Quotes of All Topics . Occasions . Authors
Security, for me, took a tumble not when I read that there were Communists in Hollywood but when I read your editorial in praise of loyalty testing and thought control. If a man is in health, he doesn't need to take anybody else's temperature to know where he is going.
I didn't go Hollywood on the outside with flashy cars, upstairs maids and mink-covered bathroom fixtures. I went Hollywood on the inside, and that's worst of all. I tried to avoid being natural. I lowered my voice. I copied the mannerisms of other stars. I struck poses.
I see characters lying all the time in a lot of Hollywood movies. They can't do this because it would affect the movie this way or that or this demographic might not like it. To me a character can't do anything good or bad, they can only do something that's true or not.
There's hardly any precedent for a guy like me to have the career that I've had. Because I grew up the way I grew up, I'm an in-your-face kind of guy. I developed that as a defense mechanism to survive in the streets. I do that in Hollywood in the service of my passion.
I was someone who was out of control and not to be worked with. It was partly because method acting was a new thing in Hollywood then and Marlon Brando had gotten through and Montgomery Clift had gotten through and James Dean but beyond that there wasn't really anybody.
The motion picture made in Hollywood, if it is to create art at all, must do so within such strangling limitations of subject and treatment that it is a blind wonder it ever achieves any distinction beyond the purely mechanical slickness of a glass and chromium bathroom.
I think I have always tried to do the smaller films. I like to jump around and there is something really nice for acting in a smaller film. But I think now, Hollywood's movies certainly involve a younger generation for the most part and so... I love going back and forth.
When I first got into this biz called show, I decided I was going to change my name, make it more Hollywood. And you know how you do that? You take your middle name and the first street that you ever lived on. So when I first started, I actually went by Sue Rural Route 2.
In the 1940s, cigarettes would be shown in classy situations, endorsed by celebrities - real A-list Hollywood stars in America - the ads would make claims about tobacco quality or manufacturing science and, bizarrely, some brands had what almost amounted to health claims.
I can't say I have had a ton of Hollywood exposure, as strange as that sounds. But by pure happenstance, I trailed Javier Bardem on a red carpet at a film festival in Palm Springs years ago. He's one of my idols, and I endeavor to walk an artistic path similar to his own.
Getting married and then having children just centered me and grounded my values. It was like a whole new world. It started happening in New York with a little play called Cruise Control, where I relaxed, and then I kept getting work in Hollywood till this series happened.
Some people can act Hollywood and others don't. I just try to live my life as a normal, everyday man. At times, fame does get to you. But you must stay positive and remember two things: It's easier to be happy, and without all those fans, life wouldn't be as good as it is.
I'm one of those actors who's going to have to create a space for themselves. It's very easy to be the young Tom Cruise, because Hollywood knows what to do with you. But if you're someone who's bringing someone slightly left of center to the table, you're not a sure thing.
I never make a distinction between doing a film in Hollywood or doing a film independently. It's just the story. It's always the story for me. The constants are that it should challenge me and I shouldn't repeat myself. And the story should always be a story worth telling.
I went to Hollywood to test for Martha Ivers and I thought I was going to play the part that Van Heflin played.But they wanted me to play the part of Barbara Stanwyck's husband, so I played that. Then when I finished the movie, I went back to Broadway and did another flop.
You go to Los Angeles or New York or Miami or Chicago, and you see Latinos everywhere; they are involved in every part of American society. That's why they have to start being represented in Hollywood, because an 'Americano' can't walk down the street and not see a Latino.
And people are always saying: 'Well, you go to Hollywood and you get yourself a film career or a TV series, and then you can do anything you want. Because then you've got the clout.' That had always sounded like a lot of hooey to me, but now I think it's true, unfortunately.
I'm sure I can't relate to what females go through in Hollywood, but I do know what it feels like to eat emotionally. To be sad and make yourself happy with food, and then be almost immediately sad again, and then ashamed. Then, you try to hide those feelings with more food.
When I moved to Hollywood, I was expecting it to be this Mecca of extraordinarily talented musicians, and it was instead the era of Faster Pussycat and bands that had an appeal, but I couldn't do anything like that. There's nothing in my being that can do anything like that.
The traditions of Hollywood are grand and great and are going to survive forever, in a way. But they're not going to be the only way for much longer. The technology is such now that you don't have to have millions of dollars to make a movie. You can make one with a computer.
For me in my twenties, working in Hollywood was confusing in that the differences between what was fiction and what was nonfiction seemed to blur in my mind. Everything became a visual memory for me. I carried my Leica camera, giving opportunity to take pictures from my view.
In Hollywood, they think drawn animation doesn't work anymore, computers are the way. They forget that the reason computers are the way is that Pixar makes good movies. So everybody tries to copy Pixar. They're relying too much on the technology and not enough on the artists.
Because I direct films, I have to live in a major English-speaking production center. That narrows it down to three places: Los Angeles, New York and London. I like New York, but it's inferior to London as a production center. Hollywood is best, but I don't like living there.
English is my second language, but in Hong Kong, they don't know that I'm from China. They think I'm from Hollywood because all the films they see are from here. China and Hong Kong are very different places, but they're starting to merge. Still the culture is very different.
I accept that appearance is a big thing in this business. But being around Hollywood and having actor friends and doing music videos, it does make you more aware of how you look. With music videos they send you rough cuts, and in certain frames of me, I just see a nose advert.
That's the way this business works: if your movies do well at the box office, you will be offered more movies. It doesn't matter if you're a nice guy or you're a prick. If your movies do well, there's a job waiting for you in Hollywood. It's not any more complicated than that.
