Quotes of All Topics . Occasions . Authors
No one has the Houdini school of composition.
As a kid, I always was obsessed with Houdini.
Form is a straitjacket in the way that a straitjacket was a straitjacket for Houdini.
I think if you would have cut Houdini with a knife, blood wouldn't come out, PR would.
As a magician or anyone fascinated by magic, the Houdini story is a really impressive one.
There's something about the Houdini act that is not always made clear - about the escape act in general.
In 1921, Harry Houdini started his own film company called - wait for it - the Houdini Picture Corporation.
It was just like a digital fixation with cards and math and science and then I started to look at images of great magicians from Houdini down the line.
Whereas you have someone like Houdini, who works really, really hard to get really, really famous, and then has actual intellectual ideas that he puts into the culture that stay there.
There were really a bunch of old, old magic hobbyists at the time, some of them who actually had known [Harry] Houdini. You had to be 14 to go to these meetings, and he snuck me in at 12. It was glorious.
I've always loved Houdini, not just because of what he did, but also because of what he stood for. He was a self-made man in a time when the idea of celebrity was still new, and he used his celebrity for good.
I remember finding a Houdini book at the library and seeing an image of him chained on the side of a building. He looked so intense and scary, and I couldn't get that image out of my head. That started building up my love of magic.
Obama has figured out the best method to prepare the way for his verbal Houdini acts: Use political noise as the tune-up din before the aria. Perhaps his body temperature is so low, it sometimes takes him too long to break out the song.
Houdini connected to people on an emotional level so that when he would escape that straight jacket it wasn't about the straight jacket. It was about people looking at it and escaping poverty. When you have that it's the truest form of magic.
To me, Clark Kent in a phone booth and Houdini in a packing crate, they were one and the same thing," he would learnedly expound at WonderCon or Angoulême or to the editor of The Comics Journal . "You weren't the same person when you came out as when you went in.
Almost the first thing you see after entering the Houdini exhibition at the Jewish Museum is a large-screen film of Harry Houdini hanging by his ankles upside-down from a tall building, high over a sea of men in fedoras, and thrashing his way out of a straitjacket.
I don't think you can say something is or isn't magic. That's what was cool about Houdini, because he was a magician who had a magic show, but he was also an escape artist, and they kind of, over time, blended together. They both kind of enhance each other, I think.
One of my inspirations, Harry Houdini, remains an icon of the art because he defied our primal fears. His demonstrations in the early 20th century, especially his escape from the Chinese water torture cell, represented triumph over suffocation, drowning, disorientation and helplessness.
Through the eight books in 'The Treasure Chest' series, readers will meet twins Maisie and Felix and learn the secrets and rules of time travel, where they will encounter some of these famous and forgotten people. In Book 1, Clara Barton, then Alexander Hamilton, Pearl Buck, Harry Houdini, and on and on.
