Hotel Quotes - Page 16

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I keep a hotel room in my town, although I have a large house. And I go there at about 5:30 in the morning, and I start working. And I don't allow anybody to come in that room. I work on yellow pads and with ballpoint pens. I keep a Bible, a thesaurus, a dictionary, and a bottle of sherry. I stay there until midday.

Actors are steeped in a world of agents and where the next job is coming from and what are their expenses and what is the hotel like. You want to take them out of that world and dump them into another world, so that when you meet them on the screen they don't seem like the guy who was in two others movies that year.

That's the spirit in which I went to New York to be with my husband, and when I knocked on the hotel door, she opened the door as Caitlyn as we now know her - full makeup and fully dressed as a woman. So it was devastating to me to see because I had envisioned Bruce opening the door, but it was helpful in my process.

I know I'm really lucky to do what I do, but sometimes with the hours and the travelling, I don't get to see my family and friends as much as I'd like. It can be lonely on the road. Sometimes I come offstage after a massive adrenaline rush, and then when I go to an empty hotel room on my own, it can be an anti-climax.

When I was in high school if you were black and lived in Detroit, and you wanted to drive down to Florida to go on vacation, you had to plan to drive all the way through, because you couldn't stop in a hotel all the way through South Carolina, North Carolina, and Georgia. We can't even fathom such a thing now, can we?

Black is overrated. You'll never find it in my stores. Of course it's slimming, but it's just used too much, especially for men. One black suit by one designer, another one by another - they all look the same in the end. If I walk into a crowded hotel lobby and I'm wearing a black suit, I just look like everyone else.

My father was a guy who, because of the businesses he was in - the hotel business, the hospitality business - he didn't differentiate between the waiter serving you dinner, from the maitre d from the guy who owns a restaurant. Everybody was the same to him. He didn't look at who you were. He didn't look at your wallet.

I mostly play my dynasty or against someone in the hotel. I don't really like online games. I can't stand people yelling in my ear over a headset. I'd rather just play someone like Dwight Howard out in Orlando or people back home. For games like that, it's cool, but just signing on and playing random people, I hate it.

When I pull into a city and I rent a car and it's Nashville, or it's London, or I'm driving in the taxi to the hotel, and on comes one of my songs, it's like, 'Oh my God, they're still playing these songs on the radio.' And you still feel tearful and very grateful that somebody still likes these songs that you made up.

I promise you, your hotel room is going to be no more comfortable than my RV. And I'm going to tell you, you might prefer my RV. I swear to God, it's really that comfortable. Awnings outside, and if you want to cook outside, a tailgate kind of thing. There's a fridge that's underneath and comes outside. It's beautiful.

When you come to a hotel room, you want it to be grand, functional and beautiful. But you don't want things that are not useful. Sometimes you go to hotels and there are all these frames and pictures of people you don't know, and you end up hiding everything in the drawer, and then housekeeping come and put it out again.

I lived at the Gramercy Park Hotel for about 10 years. It was terrific. It was a pleasantly run-down hotel of the '70s and '80s with a mix of older, rent-controlled apartment dwellers, Europeans and new wave and punk bands. The room service was great, the hamburger was terrific, and they had a doctor who made house calls.

Hopefully everybody in the audience thinks, 'That's cool. I could do that.' I don't like the thought that they say, 'I saw the Beastie Boys last night, and they're mega-stars.' I'm a lot happier when the kids who come backstage or to the hotel try to give us tapes of what they've done instead of just getting an autograph.

The funny thing is, I was not a fan of horror when I was a kid. I was scared to watch scary movies. And then along came 'Abbott and Costello Meet Frankenstein,' and 'Abbott and Costello Meet the Mummy.' And I like those films because they made scary funny, and it was kind of ironic that I ended up doing the 'Hotel' movies.

We are delightfully trapped by our memories. I can't drink a bottle of Chateauneuf-du-Pape Vieux Telegraphe without revisiting a hotel bistro in Luzerne, Switzerland, where I ate a large bowl of a peppery Basque baby goat stew. A sip and a bite. A bite and sip. Goose bumps come with the divine conjunction of food and wine.

