Quotes of All Topics . Occasions . Authors
I've always had a booty even when I was a baby, and when I was in high school and was skinny, I still had the booty. In Hollywood's eyes, the perfect women has to be a stick figure, tall, blonde hair, with big boobs.
With the pay gap in Hollywood, I think it's very easy to say - 'oh, what are they complaining for? They're making millions of dollars.' But by having a woman in the industry do this, it's easier for others to see it.
The trouble with Hollywood is that it has poisoned us. If you see a poster of a movie it is mainly the picture of a woman and a man. Always a love story. Yes. But it shouldn't be that way. It should be another (way).
For John Woo, it is quite difficult to make a movie in Hollywood in his own style. Because Hollywood is based on a producer system, it is difficult for a director to express himself using his own style of filmmaking.
Hollywood films have become a cesspool of formula and it's up to us to try to change it... I feel like a preacher! But it's really true. I feel personally responsible for the future of American cinema. Me personally.
Once you got Hollywood doing these kinds of movies and having all the, how you say, the tools to do it, and also to keep on finding new ways of doing it becomes - Hollywood can be avant garde on what concerns action.
Hollywood is the sort of town where you wake up in the morning and look out to see if it's still there. I expect the whole movie colony to pick up its tents one night and go back to whatever fairyland they came from.
I drew a line for myself. I never dated anyone that could hire me when I was first in Hollywood, and I think that kept me focused on what I was there to do and how I wanted to go about it. I took it a step at a time.
Here's the thing about Jews in Hollywood. Not to stereotype, but the Jews I know here are the funniest, most self-deprecating people I know. And it's rare to find a Jew that is actually offended by comedy about them.
Well, when I came to Hollywood, there were three names really of Latin actors, three or four names, maybe five. There was Raul Julia, Edward James Olmos, Andy Garcia, Antonio Banderas, Jimmy Smits. Now there's a lot.
It would be easy to blame Hollywood to say that I was typed and forced to play the same role over and over. For a while, I did. But the truth is that I knew what I was doing. I was enjoying myself. I was making money.
They yell at me to be dignified. But what are the dignified people like? The people who are held up as examples of me? They are snobs. Frightful snobs I'm a curiosity in Hollywood. I'm a big freak, because I'm myself!
Now, there doesn't have to necessarily be a white man in the lead role. That's the way forward. That's diversity. It's cool if an Indian is playing the lead role in a Hollywood project, and we should be proud of this.
When you come into the industry as an outsider, you need to have an entrepreneurial spirit to succeed. In Hollywood, it's very clear that you either play by the rules or make up your own. And I wanted to do it my way.
The one thing that you simply have to remember all the time that you are there, is that Hollywood is an oriental city. As long as you do that you might survive. If you try to equate it with anything else you'll perish.
Well, Hollywood isn't made up of individual studio heads anymore. It's made of corporations. And corporations are looking for the bottom line. They don't want to take chances. They want the money back for stockholders.
As long as 'Pearl Harbor' stays in the past, it's perfect; when it wretchedly changes gears in the late going, it becomes the wrong kind of same old story: Hollywood stupidity and callowness, writ large across the sky.
Hollywood has done some of these films, and some of them are ginormous biblical movies, but you can tell the people making these are not invested in the truth of what those stories are biblically. It shows in the work.
When Shana Alexander interviewed me for Life magazine in 1952, she gave up after 4,000. At one time or another, I've worked for every studio in Hollywood, for almost every director with most of the actors and actresses.
My mother had been an actress and we came from that world in New York, the theater world and the downtown sort of theater scene, and so I guess we didn't really have what you'd call like a Hollywood kind of life at all.
I think movies are overdeveloped in Hollywood. There's a big benefit to not overdeveloping and not being so precious about what you're doing. I think you lose a kind of vitality if you develop something into the ground.
I'm often asked if I regret not going to Hollywood. I'm glad I didn't go, because if I had I wouldn't have my extended family, which is the fabric of my life. Only recently have I realised how special and unusual it is.
Coming from Ireland, its quite hard to do a startup because youre culturally so far away from what everyone else is doing. In the Bay Area, its much easier. Its the equivalent of an actor or actress moving to Hollywood.
You know, making fun of the excessiveness and the priorities that are most stilted out here which does make it difficult to have a very sort of grounded, normal life because there's really nothing normal about Hollywood.
For me, my family and my faith have been what's really been my anchor, and grounding me, and helping me navigate through a lot of the things that really destroy marriages in Hollywood, and in your own personal integrity.
