Quotes of All Topics . Occasions . Authors
I have a big box of autographs. I took photographs of me and Marlene Dietrich, me and Ida Lupino. I took pictures of Myrna Loy and Joel McCrea in front of the studios. I loved Hollywood. I have 500 autographs and 500 photographs I took.
Tobias Wolff is a hell of a writer, but you knew that already. His first memoir, 'This Boy's Life,' was a Huck Finn story set in the Eisenhower era - a story so rich and wounding that not even Hollywood could make a bad movie out of it.
This is my favorite story of the week. The Republican National Committee is in trouble after spending nearly $2,000 at a bondage club in Hollywood. You know what I call a Republican who spends a lot of money in a strip club? A Democrat.
Prior to 'Pirates of the Caribbean' - the first one in 2003 - I had been essentially known within the confines of Hollywood as box office poison, you know what I'm saying? You know, I basically had built a career on 20 years of failures.
That's what happens in Hollywood. People are like, 'I want to hate you, because everyone else seems to love you.' But the reality is this: I'm a simple person who's not interested in attention and who just wants to go about her business.
I've done a lot of work in Hollywood and theatre, but to be honest, the biggest pleasure I've ever got is from the TV single plays I've written. It's a format where you don't mind saying, 'I want to tackle some important themes head on.'
The making of the Barack Obama franchise far exceeded the skill set of Washington's best. In fact, the recipe for Mr. Obama's global popularity can be attributed less to political minds and chance than to the enduring power of Hollywood.
You hear again and again that audiences want to see movies that are different and critics say we [directors] make the same thing again and again in Hollywood, then you go and make something different and you get kicked in the gut for it.
I did get offers from Hollywood, but they were all scripts with monsters in them. If I had done them, I would have disappeared. I would have come back to France anyway, and I would have had to start all over again and lost a lot of time.
You know, when you don't go on TV and talk about how many women you sleep with, some people in Hollywood, that are supposedly 'in the know,' start whispering that you're gay. If I were gay, I wouldn't be ashamed to admit it, but I'm not.
Of course I danced a lot when I was making 'Swingers.' The swing music scene was big in Hollywood, and I went to places like The Derby. And, after I wrote it and was trying to get it made, I would go every week so I'd be good at dancing.
Film-makers should remain true to their principles and never compromise, there is a real revival in the British film industry but there is a danger that we will become colonial servants of Hollywood. We need to maintain our own integrity.
There isn't any question that Hollywood is profit driven. Anybody that thinks it isn't is a fool. It's a business. Hollywood was never philanthropy. The only purpose it had was making money; the only purpose it still has is to make money.
Hollywood is so strange because a lot of times the battlefield is just a meeting. It's not necessarily like an audition. They've seen clips of you and they know that you can perform and it's a matter of "what is your take on a character"?
Someone said to me, 'If fifty percent of the experts in Hollywood said you had no talent and should give up, what would you do?' My answer was then and still is, 'If a hundred percent told me that, all one hundred percent would be wrong.'
That's not how most of Hollywood does it-which helps to explain why Pixar does so well. How are you changing the game in your field? What is your distinctive take on how your industry operates? Do you work as distinctively as you compete?
I think the message has already been sent to Hollywood, which is that this kid's a hard worker, he's talented, and people are coming out to see him. And when you have box-office results, Hollywood treats you different. Hollywood stands up.
Everybody just asks me 'Are you going to make Hollywood movies now?' First, I don't know. Second, I never dreamed about that; I just dreamed about making movies with Tarantino. So if I can make movies with a lot of amazing directors - yes.
Let's be honest, I don't think anyone ever wants to settle down in Hollywood - it's a place you go to work. And once you've hit it, you get out of there as soon as you can. It's definitely not a place you want to get married and have kids.
When I made Spartacus during the McCarthy Era, we were losing our freedom. It was an awful, awful way. McCarthy saw Communists everywhere, in every level of government and they concentrated on Hollywood and especially on Hollywood writers.
I love casting against type and doing things you wouldn't expect, because I think you get more interesting performances that way. Hollywood loves to pigeonhole people, and there's nothing an actor loves more than to do something different.
There are a lot of conservative people, a lot of moderate people, Republicans, Democrats, in Hollywood. It is just that the conservative people by the nature of the word itself play closer to the vest. They do not go around hot dogging it.
The crazy thing about 'Hook' was it was one of the movies in town that everybody knew about. It was the biggest film shooting in Hollywood at the time and the idea of Robin Williams playing Peter Pan really captured everybody's imagination.
Michael Moore didn't have to worry that anyone would misinterpret the title of his film, 'Capitalism: A Love Story,' because in Hollywood, no one loves capitalism. That's too bad, because Hollywood is one of capitalism's greatest successes.
When you watch 'Ray Donovan,' you think that it's about Hollywood, about scandal, about stars, and about trying to keep secrets. That's true, but that's also just the means by which you reveal secrets of the people suffering every day life.
