Quotes of All Topics . Occasions . Authors
The kind of fan following that Salman has at the mass level is unparalleled. No one even comes close. So when he plays the Robin Hood or Chulbul Pandey sort of roles, people go crazy.
Faced with the way the system does you in the 'hood sometimes, if you don't literally get out, your chances are slim. You'll definitely die mentally. You'll pretty much die physically.
I actually met The Game in my hood on Crenshaw and Slauson. I was outside on the block with 20 of my homies. I see the Range Rover, and we all walked up to his car. I handed him my CD.
John Kerry had a very vivid imagination as a young person. I mean, he actually did go and take his bicycle from Norway to go camp in Sherwood Forest to be around the ghost of Robin Hood.
Sometimes you do have to bank on yourself. You do have to believe in your ideas enough to really get out there and fight for it despite what people think of some young kids from the hood.
Coming back to Flint and seeing my family keeps me humble. Even though I've been on a worldwide stage, I can still communicate with them on a hood level, if that's what you want to call it.
When you see a Jamaica video, it's always the hood. Everybody in the video's got guns, and the world looks at it like that's what Jamaica's about. And it affects the economics of the music.
I was in a play called 'Hood.' I was an extra in 'Passion of the Christ.' I did corporate videos, commercials, little university short films. Just anything that I could be a part of, really.
They respect rappers in the U.S., but in England, it's the Queen's country. She'll forever be putting out the message on these BBC networks that there's no hood: it's tea and red phoneboxes.
I was born in Houston, Texas. I grew up in Houston, by Missouri City. It's, like, a suburb in the area; it's middle-class. But I used to stay with my grandma in the hood from ages one to six.
One of my earliest inspirations was the 'Allan-a-Dale' character played by Elton Hayes in the 1954 movie 'The Story Of Robin Hood And His Merrie Men.' He was a wandering minstrel with his guitar.
I think if you were to really peek under the hood of what got Aerosmith back again for our second life in the Eighties, you'll find out that it's exactly this, it's the willingness to take a risk.
Robin Hood is often seen as the hands-on-hips, archetypal, tally-ho hero. But, realistically, the one calling the shots wouldn't be at the front shouting about it. He'd be the one you don't expect.
If aliens are really hanging out in our 'hood, it's hard to imagine any other fact more worthy of study. If not, then why does such a large fraction of the populace insist on believing they're here?
Rap is supposed to be about keeping it real and not relinquishing your roots in the community. Without that, it's just posturing. Somebody who claims to speak for the 'hood don't need no private jet.
HATE, even if it's making money. is an underground movie, that's how it was made. It's a film about police brutality in the largest sense, it's about the whole of society and not just about the hood.
They keep the song as street as it needs to be. It's got a good catchy hook where it can do what it needs to do on the radio, but they keep the song street where it will keep credibility in the hood.
I grew up in Oklahoma and Missouri, and I just loved film. My folks would take us to the drive-in on summer nights, and we'd sit on the hood of the car. I just had this profound love for storytelling.
I had a lot of respect for Prodigy. He brought the hood to the booth. When we were trying to shape this rap thing into something, he was one of the cats I respected for bringing the hood into the booth.
The attacks of September 11 - and subsequent acts of terror from London to Madrid to Fort Hood, Texas - embody the most repulsive of human instincts, the will to power at the price of the lives of others.
Before 'Scandal,' I was actually cast in two other pilots. Both went to series, but I was fired and recast. For both, it was because they wanted me to sound more 'girlfriend,' more like 'hood,' more 'urban.'
I thought I'd write a massive postmodern novel about Richard the Lionheart and Robin Hood, but it turns out they couldn't have met because the first mention of Robin Hood appears 60 years after Richard died.
Why is it so hard for people to believe that white people are poor?! I wouldn't say I lived in a ghetto; I'd say I lived in the 'hood. The same friends I had back then are the same people on tour with me now.
For me, basketball was always about survival because I was just trying to get out the hood, right? When I got to Chicago, I'm like, 'I'm just trying to survive, and anybody I got to step on or break, so be it.'
I grew up listening to my father argue politics into the night and taking trips every Saturday to the Hood River library where my mother maintained her interest in reading and encouraged the same from her sons.
When people are like, 'Why are these white people walking around this black hood?' I'm like, 'Why aren't they?' If it ain't bothering nobody, they can do whatever they want! They're in the hood to make it better.
I always liked the idea that America is a big facade. We are all insects crawling across on the shiny hood of a Cadillac. We're all looking at the wrapping. But we won't tear the wrapping to see what lies beneath.
