Quotes of All Topics . Occasions . Authors
I was fortunate enough to do an HBO show, 'Rome,' in which my arc was built in by historical fact, and over the course of 22 episodes, we were able to tell the stories of these people. We had a beginning and middle and end, and as we went on, you changed every week.
I've always had strong ties with Delhi, and I do stay in touch with my friends and periodically visit the capital. I started my schooling at St. Columbus High School before I went to Mayo College. Delhi, for me, is a historical city with all its beautiful monuments.
When our systematic knowledge of human expressive behavior is more advanced, it will be possible to study the literary and historical documents of the past and to determine the expressed and implied views of personality that determined the behavior of our ancestors.
Until affirmative action is described and understood as one mechanism by which to make amends for historical wrongdoing against members of marginalized communities, it will fail to meaningfully address the inequality that exists as a direct result of federal policy.
What I found was when I started my first study, and then in subsequent studies, is here you have people under some kind of duress, or I chose to study them because they represented some kind of historical event, as it impacted on them or as they helped to create it.
I believe the example of the Zapatistas is a very relevant historical example. I would say it is one of the forms at the idea level, and through the work they have achieved, one of the most dignified historical examples that has happened in the history of the world.
However rich we may become in knowledge of the deeper causes of historical results, we forgo all understanding of history if we forget this inner continuity,--i.e., the conscious intentions of the participants in history-making and their consciously known successes.
There are filmmakers like me in different parts of the world that have a story they want to tell, and it's a story that comes out of a certain historical reality within their own life. Then you get committed all the way and however long it takes, stay very committed.
We are not buried in history, but surrounded by it. You can't avoid our behavior being shaped by it, to a considerable degree. We have this fantasy that we are free of history. This allows us not to see the circumstances, the historical circumstances of other people.
For historical currents do not irresistibly propel themselves and everyone in their path. No matter what their broader structural or ideological roots, they both carry along and are carried along by people, who are not merely passengers of history, but pilots as well.
Presently, the Commission for Commemorating 350 Years of American Jewish History has been brought about to encourage and sponsor a variety of historical activities that advance our understanding of the American Jewish experience as it marks this milestone anniversary.
As founder and co-chair of the upper Mississippi River Congressional task force, I have long sought to preserve the river's health and historical multiple uses, including as a natural waterway and a home to wildlife, for the benefit of future generations of Americans.
Even when God chose Israel, he did not create the people of Israel as he created its human members, as natural beings. Instead, God formed the people of Israel from individual human beings already living in the natural world, calling them into a new historical identity.
It is of course perfectly possible for a university, or any institution, to carry out a rigorous investigation into the historical origins of its accumulated wealth, while at the same time putting in place systems to address modern inequalities of access and attainment.
A hard Brexit would be so damaging to the true interests of the UK that what might follow - if we are lucky - is a great unmasking, not just of the political fantasists and chancers who peddled the great Brexit swindle, but of the historical delusion that empowered them.
All those instances to be found in history, whether real or fabulous, of a doubtful public spirit, at which morality is perplexed, reason is staggered, and from which affrighted Nature recoils, are their chosen and almost sole examples for the instruction of their youth.
In designing the scenery and costumes for any of Shakespeare's plays, the first thing the artist has to settle is the best date for the drama. This should be determined by the general spirit of the play more than by any actual historical references which may occur in it.
The classical error of historical Christianity is that we have never started with the value of the person. Rather, we have started from the 'unworthiness of the sinner', and that starting point has set the stage for the glorification of human shame in Christian theology.
Omit a few of the most abstruse sciences, and mankind's study of man occupies nearly the whole field of literature. The burden of history is what man has been; of law, what he does; of physiology, what he is; of ethics, what he ought to be; of revelation, what he shall be.
For me, the historical and genealogical library is the one I use. I'm working on, I'll say, it's a time travel novel. I haven't written very much of it. That's the dirty secret of the Cullman center: The writers don't write their fiction there, they just do their research.
Another important historical factor is the fact that this already very simple religion was further simplified and purified by the early philosophers of ancient China. Our first great philosopher was a founder of naturalism; and our second great philosopher was an agnostic.
Since history has no properly scientific value, its only purpose is educative. And if historians neglect to educate the public, if they fail to interest it intelligently in the past, then all their historical learning is valueless except in so far as it educates themselves.
Johnnie Cochran was such a heroic figure for getting the acquittal of O.J. Simpson, and the acquittal was such a historical event because it was the first time that I'd seen somebody who looked like me have the criminal justice system work in their favor rather than against.
I learned about serif and san serif typefaces, about varying the amount of space between different letter combinations, about what makes great typography great. It was beautiful, historical, artistically subtle in a way that science can't capture, and I found it fascinating.
Everything in 'The Tudors' is initially based on my historical research, and the fact is that the most unlikely scenes were the ones which were probably most based on reality. I prefer to be as real as possible, and there is so much of that story that you just can't make up.
'A Spy in the House', the first of Y. S. Lee's 'The Agency' novels, is pure confection, an historical romp through England at the height of The Great Stink that imagines a secret spy ring for women tucked away where few notice but powerful factions clamor for their services.
