Quotes of All Topics . Occasions . Authors
When I was a kid, I was really into 'A Nightmare on Elm Street' and 'Friday the 13th.' But as I got older and started working as an actor, I did not really get scared by horror movies as much, so I am not as into them anymore.
I love a good laugh as well, I think that's so important in life, which is probably why I've dabbled in comedy writing as well as horror. I think if you can make someone laugh or smile it's the most special thing in the world.
Release the demon under promise that I'd be repaid handsomely, my enemies destroyed? Hmm, where had I seen this before? Oh, right. Every demon horror movie ever made. And the horror part started right after the releasing part.
The current leadership of the Labor party react to the idea that working-class students might study the subjects they studied with the same horror that the Earl of Grantham showed when a chauffeur wanted to marry his daughter.
It is a tribute to the peculiar horror of contemporary life that it makes the worst features of earlier times -- the stupefaction of the masses, the obsessed and driven lives of the bourgeoisie -- seem attractive by comparison.
It's intriguing to me, when I see a horror script, or something like that, that's actually original. I think that's why I love 'Stranger Things,' because it's not just horror, it's everything, and when they use horror it's right.
The thing is, horror is a big part of 'Sherlock Holmes.' Doyle also wrote a lot of great horror stories, so there's a lot more horror in 'Holmes' that people possibly think of. There's a lot of curses and mysticism and real scares.
I do not watch horror films. At all. I am not a horror film girl; I don't have the stomach for it. I've seen a few in my lifetime, like 'The Shining' or 'Carrie,' but I can't sleep for, like, a week after I see something like that.
There are only a few genres, horror and comedy, where you can get that immediate feedback from the audience. It's very gratifying when that's what you're going for, and you can hear the reactions in all the places that you intended.
My favorite zany horror flick is 'Evil Dead 2.' Sam Raimi is awesome! I saw this back in the day when I was younger. 'Evil Dead' was actually scary, and 'Evil Dead 2' was zany as hell. I don't really watch 'Army of Darkness' though.
I'm a big fan of the first one, but one of the first horror films I ever saw on my own was 'Halloween II.' That was my first real experience of Halloween as a concept because in Sweden in the Eighties, we didn't celebrate Halloween.
Often, in horror films, the single most effective device for building a sense of scariness is the soundtrack: the clanking of chains, the groaning of off-stage ghouls, the unmistakable sound of a cannibal rustic firing up a chainsaw.
I don't love horror movies with something surreal happening. That doesn't work for me. What's terrifying is something that could actually happen to me and what I would do. I don't know how to throw a punch, and I've never had to do it.
Of the big horror movies of the '70s, you have 'The Omen,' 'The Sentinel,' 'Rosemary's Baby,' 'The Stepford Wives,' 'Burnt Offerings' - these are all romantic fatalist movies where there's a sort of glimmer of hope... but darkness wins.
I think the tricky balance, the most important thing more than the horror is to have a compelling story, compelling drama, a show about great characters that you care about and you want to come back every week to see what they're up to.
What 'Scream' was great at was presenting ironic detachment and then making you actually care about the people that were having it, and juxtaposing it with their situation, all in the service of making a great horror movie. It was fresh.
I do know that I've read somewhere that it's been statistically proven that in times of war, horror films are much more popular. I don't know why that is. You'd think it'd be the opposite. You'd think people would want to escape from it.
On a personal level, I don't exactly thrive on the idea of being known as the guy who goes topless - because I also took my shirt off on 'American Horror Story: Coven' - but I think in 'The Last Kingdom,' it's mainly done in the right way.
When the entire world is built on death and horror, when existence is a constant state of panic, it's hard to get worked up about any one thing. Specific fears have become irrelevant. We've replace them with a smothering blanket far worse.
I do one accent - my own. I can make it louder or quieter. That is the sum total of my vocal range. I thought I could do an American accent until I tried it in front of an American - the expression of horror is still burnt onto my retinas.
When you're young, you want to make every kind of film: musicals, Westerns, horror. Slowly you begin to hear your own voice. I hope people receive what I do as small, personal films that are somewhat contrarian about their main characters.
What you don't see is scarier than what you do. Categorization is always kind of arbitrary, but people have called 'Preservation' a 'psychological thriller.' To me, psychological thriller basically means 'a horror movie without the blood.'
Maybe she'd seen too many Japanese horror movies, and maybe it was just a tingle of warning from generations of superstitious ancestors, but suddenly she knew that what Alyssa wanted was not to be saved, but for Shane to join her. In death.
Horror movies started to wane around the onset of World War II, and after World War II, when all the troops came home, people weren't really interested in seeing horror movies, because they had the real horror right on their front doorsteps.
When I first met Alan Parker, who directed 'Angel Heart,' he'd heard so many horror stories about me that he was literally scared to death of me. Right away, he sat me down and said, 'I'm very scared of you. I've heard you're a very bad boy.'
My mother fed my love of demons, science fiction, and paranormal. She was a devout horror movie fan who kept me up until the wee hours to watch 'Outer Limits,' 'Night Gallery,' 'Twilight Zone,' and 'Star Trek.' We lived to watch those reruns.
