Quotes of All Topics . Occasions . Authors
The thing about being in America is when you are driving with the sun on your back, there's hip hop. I never used to be into hip hop, but there's hip hop in the food, soul food, there's hip hop in the cars.
In every interview I've got to explain something about being white but still being into hip hop. It's gone way beyond the musical aspect of the business. And I'm as critical about music as everybody else is.
For anybody to say well this is not Hip Hop and that's not Hip Hop, that is not the way the formula was laid down. It was for the people who were going to continue take anything musically and string it along.
I work late nights catching up on emails, and then, in the mornings, I just hop on my laptop right away. Then, every other day, I'll hop into the shower! My husband is horrified that I don't shower every day.
Hip hop music is important precisely because it sheds light on contemporary politics, history, and race. At its best, hip hop gives voice to marginal black youth we are not used to hearing from on such topics.
Hip hop fans are obsessed, and they're geeks about hip hop. Comic book fans are also geeks, and when you can meld the two, then you open the world up to, I think, communities that will just take to each other.
From Dickens's cockneys to Salinger's phonies, from Kerouac's beatniks to Cheech and Chong's freaks, and on to hip hop's homies, dialect has always been used as a way for generations to distinguish themselves.
I grew up with KTSU, and that station gave me so much info about the pantheon of black sounds: reggae, gospel, blues, soul, hip hop, and mostly they played jazz. That was a major part of how I understood music.
When the price of oil goes up, the entire Texas economy takes a deep breath. Millionaires blossom like rain lilies. News races through the countryside that the money train is pulling into the station. Hop on board!
There are not many people that I respect more than rappers. I'm a huge fan of hip hop. It's incredible, one of the most influential things to me. It takes real genius to be able to do well. It's a very deep art form.
I love hip hop music and would do anything to help the culture blow up in China because it's been so underground. I just want people know how good this culture is, how good the music is, and how it can change your life.
If it's time to party, it's time for hip hop. I love Drake, Jay-Z, Kanye. If I'm chilling at home though, I'm listening to Massive Attack, Thievery Corporation, Radiohead, DJ Shadow. I also listen to a lot of classical.
Definitely stick with a program for more than a week or too. You've got to ride the program out - a lot of people like to hop around on things, but to get a real good base you've got to stick to a good strength program.
To show a different side on 'Love & Hip Hop' and bring some validity to it and not just be ratchet, messy or whatever the case may be, it was cool to be that guy, not just from a fan standpoint but an artist standpoint.
Being born in the adolescent years of hip hop helped us learn about flux. And when you're in an industry that is constantly growing, changing, maturing... you get a chance to try different things out and a chance to fail.
In hip hop, 'real' has always meant one who represents in actuality what they present in imagery. For instance, once upon a time, if a rapper spoke about being gangsta, they needed to truly be that, or they were 'frontin.'
If I could take you back in time to the fifties and walk you around to some of the places where I grew up, you'd be trying to get back in your time machine. It wasn't all sock hops - matter of fact, I never saw a sock hop.
I don't just hop in the car. I have destinations. I drive to relax. I'll be gone for two weeks, hit four or five major cities. I don't like being nowhere for more than two or three days. I just go. I don't have a schedule.
November is Hip-Hop History Month, where we give celebration to what hip hop has done to bring together people of the world, people of all nationalities, young people, all the political systems and politicians on the planet.
If you look at a company like Uber, a company that so anti-establishment that cab companies are trying to find ways to shut it down, one could compare that to how Public Enemy and NWA went after then-modern society in hip hop.
The hip hop industry is most likely owned by gays. I happen to think there's a gay mafia in hip hop. Not rappers - the editorial presidents of magazines, the PDs at radio stations, the people who give you awards at award shows.
As far as hip hop, I ain't even gonna front, it was 'Rapper's Delight.' That was the first thing I heard where I was like, 'Whoa.' You take that beat and do something over it. I started collecting records after that, old records.
I'd like to see people pay attention to the science of hip hop. The knowledge part, the political side of what hip hop could do, or where hip hop is gonna go. I always say it's gonna become universal as we become a galactic union.
You used to defend your musical values to the hilt, but now if something isn't working, you just hop to another band. My youngest daughter went from Justin Bieber to the Jonas Brothers to Joy Division in the space of a few months!
Back in the day, if someone said that hip hop and rap was a fad, that was a joke to me because they just didn't know what they were talking about. In reality, there were so many people who didn't know what they were talking about it.
I was a hot-dog stand lady, I was an orphan housemother, I was a waitress 3 or 4 times. All of those jobs did not have good bosses. They basically told you what to do, when to do and when to hop. And I just didn't like that very much.