I started working full time as a comedian in 2005, shortly after we did the Vince Vaughn 'Wild West Comedy Show.' I worked at the Four Seasons hotel from 1998 to 2005, so about seven years, just trying to put some food on the table and pay the rent while I went out to the open mics and got my feet wet with stand-up comedy.

When I won the Oscar, I fell into that mind-set that this is a precious role. People everywhere were shouting, 'Show me the money!' I just didn't want anything that could parody the fact that I was like a tagline in a movie. So when Steven Spielberg offered me 'Amistad,' I said no; when 'Hotel Rwanda' came along, I said no.

After kids, the desire to improve as an actor remains, but time becomes hugely important. I want to do good work and do it well but then be at home. I love hanging out with my children, seeing how they behave, and stealing ideas off them. You can't do that if you're in a hotel, on a plane, or a film set. It's not real life.

I was in California the first time I heard Michael Jackson wanted to record with me. I was, like, 'Nah, no way, he's too big, it can't be true.' Then I got a call from Michael's people at my hotel telling me he was interested. But I still wasn't believing it - I thought they were setting me up for a TV practical jokes show.

I'm in two modes when I'm on Lanai: In engineering mode, I'm trying to find the right place for the reservoir and the desalination plant, and looking at designs for new hotel rooms. The rest of the time, I'm in decompression mode. I'm on Hulopoe Beach, going for a swim, or on my paddleboard surrounded by 100 spinner dolphins.

You do run and scream and cry and work yourself up into hysterics, and then you get back to the hotel at the end of the day, and you feel really off and really strange. And that's because rationally, even though you know everything is OK, you have put yourself through this traumatizing experience, and your body is still going.

It's weird not having companionship and not having somebody to talk to. I have two goldfish in my hotel room. They said, "If you would like companionship, we can bring you a goldfish." I was like, "Bring me a goldfish!" I have two because when I needed the water changed they brought another one. I was like, "Don't take Desmond!"

Getting to Valle Nevado is half the fun. A serpentine road from Santiago wriggles up the spine of Andean peak for an hour, then traverses a valley and finally up again. The hotel is perched on a rugged mountain crag at 3,000m: no other sign of human development is visible from this spot, which is close to the Argentinean border.

If somebody wants me to speak in, say, Chicago, a limousine picks me up at the door to brings me to the airport. I fly at the front of the plane, and a limousine meets me at the other end to take me to a grand hotel, and usually an envelope is left for me with a per diem, maybe $150-a-day walking around money, and then I go home.

The whole world feels that it knows Francis, not so much because he follows Francis of Assisi but because he is always himself. We have seen him pay his own hotel bill and heard that Francis called Buenos Aires for a pair of ordinary black shoes, like John XXIII, who preferred stout peasant shoes to the traditional papal footwear.

When I visited Moscow for the first time in 1998, I wandered into the historic Metropol Hotel as a curious tourist simply to ogle the giant painted glass ceiling that hangs over the grand restaurant off the lobby. It was the memory of that short visit that prompted me, some years later, to set 'A Gentleman in Moscow' in the hotel.

When I went around promoting 'Crumb,' there would be days I'd wake up in, like, Houston or Cleveland, and I'd step outside the hotel and get no idea where I was. It all looks the same: one big corporate, consumer theme park. It's all, 'Here's the Starbucks, and here's the Gap, and we'll go over to Banana Republic and the Cineplex.'

When I was a kid, I loved a heavy metal band called Motley Crue. I was thirteen when they came to my city, and I called every hotel in the Yellow Pages asking for a room by the name of their manager in hopes of meeting the band. After two or three hours of calling hotels, I got through, and the manager's brother answered the phone.

At 10 A.M. on the Friday after the election in 2010, David Cameron's team met in his room at the Westminster Bridge Park Plaza Hotel. Cameron was clear that, unable to form a majority government, they had to begin talks with the Lib Dems about forming a coalition. But in a rare example of strategic discord, George Osborne disagreed.