I don't know Hollywood very well. I've never lived in Los Angeles or New York. But what I can see in Paris, where I live, is that actresses like Catherine Deneuve, Isabelle Huppert, Charlotte Rampling, still get the chance to play strong, sexy roles even though they're not 20.
I played several maids in my career. I was tired of the maid after 'Far From Heaven.' I said, no more maids. Until I realized how difficult it was to get a role other than a maid, sometimes, in Hollywood, and sometimes you have to choose your battles, for lack of a better term.
Hollywood is great for entertaining people, it's a wonderful business but it's make-believe, you must remember that. That's one of the most important things to remember and the distinction in your own life, otherwise people get lost in their own fame, and it makes them unhappy.
I certainly was not the romantic lead. I couldn't be that, because I was not that good looking. And that is something about Hollywood that I do not like at all. Why can't a woman who is just normally good looking fall in love? I mean, everybody in the movies is so good looking.
The fact is that Hollywood, from as early as the sixties to the present time, has ghettoized cinema into the big industry, a marketing industry. In doing this, the audiences have lost touch with the aspects of film which were to be informative and educational and even spiritual.
In one sense, I felt not seen and heard enough as a child. At the very same time, I'm watching her and modeling her. At seventeen, I left to go to Hollywood to pursue my dream, as if there was no other option. I only learned that, the gift of it, recently. And I often forget it.
You can take Hollywood for granted like I did, or you can dismiss it with the contempt we reserve for what we don't understand. It can be understood too, but only dimly and in flashes. Not half a dozen men have ever been able to keep the whole equation of pictures in their heads.
A generation before, it had been sagebrush and coyotes; a generation later, it was a burgeoning movie town. But for that brief idyllic time in 1910, Hollywood looked like the perfect place for a successful writer to settle down, build his dream house, and maybe do some gardening.
I've been a writer for a long time but I kind of had to get rid of a lot of the things I learned in Hollywood but I kept some of them too. And things I kept were: don't be precious, kill your darlings is always good, give it dynamics - you don't want it to be all joyful, all sad.
I was certainly a better actor after my five years in Hollywood. I had learned to be natural - never to exaggerate. I found I could act on the stage in just the same way as I had acted in a studio: using my ordinary voice, eliminating gestures, keeping everything extremely simple.
I've had nine of my books adapted to film, and almost all were enjoyable. I've been very lucky with Hollywood, and look forward to more movies being adapted. But I don't get involved in that process. I know nothing about making movies and I stay away from it and hope for the best.
In 1972 Charlie Chaplin was allowed back to America to receive an honorary Oscar, 'for the incalculable he had on making motion pictures the art form of this century'. That's what the Academy was always for - to blur the equation enough so that profit and fame could be called art.
Schizoaffective disorder is a big mental mash-up of a disease. It combines just about every disorder, from depression, delusions, and paranoia to mania, schizophrenia and hallucinations. My mother bounced between all of these regularly while raising me alone in our Hollywood home.
It's a big criticism of Greenaway films that they are far too interested in formalism and not enough interested in notions of emotional content. It's a criticism I can fully understand from a public that has been brought up by Hollywood movies that demand intense emotional rapport.
Hollywood is a roulette wheel. Each project dictates what's going to happen for you next, and it doesn't really matter that your project is critically acclaimed or won awards or has fans worldwide. It's a matter of how many movie tickets and DVDs and on-demand movies that you sell.
I know what it means to do a job... I worked in a factory. I respect people in the service industry. What irritates me more is when people aren't respectful. There's a lot of nonsense behavior, especially in a place like Hollywood. The money, the power, they create little monsters.
The Hollywood actor business can be a little shallow and can be a little more of a facade, and Nashville and the South, people are genuine and real, so if I can be based out there and go off to Hollywood to do a film or do another TV show and then fly back to Nashville, I'd be set.
I'm on the board of the Annenberg Inclusion Initiative, which is run by Dr. Stacy Smith - she conceived of the inclusion rider. What I love about the inclusion rider is it uses the fact that Hollywood is based on hierarchies, and it knows that these key players have persuasive power.
I try to live with honor, even if it costs me millions of dollars and takes a long time. It's very unusual in Hollywood. Few people are trustworthy - a handshake means nothing to them. They feel they're required to keep an agreement with you only if you're successful or they need you.
I'm wide open to getting married, but actors are not easy people to date. You end up sharing that person with this other mistress that is their career. I very much like the traditional courtship method of making a date. That's what they do in normal places, but Hollywood's not normal.
In theater, you can be free. That's how Lin-Manuel Miranda got to do the most revolutionary piece of theater with 'Hamilton': color-blind casting in roles in which they would never cast Latinos if it were a film or TV show. It just goes to show that Hollywood and cable are way behind.
Curiously enough, I was one of the first to have some say in Hollywood. By sheer accident, I had four successes in a row in the early 30's and, although I was still in my 20's, I demanded and received approval of cast, story and director. I don't know how I got away with it, but I did!
I always thought it'd be cool to portray these certain things, make people feel a certain way. I was kind of fascinated with that, but I wasn't the type to do acting school or theater. I didn't have the best views of Hollywood, so it wasn't something that I was going to try and pursue.
I had gone to the bookstore, and while I hadn't bought any books on how to write a screenplay, I'd bought a couple of scripts so I could see how the formatting works. I just needed to know how a Hollywood screenplay looked on the page, which was something I was totally unfamiliar with.