Interestingly, although the 'Books of Blood' were greeted with cries of righteous horror - and smirks - I didn't think of them as being particularly excessive. God knows what I did think was excessive at the time, but I didn't think they were.
Development of 'Bloodborne' and sinking into the battle of the hunter and the unique horror world was not only an exciting experience but it also allowed me to re-acknowledge the charm of a fantasy world and the intrigue of 'Dark Souls' for me.
I'll probably pursue doing more movies, but not horror or movies with killers in them. I'll try to stick to happy movies. I want to act and direct like Jodie Foster. I admire her because she went to college and she's still doing the same thing.
I read 'The Conspiracy Against the Human Race' and found it incredibly powerful writing. For me as a reader, it was less impactful as philosophy than as one writer's ultimate confessional: an absolute horror story, where the self is the monster.
Subtle horror is where you rarely see the blood and gore. The violent people are called splatter-punks, who prefer graphic, unrelenting, violent, fast-paced horror. I prefer horror stories with mysterious elements that are chock-full of suspense.
All nonstate threats to life, liberty, and property appear to be relatively petty and therefore can be dealt with. Only states can pose truly massive threats, and sooner or later the horrors with which they menace mankind invariably come to pass.
The movies that are honored at The Oscars are always a certain type: Old-fashioned. It's a bunch of well-made, old-fashioned movies that support our idea of ourselves. They uplift the human spirit. That's why horror films never even get nominated.
We must not let ourselves be swept off our feet in horror at the danger of nuclear power. Nuclear power is not infinitely dangerous. It's just dangerous, much as coal mines, petrol repositories, fossil-fuel burning and wind turbines are dangerous.
I received a phone call; my agent got a phone call from Ryan Murphy saying he wanted to talk to me... And he basically outlined 'American Horror Story' for me and said that there's a character named Larry the Burn Guy, and I'd like you to play it.
I think crafting a new, effective horror movie is not just about when night falls and things get scary. It's about setting a tone and mood that permeates throughout the entire movie. So even during the daytime, things are never quite safe-feeling.
I work very hard on motivating everything I do as an actor. Explosive moments have to be completely motivated; whether they're explosive comedy or explosive horror, they have to come organically out of a scene and an interaction with another actor.
I have seen (as far as it can be seen) many persons changed in a moment from the spirit of horror, fear, and despair to the spirit of hope, joy, peace; and from sinful desires, till then reigning over them, to a pure desire of doing the will of God.
Ethan Hawke is not a horror movie fan, but he's a really good friend of mine, and I finally cajoled him into doing 'Sinister.' Later, he said one of the reasons he was really resistant to doing a horror movie is he thought it'd be really scary on set.
I was shooting Beyond Redemption, I started shooting American Horror Story, so I was going back and forth between Northern California and LA. That was not bad at all - that flight is like getting on the subway, it's nothing. And then during rehearsals.
Science, already oppressive with its shocking revelations, will perhaps be the ultimate exterminator of our human species - if separate species we be - for its reserve of unguessed horrors could never be borne by mortal brains if loossed upon the world.
People have always liked to be frightened. People love to feel that jolt of adrenaline. People love roller coasters. People love skydiving. These things that really get your heart pumping, and horror films are sort of a safe way to get that rush I guess.
I started writing short stories. I tried writing horror, mystery, science fiction. I joined a little critique group here in town and ran my stories past them. After about three years, I tackled my first novel, Subterranean. It took me 11 months to write.
Margarita was never short of money. She could buy whatever she liked. Her husband had plenty of interesting friends. Margarita never had to cook. Margarita knew nothing of the horrors of living in a shared flat. In short... was she happy? Not for a moment.
When I wrote 'The Shadow Thief,' I had an obsession with Peter Pan. I get focused on things. In fact, I was an absolute horror to live with at that stage. I had a big fight with my mum because I wanted her to change the windows so Peter Pan could visit me.
Disney features, especially the early ones, were horror movies with cute critters: Greek tragedies with a hummable chorus. Forcing children to confront the loss of home, parent, friends and fondest pets, these films imposed shock therapy on four-year-olds.
My memoirs were written, and a portion of them already in the hands of the publishers, when the startling news came which has thrilled all Europe and filled her inhabitants with horror - the assassination of Abraham Lincoln, President of the United States.
I, made in England, felt excluded, miffed, resistant to the idea of even visiting India, a position of increasing absurdity as, one by one, backpacking friends returned from the place with the standard anecdotal combo of nirvanic epiphany and toilet horror.
For the last 30 years our cinemas have been ruled by science fiction and horror. We've had some very good Fantasy films in that time period, but for my tastes I still haven't seen fantasy done to absolute perfection. That is the hope I have in this project.
When there's a great horror movie, people are like, 'Horror's back!' And when there's a series of not so good ones, 'Horror's dead.' I think it's all about the quality. When there are one or two good horror movies in a row, people come out interested again.