I don't drink much anymore, but when I traveled with Frank Sinatra, God rest his soul, I used to drink like I could do it. He made it a test. In Vegas, the Rat Pack, which I was a little part of, drank all night and slept most of the day. Then, about 5 o'clock, we'd meet in the hotel steam room, lock the door, and steam our brains out.

My hat's off to documentary filmmakers. I don't know if I'm ever going back to it. You're treated like a second-class citizen at most film festivals. You take the bus while everybody else is flown first-class. If you're a feature film director, you're put in a five-star hotel, and if you're a documentary director, you stay in a Motel 6.

I personally always took the view that, if you look at the case of should a Christian hotel owner have the right to exclude a gay couple from a hotel, I took the view that if it's a question of somebody who's doing a B&B in their own home, that individual should have the right to decide who does and who doesn't come into their own home.

You couldn't get me to go travel around and sit in a hotel room again. I have no interest in doing that. So everybody's happy. I am, at 74. Some people like doing it, but I never was much for that, anyway. It's a lot of work. So the only thing I miss about all of it is the camaraderie of the tour, but that doesn't offset the rest of it.

When I was on the road full-time, there was about an eight, nine year stretch where I averaged, conservatively, 250 days a year out on the road. That's basically you fly into a town, you get a Rent-A-Car, find a hotel, go to the gym, you eat, you go to the arena, go back to the hotel, you wake up, go to the airport and go somewhere else.

Getting up quite late in the morning, going and trying to clean my bikes - I have quite a few of them in Ranchi - spending some time with my family, my parents and friends. Going out for rides with my friends and having lunch or dinner at a roadside hotel - that's my favourite time-pass. These are the sort of things that really excite me.

We have an older sister who gets pregnant easily. So Emily and I think there may be an environmental cause for our problems. Neither of us were very old when we started trying. But we've lived very parallel lives. We've been in a band together since I was 12 and she was 10. We can't help but wonder, did we stay in a hotel near a power plant?

I think everyone that's from Cleveland knows exactly where they were when the Cleveland Cavaliers won the NBA Finals. I was filming a movie, 'The Marine 5: Battleground,' up in Vancouver, so I couldn't be at the game, but I watched it in my hotel room with my wife - who could care less, by the way, about basketball because she's from Montreal.

For Christmas 1999, my husband surprised me with a trip to Disney World. Along with our boys, we were standing on the roof of the Contemporary Hotel at midnight on New Year's Eve 2000 watching fireworks explode over every amusement park in Orlando. It was a magical way to celebrate the millennial, and a never-to-be-forgotten Christmas present.

We didn't travel much when I was little - most of what we did was visit various campsites around Conway, north Wales. My first major holiday abroad was to Ibiza with my parents when I was five. I vividly remember the plane touching down and that the hotel had great swings with lots of little lizards darting about that I was determined to catch.

I was driving in a car on my way to football practice, and I was listening to the radio, and they had one of those, like, art showcases, like, 'Do you want to be a star? Do you want to meet talent agents, managers, producers?' And I called in, and I drove 45 minutes to Salina, Kansas, to a Marriott hotel, and did a Twizzlers commercial audition.

I typically set at least three alarms. I have two alarms set on my iPhone, I still use a Blackberry for work, so I set my alarm on that, and then if I'm staying in a hotel, I request a wake-up call. I've never overslept - knock on wood. But I have had an instance where one of my four alarms has failed, so that's why I stand by the multiple alarms.

One of my first overseas trips with WWE was to France. I walked out of our hotel, and I see a little kid walking toward me with his mom. He gets a couple of steps past me and he stops in his tracks. I see his mom do a little bit of a double-take, then he runs over and just grabs on and starts hugging my leg as hard as he can, then he starts crying.

I got my big movie break thanks to an emergency in a five star hotel bathroom. I was attending a film party, wearing a kurta pajama. At the washroom, I could not open the pajama knot and was screaming for help. Pahlaj Nihalani was there and he helped me out. And before I knew it, I was in front of the camera for my first feature film, 'Aag Hi Aag!'

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