Bombing is not especially inhumane. War itself is inhumane and the bombing plane, which is used to paralyse industry and transport, is a relatively civilised weapon. 'Normal' or 'legitimate' warfare is just as destructive of inanimate objects and enormously so of human lives.
We can imagine a society in which no one could survive as a social being because it does not correspond to biologically determined perceptions and human social needs. For historical reasons, existing societies might have such properties, leading to various forms of pathology.
I read numerous books - loads in fact - and, as I always do when recording a historical project, immersed myself into the subject matter. I spent many hours at Henrys old homes, such as Hampton Court, and visiting the Tower of London. I read no other books during that period.
Whenever I've had to tamper with history for plot purposes, I make sure to mention that in my author's note, and I try to keep such tampering to a bare minimum. I also attempt to keep my characters true to their historical counterparts. This is not always possible, of course.
The Russian drama began at the end of 1991, when the Soviet Union mercifully ended. Russia and 14 other new countries emerged from the ruins of the Soviet Union. Every one of those 15 new states faced a profound historical, economic, financial, social and political challenge.
Fascinating, often hilarious, always devastatingly truthful, The Inconvenient Indian is destined to become a classic of historical narrative. For those who wish to better understand Native peoples, it is a must read. For those who don't wish to understand, it is even more so.
Our national history cannot be national if, in the near future, one in three young adults feels their stories remain untold, if this country's long global history of empire and interconnections is marginalised and if the historical reality of race is rendered almost invisible.
Only two to three per cent of an audience is interested in words and pays attention to lyrics; most of the rest of it is about image or the beat or the sound, or else it's a tribal thing - country & western, rap, heavy metal, with historical folk rock off in some kind of cult.
My wife, Lisa, and I both grew up on wuxia - Chinese historical romances. They're kind of analogous to Western epics. They're based on history, just like 'the Iliad' and 'the Odyssey' are based on history, but they're romanticized, and a lot of fantasy elements have been added.
Bloomberg weighed three hundred pounds. This itself was historical. I revered his weight. It was an affirmation of humanity's reckless potential; it went beyond legend and returned through mist to the lovely folly of history. To weigh three hundred pounds. What devout vulgarity.
We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical field of human relations in which the action takes place, but employs and encourages those thoughts and feelings which help transform the field itself.
I thought I wanted to be a performing and recording artist, and played many recitals and performances beginning in the 1970s. In the 1980s I went to the British Library and ordered and received reels of historical women and men keyboard composers, and thus was born Vivace Press.
I have no intention of selling any more of the historical Apollo 11 items in my possession for the remainder of my life. I intend to pass a portion of these items on to my children and to loan the most important items for permanent display in suitable museums around the country.
'Memory.' 'Race.' 'Murder.' That's what they say about me. I am an elegiac poet. I have some historical questions, and I'm grappling with ways to make sense of history; why it still haunts us in our most intimate relationships with each other, but also in our political decisions.
I first started writing historical fiction in the late '70s and kept pictures of Kathleen Woodiwiss and Rosemary Rogers on my refrigerator until my first book was published by Avon in 1982. The biggest advantage of this genre for me is that it allows me to blend fact and fiction.
Juliet is one of those rare novels that has it all: lush prose, tightly intertwined parallel narratives, intrigue, and historical detail all set against a backdrop of looming danger. Anne Fortier casts a new light on one of history's greatest stories of passion. I was swept away.
What of the Exodus? That too, is a wonderful story, but from the viewpoint of an historian, it is - to use a word scholars love - problematic. Let's say there are doubts, to say the least, among many scholars, as to whether the Exodus actually occurred. That's a historical issue.
The problem is, even when we preach the Gospel correctly, then we go to this thing on how to invite men and it's not biblical or historical. We get them to jump through some evangelical hoops and say, "yes" to the appropriate questions and we pope-ishly announce them to be saved.
When I was growing up I loved reading historical fiction, but too often it was about males; or, if it was about females, they were girls who were going to grow up to be famous like Betsy Ross, Clara Barton, or Harriet Tubman. No one ever wrote about plain, normal, everyday girls.
Let's face a historical truth: we have never had a "free market", we have always had government intervention in the economy, and indeed that intervention has been welcomed by the captains of finance and industry. They had no quarrel with "big government" when it served their needs.
The retirement at WrestleMania 32 was a bittersweet moment for me. I was excited to see the next chapter of my life, which is becoming a mother, but at the same time, it was a very historical moment. It was a big part of what the Women's Division has been striving and fighting for.
They [Arabs] wanted to catch up with the modern world. The West appreciated that, but was more interested in colonies, markets, and spheres of influence. Such is the way in which historical forces operate: the give and take between nations, as between cultures, is no simple exchange
Some writers may toy with the fancy of a ‘Christ-myth,’ but they do not do so on the ground of historical evidence. The historicity of Christ is as axiomatic for an unbiased historian as the historicity of Julius Caesar. It is not historians who propagate the ‘Christ-myth’ theories.
An individual or a group of individuals might of course decide at any time that they would like to invest capital with the objective of acquiring still more capital. But, before a certain moment in historical time, it had never been easy for such individuals to do this successfully.