The industry is starting to be more open to what we do. I just don't want us to be boxed in whatever people assume Christian rap should be. We're dudes who love hip hop, and we love Jesus, and that's going to be apparent in our music.
When I learned to play music, I was listening to blues music. And all the blues music I liked was super simple and stripped down. And then all the hip hop I liked was super simple and stripped down and we always heard that connection.
Well, a lot of people within government and big business are nervous of Hip Hop and Hip Hop artists, because they speak their minds. They talk about what they see and what they feel and what they know. They reflect what's around them.
It's a slippery slope when you make the argument that hip hop is only a black person's art. Certainly, its origins are in that community, but if you want it to endure as an art form you have to let other people have their way with it.
I'm a rapper and, obviously, hip hop rap is my main thing. But I also like to dive into different genres and kind of be a bit more experimental and open myself up a bit, whether that's taking influence from jazz or soul or electronic.
West Coast hip hop was the sound of my neighbourhood. It was something I could relate to because it had a sound that felt like my surroundings - almost more so than what they were saying. That music was made to be bumped in a Cadillac!
Making food is a labor of love - it's a nice thing to do for your loved ones to show you care about them, that you took the time to make them something. But for me, I don't cook. I would much rather hop in my car and go to a restaurant.
It's not like I want to hop on a bandwagon, because I said it 15 years ago - bringing a child into your life who is not genetically yours is one of the most beautiful things you can do. But I'm also interested in having my own baby, too.
I was born into hip hop and reggae, and then I started listening to more hardcore and punk bands like Bad Brains and the Suicidal Tendencies; they opened up a whole new world for me. They had something to say, and I could relate to them.
I definitely want to work with Thom Yorke. I want to work with Damien Marley; there's a few international artists I wouldn't mind working with - like Massacre Children would be ill, and I still have an affinity for the U.K. hip hop scene.
Here's Kanye, the great musical genius of his generation in hip hop, but, like, society really can't even deal with him because he's always saying something that people go, 'Oh, I can't believe Kanye said that. I can't believe he did that.'
The kids know what I'm doing when I exercise, and that's powerful. So don't just tell your kids to go play outside. Take a moment off your computer, put on your tennis shoes, hop outside and help them start their game and run off some energy.
You can't afford to hop around and act like a kid when you have to get back on defense and worry about the other parts of the game. But at the end, when the buzzer sounds, you have the luxury of hopping around and looking foolish for a while.
In hip hop, it's a lot more about lacing a hot track. I start it, I help mix it, I help write it, I help produce it, I cut the person's vocals. I'm involved from the beginning to the end of a song. I'm not just giving someone a beat, you know?
My family would try and trick us and I would come to a party and she would be there. When I tell you the 'Love & Hip Hop' scene is nothing compared to what was happening with me and mom... throwing things at each other, the cursing, the words.
Dance has been a driving force in my life for 25 years. From music videos and hip hop, to jazz and musical theater, to ballet and classic modern dance, I have had extensive exposure to a variety of techniques that inspire my own electric style.
When I became older and started to become more in tune with my political leanings, there was a disconnect between the feminist in me and the hip hop side of me, and I don't know if, in some way, those influences are also present in Tupac's work.
By denying its musical and artistic merit, hip hop's critics get to have it both ways: they can deny the legitimate artistic standing of rap while seizing on its pervasive influence as an art form to prove what a terrible effect it has on youth.
I was lucky enough to grow up in a house where we listened to all kinds of music. We listened to Haitian, hip hop, soul, classical jazz, gospel and Cuban music, to name a few. When you have access to that as a child, it just opens up your world.
I'd love to do a live album, like a little bit old school but still progressive, influenced maybe by more electronic music. I like everything, but I don't know anything about music. So it comes in to a lot of different ingredients. I love hip hop.
Hip hop scholarship must strive to reflect the form it interrogates, offering the same features as the best hip hop: seductive rhythms, throbbing beats, intelligent lyrics, soulful samples, and a sense of joy that is never exhausted in one sitting.
Whenever I'm in Edinburgh, which I visit often, I always try to hop on a train to Kirkcaldy to visit the art gallery, where my grandfather was convenor for 36 years, to revisit the marvellous paintings from my childhood - as do other family members.
I don't really get the same kinda romance that I would get from, like, jazz. And even to a lesser extent to rock 'n roll. Rock 'n roll has a romance to it - how can I put it? A very vulgar romance, but still a romance; whereas hip hop has more facade.
I always felt like the Academy was very late in acknowledging things. I've seen them do it with hip hop when it should have been acknowledged. It was already penetrating mass levels of culture and radio, and yet they wouldn't give it a proper category.