I remember recording with Johnny Sandlin at his place right outside Muscle Shoals and he turned me on to a lot of those musicians at an early age, like Roger Hawkins and David Hood and just a ton of great players.
A lot of those early indie movies - 'Smoke Signals,' 'Eat Drink Man Woman,' 'Boyz n the Hood' - there was a different aesthetic; everyone was telling stories that were like, 'This is new and different. Let's do it.'
Extraordinarily, I was up in the cemetery in Derry City, and I had a red cape on with a fur hood as a little girl, when a gun battle broke out between the IRA and the British Army, and I got caught in the crossfire.
I got married at 18 after dating my boyfriend for about a year. It was quick, I know. My husband joined the Army, and I thought I'd go to college. But we moved to Fort Hood for his job with no money, not even a car.
I'm from the burbs. I've been in the hood, but I don't live there. I have lived in the hood, but I don't live there anymore. I lived in Harlem, and that was crazy, even though Harlem is a lot nicer than it used to be.
Every artist that I got with me is really from the hood and really from Atlanta and really in the streets of Atlanta. Lotto Savage, Mookie Madri Gra, Freaky D$MG, that who I bring with me; that's all sides of Atlanta.
When you say something or sing something enough times, it becomes a self-fulfilling prophecy. It's almost like casting spells. I don't mean necessarily in the flighty, 'I'm going to go buy a cloak with a hood now' way.
I was mischievous. I wasn't bad. I stole food so we could eat. My mother didn't know. I used to tell her some man gave me $10 to sweep out the yard. I was like Robin Hood. I took from the rich and gave to the poor. Me.
I did 'Kidulthood' and 'Adulthood,' and that's what people wanted and expect me to always do. They want me to do 'hood films and be the guy swinging baseball bats and saying 'Yo Blood' and beating up others in the street.
I am certain things to certain generations. Lots of people remember me from the 'Comic Strip,' there was the 'Vindaloo' song for the 1998 World Cup, then it was playing the Sheriff of Nottingham in the BBC's 'Robin Hood.'
Growing up as a Brit, Arthur and Merlin and Camelot, and just the idea of it, is embedded in the culture and in your soul, growing up. King Arthur is alongside Robin Hood, as those great British folk tales, myths and icons.
I take nothing away from my existence in the 'hood, because it sharpened my instincts. We had a different way of living that developed our survival instincts, and I use those to this day when I make films. You can't buy that.
The people who have the strongest opinion about everything have never left their city, their town, haven't left their 'hood, haven't left their area, their corner of the world. They don't read. They've never left their house.
My formative years would be in South Central Los Angeles. It was a really volatile environment, but, I always say, when you're living in the hood, you don't live this life where you're crying every day, downtrodden every day.
Dropbox looks really simple to the end user and is extremely magical and just works. But under the hood, the complexity of the technology is huge. The amount of work it requires to store, scale and move this data is pretty intense.
You know, I do music. If you look under the hood of the industry I'm in, it's all based on technology. From radio to phonographs to CDs, it's all technology. Microphones, reel-to-reels, cameras, editing, chips, it's all technology.
When you're hanging there twenty feet off the ground, surrounded by green screen, and all you've got is the other actor and the wonderful Gavin Hood shouting instructions at you as to what's going on; it's a really unique experience.
A man from a primitive culture who sees an automobile might guess that it was powered by the wind or by an antelope hidden under the car, but when he opens up the hood and sees the engine he immediately realizes that it was designed.
I just want to be successful. I'm not going to sit here and be like, 'I want to win a Grammy' or whatever; if that comes, that's awesome. But I just want to be successful and provide for my whole family and get my family out the hood.
I don't want to be in somebody else's movie, and then they make all the money. I've gotten offers to do the movies, but I won't sell myself short and be in somebody else's movie, like 'Boyz N the Hood.' I don't think I woulda done that.
A lot of the work I did with WWE had very strong comic book ties that were more than just a wink at the audience. There was a period of time when I had a clear protective face mask and a hood over my head that correlated with Doctor Doom.
The 'American Idol' and 'X Factor' shows, they're great shows. But I think I need to make a show like that, directed straight to the hood, to the artists that don't get the attention, that don't have the money to make themselves representable.
After a show, I'll get the 16-year-old white kid whose lip is pierced, his head is shaved and his parents hate him, and the young gangster from the screwed-up 'hood, and they say that now they realize there's someone out there who thinks like they do.