when one of us had some success - in this case, my pal Fred Dekker - he would reach down the ladder and help me up a rung, give my work to his agent to pass around to see if anyone liked it.

You know that you yourself are not always in the same state. If you are exact today, closely united to God, and a consolation to the whole house, tomorrow you will be out of sorts, indolent, and a source of affliction to others. Then you will need their support, as you have supported them.

I had cut myself off from everyone. I didn't come out of my room, forget stepping out of the house. I had a beard, and I didn't get a haircut for months. For someone who has performed in front of a crowd of 20,000, I was scared of facing 4-5 people. That's what bipolar disorder does to you.

I love The End of the Batman story. I have my original copy, the hardcover, at my house from when I was a kid, whenever that was,'88 or '89. It was very influential to me because it was so explicit in touching on the notion that Batman might be mad and that he might belong in the mad house.

It was a different social structure. I'd go to [David] Bailey's for dinner at 10:30. There were always girls there and a house full of . . . I don't know, anybody. Cecil Beaton, Diana Cooper . . . And there I am sitting down with these creatures of the 20th century, and it was normal to us.

It's just because I love the past that I want this house to look back on its glamourous moment of youth and beauty, and I want its stairs to creak as if to the footsteps of women with hoop skirts and men in boots and spurs. But they've made it into a blondined, rouged-up old woman of sixty.

Houses were knocked down; streets broken through and stopped; deep pits and trenches dug in the ground; enormous heaps of earth and clay thrown up; buildings that were undermined and shaking, propped by great beams of wood. In short, the yet unfinished and unopened Railroad was in progress.

The popular culture says . . . Do what you do, your life is predestined, like the installment plan on your house. There's not much you can do about it. Make your payments, live it, get sick, die, don't make any trouble. It is the Master Charge of destiny. Try to get your high credit rating.

You can put the greatest seafood restaurant next to an average steak house in an urban area, and that steak house will do more business than the seafood place. If you go to the water, you can put an average seafood place next to the greatest steak house, and people are going to eat seafood.

And so, we end with a beginning. Because every ending is really a beginning. All you need is a house that's old and creaky ... filled with lots of books ... a cat ... a person who's willing to try again ... someone who promises never to leave ... and most important of all ... a little Hope.

I want to make sure I'm climbing because there's no back-up. No one in my family has a house, and, regardless of your background, if someone has a house, that means you can always come back home. When you don't have that, it's like there isn't anywhere to stand, so you have to keep jumping.

My father, a ruined dandy from the South, had been reduced to keeping a small harness-repair shop and, when that failed, he became ostensibly a house-and-barn painter. However, he did not call himself a house-painter. The idea was not flashy enough for him. He called himself a "sign-writer.

An impeachable offense is whatever a majority of the House of Representatives considers it to be at a given moment in history; conviction results from whatever offense or offenses two-thirds of the other body considers to be sufficiently serious to require removal of the accused from office.

We'll continue to heal human bodies through biotechnology but we'll also increasingly feed, clothe and house the world through bioengineered systems. Ultimately, there's no reason why live animals should be used in any part of our food or goods chain and we're working to make that a reality.

My Pirelli calendar is hanging on the wall of my friend's frat house, and he doesn't know anything about fashion. That balance is what leads to big campaigns outside of fashion. But I never want to choose one or the other. Both commercial and high fashion are what make my job so interesting.

My show 'The Big House' was picked up; they flew me to New York. I'm about to step on stage to announce Kevin Hart's 'The Big House.' And a hand grabs my shoulder, 'Kevin no, they just decided to cancel it.' It's a serious smack-in-the-face business, and either you can take it, or you can't.

I don't think if you asked any of my childhood friends they would say that I had a weird childhood; they might say there weren't a lot of regular rules, the conversations in the house were always very open, dreams were a great thing to talk about, everybody was making something all the time.

The World's a Printing-House, our words, our thoughts, Our deeds, are characters of several sizes. Each soul is a Compos'tor, of whose faults The Levites are Correctors; Heaven Revises. Death is the common Press, from whence being driven, We're gather'd, Sheet by Sheet, and bound for Heaven.

The Fourth Amendment is clear; we should be secure in our persons, houses, papers, and effects, and all warrants must have probable cause. Today the government operates largely in secret, while seeking to know everything about our private lives - without probable cause and without a warrant.

Emilio Pucci obviously I think it's one of the best houses in Italy - and one of the most legendary ones as well. That's why I came here. I also like the idea of working with a house that has a history that you can collaborate and exchange ideas with in the way you would with another person.

In Venezuela, when I was living there, crime was growing. You couldn't feel safe anywhere. You couldn't leave your car in the street because it would be stolen. You coun't live in your house if you didn't have a high-security alarm system, because you would be burglarized seven times a week.

A story is not like a road to follow... it's more like a house. You go inside and stay there for a while, wandering back and forth and settling where you like and discovering how the room and corridors relate to each other, how the world outside it altered by being viewed from these windows.

How hard would it be to ask children what they see in their heads? How big should the house be in comparison to the family standing in front of it? What is it about the anatomy of the people that doesn't look right? Then let them try it again. Teach them to learn how to see and ask questions.

The Little House was very happy as she sat on the hill and watched the countryside around her. She watched the sun rise in the morning and she watched the sun set in the evening. Day followed day, each one a little different from the one before . . . but the Little House stayed just the same.

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