Hollywood sometimes tends to patronize the interior of the United States. As Horton Foote used to say, the great Texas playwright, that a lot of people from New York don't know what goes on beyond the South Jersey Shore.
All over the world there are a lot of distributors that have the equipment for 3D but they don't have the movies really. The only source of 3D movies is Hollywood. Only Hollywood sends the 3D movies. So it was an option.
People still say to me, 'What, you still live in Mexico?' I don't have to go to the United States simply to find work, and I don't have to stop what I'm doing. I mean, which Hollywood film beats 'The Motorcycle Diaries?'
I had a friend in high school who badly wanted to make movies and would recruit me as an actor. It was always so much fun. I decided, I'm going to go to Hollywood and make movies, which is a thought I'd never had before.
We Americans have always considered Hollywood, at best, a sinkhole of depraved venality. And, of course, it is. It is not a protective monastery of aesthetic truth. It is a place where everything is incredibly expensive.
France can compete with the Hollywood studios in terms of animation savoir-faire, but not in terms of box-office figures. France is a small country, and the Americans are the masters of the world - for cinema, it's true.
The zero-sum world [the movie The Social Network] portrayed has nothing in common with the Silicon Valley I know, but I suspect it's a pretty accurate portrayal of the dysfunctional relationships that dominate Hollywood.
I think everybody else in Hollywood, including network execs, has the opportunity to ask for a raise or a change in scenery in a much shorter time frame than actors. But I do think the networks have to protect themselves.
I don't like when an Asian-American actor says, 'I'm entering this business to change Hollywood.' It feels like the wrong reason - I would prefer they entered the business for artistic reasons, because they need to do it.
People always say to me, "What's wrong with Hollywood? They don't want to make female-driven movies." And that's not where the problem lies. It lies with us, in society. When we make these movies, nobody goes to see them.
I won't change and my perspective won't change. I want to continue my life the way I live it, and I'm not going to let anything stop me from doing that. It isn't all about acting. There's a lot more to life than Hollywood.
My mother had been a country and western singer but when she moved out to Hollywood found it very difficult to get work so when I was born they put me into dance classes and singing classes as soon as I could walk actually.
For me, it was watching 'Reds' and 'Splendor in the Grass.' To me, 'Splendor' is like the companion piece to 'Rules Don't Apply.' It's set in the time when Warren [Beatty] came to Hollywood, and when he did that first film.
The fashion I've acquired over the years is so sacred to me - from costumes to couture, high fashion to punk wear I've collected from my secret international hot spots. I keep everything in an enormous archive in Hollywood.
Don't ever humiliate a man. If you're gonna have to dress him out, you take him aside and do it that way. That's the one thing I don't like about Hollywood: They go in for public humiliation. You shouldn't do that to a man.
When I first got out to Hollywood, they were pushing me for sitcoms, and I didn't really have an interest in them. I wanted to do films and slowly worked that way. And then it became, I guess, this curse of the leading man.
Practically everyone in Hollywood has a neighbor whos been famous, wants to be famous, is famous, has been married to someone famous, worked with someone famous, slept with someone famous, been blackmailed by someone famous.
Hollywood people are filled with guilt: white guilt, liberal guilt, money guilt. They feel bad that they're so rich, they feel they don't work that much for all that money - and they don't, for the amount of money they make.
I think women in Hollywood who don't do Botox and plastic surgery are revered. I revere them... My plan is to never go there. I'm too vain to get plastic surgery because I don't like how it looks, and I want to look my best.
It's rare in Hollywood to get the chance to work on something that you actually care about. The tragedy of the place is all these talented people trying to get excited about stuff they themselves would only view at gunpoint.
Hollywood is fickle; your career can end pretty fast. If the acting jobs dry up, you have to have something to fall back on. In fact, that would be my advice to kids interested in acting - make sure you get an education too.
Like every audition I go on, I do my best, but after that, I let it go because, you know, the rejection rate is so great in Hollywood, and I can only control what I do in the audition, and after that it's up to somebody else.
Marilyn Monroe Productions was the first female-owned production company in Hollywood. She paved the way for women in Hollywood, and every single woman owes something to her for that, whether they agree with her image or not.
I feel like if Hollywood can stretch for inclusion and intersectionality, and being intentional with its intersectionality, that that can ripple out past Hollywood into whatever industry and kind of affect society as a whole.
If a biopic is ever made on me, Priyanka Chopra will be able to do justice to my character. She is not only talented, but I also like the way she conducts herself. I am happy that she is making her presence felt in Hollywood.