Indian cinema needs all ingredients like emotion, action, sentiment and humour; it's not easy. It's easy to make a Hollywood film, as it goes with a pattern. Our cinema needs a lot of commercial ingredients. That's why I don't do many films.
I think sport in general affects what people see in movies. I always try to explain to people in Hollywood that we have to make movies more like sport because, in sport, everything can happen and it's so much better than movies in some ways.
If the Indian people want stories written about themselves, how they want them told, they are going to have to make them, they're going to have to finance them. If you let Hollywood do it, Hollywood is going to get it wrong most of the time.
In Hollywood, famous singer Elvis Presley used to wear gold chains. I was a huge follower of Presley. I used to think, if I become successful someday, then I will build a different image of mine. By the grace of God, I could do it with gold.
In Hollywood if you're good looking, tall, have okay teeth and nice skin, the odds of being successful are great. If you're short and fat, it's a different story. But as long as you look like a leading man type, half your job is done already.
Honestly, I guess if you looked at my CV, I've been doing independent movies since I started. I think that I kind of took a few steps back from Hollywood as soon as it all started to come my way because I wasn't quite ready for the attention.
The thing that has led me to the place that I am is that every moment in my life, I've been following my dream: following my dream to go to the University of Toronto, following my dream to get my Ph.D., following my dream to work in Hollywood.
Dating in college and dating in Hollywood are actually really similar in that the relationships don't last long. Other than that, lots of people in Hollywood tend to be narcissistic, and it's hard to have a relationship with someone like that.
I looked at a lot of photos from Hollywood in the '20s, photographs of silent movies being filmed all over the world which are very specific and very evocative. Berenice, the lead actress, is my wife. She really followed the same path with me.
I think it’s important that nobody forgets that although Hollywood commercially dominates the world cinema, in fact what comes out of the filmmaking here is only a tiny slice out of the massive amount of operation that goes on around the world.
It seems like every year Hollywood makes an attempt to retell the Manson story, and I just couldn't be less interested in it. It's not really our crowning achievement as a civilisation. I'm not saying it shouldn't be done, but it just bores me.
I cannot stand Hollywood child performances. It just reeks of artifice, and it's weird that, for some reason, Hollywood feels they have to make their child characters smarter than adults, and suddenly kids have the vocabulary of a college grad.
You know when Hollywood does a great big blockbuster that really wraps you up in a world, and lets you believe in extraordinary things that move you in some way, in an almost operatic sensibility? That to me is the most fun I have at the movies.
Film buffs who don't live in Hollywood have a fantasy about what it's like to be a director. Movies and the people who make movies have such glamour associated with them. But the truth is, it's not like that. It's very different. It's hard work.
A lot of people in Hollywood are on that ego trip. They think they're more than somebody else. I've told a lot of stars in my career, 'Hey, man you're looking down on the people who made you. lf you keep doing that, you're gonna fall back down.'
I knew at the time my haircut was pretty damn god-awful, so I was just hoping that I wasn't one of the joke ones. And they put me through to Hollywood and I thought, "Well okay, maybe I'm still one of the joke ones but at least I'm not terrible?"
In Mumbai, it's almost like Hollywood. They can appeal to different segments and still be successful. There are multiplex audiences to whom you can showcase any lifestyle. But in Tamil cinema, we need to satisfy everybody, whether urban or rural.
I like movies that are scary, but I don't want them to be dirt dumb. I want a movie that gets my blood racing, makes me laugh, but also gives me something to think about, with maybe a little sexy thrown in. Hollywood doesn't make movies like that.
Awards were made in Hollywood, in whatever the time it was created. They're to promote each other's movies. You give me an award, I give you an award and people will believe that we are great movies and they'll go to see them. It's still the same.
Once you've written a good script, it will get made or not get made, according to variables you cannot control, like stars getting interested, and the superstitions in Hollywood rising or falling around what is over and done with versus what's in.
Perhaps, despite my objections, the success of films like: 'The Help,' 'Django,' 'The Butler,' or '12 Years a Slave,' will further persuade Hollywood to widen its view and edit its erroneous perception of what a commercial black film can look like.
I went back to Holland and I thought 'Ok, now I made so many movies in Hollywood, I know how special effects work, how to do action for not a lot of money, and I have all of these skills now.' It was something in Holland that nobody dared to touch.
The buried code of many American films has become: If I kill you, I have won and you have lost. The instinctive ethical code of traditional Hollywood, the code by which characters like James Stewart, John Wayne and Henry Fonda lived, has been lost.
It's not in what you wear but how you handle yourself. Like Hollywood celebrity Lindsay Lohan, I used to like her a lot because of her great fashion style but look at her attitude. Fashion is also about knowing what's right and doing what is right.
We live in a modest system, a galaxy called the Milky Way. If we named every star in the Milky Way and put them in the Hollywood telephone directory and stacked those telephone directories up, we'd have a pile of telephone directories 70 miles high.