Every time I make a record, it's make-or-break time. I hope I always have that mentality - that's what keeps me fired up.

I usually stick out my hand and hope he puts the ball in it. Except the one time I went out to take Early Wynn out. I stuck out my hand and he hit me right in the stomach with the ball.

At the same time it offered the hope, as it still does, that improved understanding could better the lot of mankind. For me, growing up in the 1930s, the two motivations powerfully reinforced each other.

I do think, with people in comedy, you can have your time, as it were, and then you don't realise that it might have gone. I hope it hasn't for me. I think what I do is, I just... I just try to plough my own furrow, in a way.

People keep asking me if the Boosh is coming back, and I say, 'I hope so.' I'm not bothered people ask me about it. TV's become quite disposable, so to make something that lasts a bit of time - it won't last forever - is quite nice.

I'm looking forward to the time they describe me as the former president. And, of course, there are pressures from my own party and other Sudanese parties also, and I succumb to those pressures, but I hope as soon as possible I can find an exit out of this.

I was on 'Murder She Wrote' with Angela Lansbury. She was fantastic... she was lovely to everyone, she was always on time, prepared. Whereas when I worked with Bob Hope, he didn't know his lines. He had to have these huge big cards... he hardly said two words to me all day.

I would hope that people didn't think I was anything like Joan! It's very hard for me because Joan says such cruel things all the time. It sort of makes me cringe every time I read them because I think, 'Who could be so horrible?' To be able to deliver those lines and do them with a coolness, yet still make her likable, is a bit of a challenge.

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